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The Third Man (1949)

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Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.

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Top Rated Movies #127 | Won 1 Oscar. Another 4 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
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Anna Schmidt (as Valli)
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Karl - Harry's Porter (as Paul Hoerbiger)
Ernst Deutsch ...
'Baron' Kurtz
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Dr. Winkel
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Anna's Old Landlady
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Storyline

An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Hunted by men...Sought by WOMEN! See more »


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Details

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Release Date:

12 October 1949 (France)  »

Also Known As:

The 3rd Man  »

Filming Locations:

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Box Office

Opening Weekend:

£17,856 (United Kingdom), 18 July 1999, Limited Release

Opening Weekend USA:

$13,576, 9 May 1999, Limited Release

Gross USA:

$449,191, 22 November 2015
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Although David O. Selznick theoretically produced, the rest of the crew hated him and his ideas (he suggested once to Graham Greene that the film be called "Night Time in Vienna"). See more »

Goofs

The line about the cuckoo clock being Switzerland's only contribution to culture is factually incorrect: the cuckoo clock comes from the Black Forest, across the border in southwestern Germany. See more »

Quotes

Martins: I'd make comic faces... and stand on my head and grin at you between my legs... and tell all sorts of jokes. I wouldn't stand a chance, would I?
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Crazy Credits

Opening credits prologue: V I E N N A See more »

Connections

Referenced in Ta kourelia tragoudane akoma... (1979) See more »

Soundtracks

The Third Man Theme
(1949) (uncredited)
Written by Anton Karas
Performed by Anton Karas on a zither
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Frequently Asked Questions

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User Reviews

Time for Lime
18 June 2004 | by See all my reviews

Who was Harry Lime (Orson Welles)? An evil man, devil in the flesh who was responsible for the unspeakable crimes, yet brilliant, cheerful and charismatic. His most famous words, a short speech written by Welles himself, say a lot about his character and motivations:

"In Italy for 30 years under the Borgies they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock."

No wonder, we like him, even though we know what he'd done…

It has been said thousands of times about the greatest movie entrance ever – but what about his 'exit' – the fingers on the street? I think it is one of the greatest, too…

A beautiful mysterious girl with tragic past was in love with him and the unforgettable ending, so anti–Hollywood, so true to the film - was about her love that goes beyond the grave. I read that both Selznick (the producer) and author Graham Greene had initially argued for something more upbeat (Holly and Anna walking off arm-in-arm), but Reed disagreed. I am so happy that Reed won (I am sure millions of fans are, too). That was the way to finish the movie and make it much more than just typical noir. Makes the viewer think about love, friendship, betrayal, loyalty, the price one pays for them.

Amazing film - perfectly shot; almost flawless. It looks and feels like Welles himself could've made it. The influence of Citizen Kane is undeniable. The only problem I had – the music. I like it but it was very strange to hear it in the film like The Third Man. Maybe that was a purpose – instead of somber, moody, and ominous music that would be expected for the noir film, something completely different and out of place – cheerful but melancholy in the same time…

Criterion DVD is wonderful – the restored version of the film shines. There are two openings of the film available – British and American, and a lot of extras.


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