An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime. Written by
Mark Thompson <email@example.com>
David O. Selznick insisted the filmmakers use Alida Valli for the female lead. Actually, Carol Reed and Alexander Korda were happy with the choice. Selznick became dissatisfied that Reed had Valli wear more plain clothes, wanting her to look glamorous and beautiful throughout. Reed won out on this aspect, due to the support of Korda. See more »
After Calloway has shown Martins the evidence against Lime, Calloway picks up the phone. We hear his line, "Get me police headquarters," but we don't see his lips move. See more »
Nobody thinks in terms of human beings. Governments don't. Why should we? They talk about the people and the proletariat, I talk about the suckers and the mugs - it's the same thing. They have their five-year plans, so have I.
You used to believe in God.
Oh, I still do believe in God, old man. I believe in God and Mercy and all that. But the dead are happier dead. They don't miss much here, poor devils.
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Unrelenting fascination is what I have every time I watch this movie. It never seems old. It's in my mind, haunting me, with its unearthly music and its dark, oblique photography. And that great Orson Welles' speech, and also the best entrance in movie history to go along with the best exit in movie history. It couldn't be better. I can't even express how I feel in words. Watch it again and again, and you'll be dazed!
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