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The Third Man (1949)

8.4
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Ratings: 8.4/10 from 89,788 users  
Reviews: 367 user | 178 critic

Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime.

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Title: The Third Man (1949)

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Top 250 #99 | Won 1 Oscar. Another 3 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Anna Schmidt (as Valli)
...
...
...
Sgt. Paine
Paul Hörbiger ...
Karl - Harry's Porter (as Paul Hoerbiger)
Ernst Deutsch ...
'Baron' Kurtz
Siegfried Breuer ...
Popescu
Erich Ponto ...
Dr. Winkel
...
Hedwig Bleibtreu ...
Anna's Old Landlady
Edit

Storyline

An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has lead to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

He'll have you in a dither with his zither! (from reissue print) See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

31 August 1949 (UK)  »

Also Known As:

The 3rd Man  »

Box Office

Opening Weekend:

£17,856 (UK) (16 July 1999)

Gross:

$596,349 (USA) (17 December 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Theater Guild on the Air" broadcast a 60 minute radio adaptation of the movie on January 7, 1951 with Joseph Cotten reprising his film role. See more »

Goofs

After Calloway has shown Martins the evidence against Lime, Calloway picks up the phone. We hear his line, "Get me police headquarters," but we don't see his lips move. See more »

Quotes

Porter: He is now
[points up]
Porter: in hell, or
[points down]
Porter: in heaven.
See more »

Connections

Featured in An Alan Smithee Film: Burn Hollywood Burn (1997) See more »

Soundtracks

Managua, Nicaragua
(1946) (uncredited)
Music by Irving Fields
Lyrics by Albert Gamse
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Four men on a bridge
13 October 2004 | by (New York) – See all my reviews

A great deal has been said about "The Third Man" by contributors to this forum. Having seen the restored copy that was shown at the Film Forum, recently, I could not resist watching this masterpiece once more when it was shown by TCM, the other night.

This movie owes a debt of gratitude to Graham Greene, a writer who had the most developed sense of intrigue among his contemporaries and one of the best writers of the last century. It also helped that a great director, Carol Reed, brought it to the screen. Mr. Reed was a director who had an eye for detail, as he demonstrates here, as well as in the rest of the body of work he left for us to enjoy.

The screen play is faithful to the original novel. If to all of the other elements we add the fabulous cinematography of Robert Krasker, the result has to be the masterpiece we see today. Never before has a city taken center stage in the development of the story that is presented here. Mr. Krasker's wonderful night vision of this city enhances the story as we are taken along for a fantastic trip of the post war Vienna of 1949.

The casting of this film is amazing. Never had so many excellent actors been thrown together in a film, as it is the case as with this picture. Joseph Cotten, Alida Valli, Trevor Howard, Orson Welles, Bernard Lee, Ernst Deutsch, Paul Horbiger, Erich Ponto and Wilfred Hyde White are splendid in their roles. It is hard to imagine these characters played by other actors.

Orson Welles has perhaps the best part, even though his time before the camera is short. This must have been one of the best roles in which Welles appeared. Of course, there are so many others, but his Harry Lime is an original and could have fitted perfectly in one of his own films.

The music by Anton Karas is still haunting, with the exception of a few times at the beginning of a couple of scenes, when it startles the viewer and actually doesn't add anything to what we are about to see.

This film will live forever.


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