The Third Man (1949)

Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime.

Director:

Carol Reed

Writers:

Graham Greene (by), Graham Greene (screen play),

Stars:

Joseph Cotten, Alida Valli, Orson Welles

Top 250 #74 | Won 1 Oscar. Another 2 wins & 4 nominations.

Cast

Complete credited cast:
Joseph Cotten	...	Holly Martins
Alida Valli	...	Anna Schmidt (as Valli)
Orson Welles	...	Harry Lime
Trevor Howard	...	Maj. Calloway
Bernard Lee	...	Sgt. Paine
Paul Hörbiger	...	Karl - Harry's Porter (as Paul Hoerbiger)
Ernst Deutsch	...	'Baron' Kurtz
Siegfried Breuer	...	Popescu
Erich Ponto	...	Dr. Winkel
Wilfrid Hyde-White	...	Crabbin
Hedwig Bleibtreu	...	Anna's Old Landlady

Storyline

An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has lead to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime.

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Plot Keywords:

death | black market | writer | police | czech | 

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Taglines:

Hunted by men...Sought by WOMEN!

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Genres:

Film-Noir | Mystery | Thriller

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Certificate:

Approved

Details

Country:

UK

Language:

English German Russian

Release Date:

31 August 1949 (UK)

Also Known As:

The 3rd Man

Filming Locations:

8 Schreyvogelgasse, Vienna, Austria

Box Office

Opening Weekend:

£17,856 (UK) (16 July 1999)

Gross:

$596,349 (USA) (17 December 1999)

Company Credits

Production Co:

Carol Reed's Production, London Film Productions

Technical Specs

Runtime:

104 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

"Theater Guild on the Air" broadcast a 60 minute radio adaptation of the movie on January 7, 1951 with Joseph Cotten reprising his film role.

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Goofs

After Harry's funeral, in the Zentralfriedhof, Anna goes into the straight alley. We see her shadow on the right side on the screen

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Quotes

Calloway: Go home Martins, like a sensible chap. You don't know what you're mixing in, get the next plane.
Martins: As soon as I get to the bottom of this, I'll get the next plane.
Calloway: Death's at the bottom of everything, Martins. Leave death to the professionals.
Martins: Mind if I use that line in my next Western?

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Connections

Referenced in Tesis (1996)

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Soundtracks

"Das Alte Lied"
(1931) (uncredited)
Music by Henry Love
Lyrics by Fritz Löhner-Beda

User Reviews

A Flawless Classic

This is a rare film that is flawless in every respect. It combines great acting and memorable characters with a fascinating story, taking place in an interesting setting and adding a creative musical score. "The Third Man" is remembered for many things - for Orson Welles' wonderful performance in his appearances as Harry Lime, for its wonderfully appropriate musical score, and for its nicely conceived plot surprises. Adding to these is Joseph Cotten's fine portrayal of Holly Martins, which holds the rest of it together - it is his character who initiates most of the action, and also through whom we view everything and everyone else.

The story starts, after a nicely done prologue, with Martins arriving in Vienna, and finding out that his friend Harry is not only dead but is accused of running a particularly destructive black market racket. Martins sets out at once to prove his friend's innocence, getting into an immediate scuffle with the police, and it seems at first to set up a conventional plot about clearing the name of a friend - but the actual story that follows is much deeper and much better. It is just right that Martins is an innocent who writes cheap novels for a living, and he gets a pretty memorable lesson in fiction vs. reality. There are some great scenes (the Ferris-wheel confrontation being as good a scene as there is in classic cinema) leading up to a memorable climactic sequence, and a good supporting cast, with Alida Valli as Anna being very good in complementing Lime and Martins. The setting in crumbling post-war Vienna and the distinctive zither score go very nicely with the story.

This is a fine, flawless classic, and while obviously belonging to an earlier era, it deserves a look from anyone who appreciates good movies.