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The Third Man (1949)

Approved | | Film-Noir, Mystery, Thriller | 31 August 1949 (UK)
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Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.

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Top Rated Movies #125 | Won 1 Oscar. Another 4 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
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Anna Schmidt (as Valli)
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Karl - Harry's Porter (as Paul Hoerbiger)
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'Baron' Kurtz
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Popescu
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Dr. Winkel
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Anna's Old Landlady
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Storyline

An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

He'll have you in a dither with his zither! (from reissue print) See more »


Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

| |

Release Date:

31 August 1949 (UK)  »

Also Known As:

The 3rd Man  »

Filming Locations:

 »

Box Office

Opening Weekend:

$13,576 (USA) (9 May 1999)

Gross:

$449,191 (USA) (22 November 2015)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

During meetings between Graham Greene and Carol Reed with David O. Selznick, Greene was less than impressed with Selznick, who had (according to Selznick's own son) "become something of a parody of himself". Greene later mocked Selznick's dependency, at that stage, on the drug Dexedrine, better known as "speed". Coincidentally, Reed also became hooked on Dexedrine while shooting the time-consuming film. Both Reed and Selznick were operating on as little as 2 hours of sleep a day. See more »

Goofs

The dog and the book briefly change between Kurtz' two hands when he is being shown where Lime was hit by a truck. See more »

Quotes

Opening narrator: I never knew the old Vienna before the war with its Strauss music, its glamour and easy charm. Constantinople suited me better.
[Scenes of black market goods changing hands]
Opening narrator: I really got to know it in the classic period of the black market. We'd run anything if people wanted it enough and had the money to pay. Of course a situation like that does tempt amateurs
[Dead body seen floating in the river]
Opening narrator: but, well, you know, they can't stay the course like a professional.
Opening narrator: Now the city is divided into ...
[...]
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Crazy Credits

Opening credits prologue: V I E N N A See more »

Connections

Referenced in Bubblegum Crisis (1987) See more »

Soundtracks

Managua, Nicaragua
(1946) (uncredited)
Music by Irving Fields
Lyrics by Albert Gamse
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Joseph Cotten is Excellent in Revolutionary Film Noir
21 May 2002 | by (New York) – See all my reviews

"I never knew the Old Vienna, before the war, with its Strauss Music," opens Carol Reed's The Third Man, and we catch a glimpse of the New Vienna, with its Black Market and its Shady Deals. Joseph Cotten plays cheap novelette author Holly Martins, just arrived in Vienna to meet with long-time friend Harry Lime, who offered him a job. He instead meets with the mysterious facts surrounding the death of Lime, learned bit-by-bit from Lime's friends, a woman named Anna Schmidt, who has problems of her own (played excellently by Valli), and two British officers, Calloway and Paine. Learning, that there is more to death of Lime than there seems to be, Martins begins his investigation for the truth. This film was shot with some of the greatest, most ahead-of-its-time cinematography ever, and it creates mystery and deceit. It is complimented by the excellent use of shadows. The soundtrack is essentially one long song, which plays throughout the film, changing and stopping as the emotion calls for. It is a zither composition by Anton Karas made for the film. This is all topped off by an engrossing storyline, and a great performance by Joseph Cotten, as the ordinary man mixed up in this web of mystery.


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