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The Third Man (1949)

8.4
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Ratings: 8.4/10 from 86,563 users  
Reviews: 364 user | 176 critic

Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, black-market opportunist Harry Lime.

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Title: The Third Man (1949)

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Top 250 #98 | Won 1 Oscar. Another 3 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Anna Schmidt (as Valli)
...
...
...
Sgt. Paine
Paul Hörbiger ...
Karl - Harry's Porter (as Paul Hoerbiger)
Ernst Deutsch ...
'Baron' Kurtz
Siegfried Breuer ...
Popescu
Erich Ponto ...
Dr. Winkel
...
Hedwig Bleibtreu ...
Anna's Old Landlady
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Storyline

An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has lead to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

HUNTED...By a thousand men! Haunted...By a lovely girl! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

31 August 1949 (UK)  »

Also Known As:

The 3rd Man  »

Box Office

Opening Weekend:

£17,856 (UK) (16 July 1999)

Gross:

$596,349 (USA) (17 December 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The original script included a return appearance by Charters and Caldicott, the two English cricket enthusiasts who first appeared in Alfred Hitchcock's The Lady Vanishes (1938), and later in Carol Reed's Night Train to Munich (1940). However, the two characters were streamlined into the role of Mr. Crabbin, played by Wilfrid Hyde-White. See more »

Goofs

In the sewer before putting fingers through grate, Harry Lime holds the stair's supporting pole with his right hand, but the gun should be in his hand, as displayed before and after this shot. See more »

Quotes

Popescue: That's a nice girl, that. But she ought to go careful in Vienna. Everybody ought to go careful in a city like this.
See more »

Connections

Spoofed in Pinky and the Brain: The Third Mouse/The Visit (1996) See more »

Soundtracks

The Third Man Theme
(1949) (uncredited)
Written by Anton Karas
Performed by Anton Karas on a zither
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Flawless Classic
23 July 2001 | by (Ohio) – See all my reviews

This is a rare film that is flawless in every respect. It combines great acting and memorable characters with a fascinating story, taking place in an interesting setting and adding a creative musical score. "The Third Man" is remembered for many things - for Orson Welles' wonderful performance in his appearances as Harry Lime, for its wonderfully appropriate musical score, and for its nicely conceived plot surprises. Adding to these is Joseph Cotten's fine portrayal of Holly Martins, which holds the rest of it together - it is his character who initiates most of the action, and also through whom we view everything and everyone else.

The story starts, after a nicely done prologue, with Martins arriving in Vienna, and finding out that his friend Harry is not only dead but is accused of running a particularly destructive black market racket. Martins sets out at once to prove his friend's innocence, getting into an immediate scuffle with the police, and it seems at first to set up a conventional plot about clearing the name of a friend - but the actual story that follows is much deeper and much better. It is just right that Martins is an innocent who writes cheap novels for a living, and he gets a pretty memorable lesson in fiction vs. reality. There are some great scenes (the Ferris-wheel confrontation being as good a scene as there is in classic cinema) leading up to a memorable climactic sequence, and a good supporting cast, with Alida Valli as Anna being very good in complementing Lime and Martins. The setting in crumbling post-war Vienna and the distinctive zither score go very nicely with the story.

This is a fine, flawless classic, and while obviously belonging to an earlier era, it deserves a look from anyone who appreciates good movies.


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