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The Third Man (1949)

Not Rated  |   |  Film-Noir, Mystery, Thriller  |  31 August 1949 (UK)
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Ratings: 8.3/10 from 105,650 users  
Reviews: 398 user | 210 critic

Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.



(by), (screen play), 3 more credits »
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Top Rated Movies #111 | Won 1 Oscar. Another 4 wins & 4 nominations. See more awards »



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Complete credited cast:
Anna Schmidt (as Valli)
Karl - Harry's Porter (as Paul Hoerbiger)
Ernst Deutsch ...
'Baron' Kurtz
Erich Ponto ...
Dr. Winkel
Hedwig Bleibtreu ...
Anna's Old Landlady


An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has lead to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis


You've never met anyone like him! (from reissue print ad) See more »


Not Rated | See all certifications »

Parents Guide:





| |

Release Date:

31 August 1949 (UK)  »

Also Known As:

The 3rd Man  »

Box Office

Opening Weekend:

$13,576 (USA) (7 May 1999)


$449,191 (USA) (20 November 2015)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


During meetings between Graham Greene and Carol Reed with David O. Selznick, Greene was less than impressed with Selznick, who had (according to Selznick's own son) "become something of a parody of himself". Greene later mocked Selznick's dependency, at that stage, on the drug Dexedrine, better known as "speed". Coincidentally, Reed also became hooked on Dexedrine while shooting the time-consuming film. Both Reed and Selznick were operating on as little as 2 hours of sleep a day. See more »


After Harry's funeral, in the Zentralfriedhof, Anna goes into the straight alley. We see her shadow on the right side on the screen See more »


Porter: He is now
[points up]
Porter: in hell, or
[points down]
Porter: in heaven.
See more »


Referenced in Culpa (2008) See more »


Das Alte Lied
(1931) (uncredited)
Music by Henry Love
Lyrics by Fritz Löhner-Beda
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A movie ahead of its time
26 June 1999 | by (Boston) – See all my reviews

The Third Man is a movie that looks and feels not like a movie of the 40s, but like a neo-noir of the late 60s/early 70s. This wonderful example of classic noir is one of the all time greatest films. It combines amazing visuals, sounds, dialogue, and acting to tell a thrilling story and comment about the atmosphere after WWII.

Of all the movies durring the studio era (pre-1960ish), there are three movies with cinematography that always stick out in my mind: Gregg Toland's work in Citizen Kane, Russel Mety's work in Touch of Evil, and Robert Krasker's work in The Third Man (all starring Orson Welles funny enough). I just recently saw a restored 35mm version of The Third Man. The crisp black and white visuals of a bombed out Vienna are so breath-taking. Shadows are everywhere. The unique way Krasker tilts the camera in some shots adding to the disorientation of the plot. And who can forget the first close-up of Welles with the light from an apartment room above splashing onto his face; one of the great entrances in movie history (Lime gives his old friend a smile that only Welles could give).

The cinematography is backed by strong performances by Welles, Cotten, and italian actress Vali. The writing of Greene is wonderful; you can see the plot twisting around Cotten tightly. But what makes The Third Man so great is its historical commentary (well not really historical since it was commenting on its own time, but to us it is historical). On one level The Third Man is a story of betrayal and corruption in a post-war, occupied Vienna. On the other hand, its giving the audience a glimpse of the mood of Europe after the great war. The uncertainty that the Cold War was bringing is evident through out the film; Cotten is constantly trying to figure out who to trust. Vienna is on the frontier of the new communist bloc (we even see the communists infiltrating Vienna trying to bring Vali back to her native Czechoslavakia). The zither music score combined with the stark images of bombed out Vienna are reminiscent of the frontier towns of American Westerns. So The Third Man is not only a wonderful film noir, but a unique look at the brief time between WWII and the height of the Cold War.

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Message Boards

Recent Posts
Great movie, horrible music! oxhan
Favorite scene of the Third Man richsass
point is Harry Lime's charisma makes people overlook he is an sob debtfull
WHY do you love this film SO MUCH? ali8970
Several things I don't understand or can't be convinced mablecheng1981
I enjoy repeated viewings of this more than Citizen Kane peterduray-bito
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