An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has lead to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime. Written by
Mark Thompson <firstname.lastname@example.org>
When the film was initially distributed in America, David O. Selznick replaced the narration at the beginning (a necessity to explain the very unusual status of Vienna in the aftermath of World War II, when the film was set), originally done by Carol Reed himself, with a narration read by Joseph Cotten, in character as Holly Martins. Nearly eleven minutes of film was cut out in Selznick's version, including all references in the original cut to Cotten's Holly Martins being an implied alcoholic and anything else that portrayed him as a less than heroic figure. See more »
The line about the cuckoo clock being Switzerland's only contribution to culture is factually incorrect: the cuckoo clock comes from the Black Forest, across the border in southwestern Germany. See more »
I never knew the old Vienna before the war with its Strauss music, its glamour and easy charm. Constantinople suited me better.
[Scenes of black market goods changing hands]
I really got to know it in the classic period of the black market. We'd run anything if people wanted it enough and had the money to pay. Of course a situation like that does tempt amateurs
[Dead body seen floating in the river]
but, well, you know, they can't stay the course like a professional.
Now the city is divided into ...
[...] See more »
Joseph Cotten is Excellent in Revolutionary Film Noir
"I never knew the Old Vienna, before the war, with its Strauss Music," opens Carol Reed's The Third Man, and we catch a glimpse of the New Vienna, with its Black Market and its Shady Deals. Joseph Cotten plays cheap novelette author Holly Martins, just arrived in Vienna to meet with long-time friend Harry Lime, who offered him a job. He instead meets with the mysterious facts surrounding the death of Lime, learned bit-by-bit from Lime's friends, a woman named Anna Schmidt, who has problems of her own (played excellently by Valli), and two British officers, Calloway and Paine. Learning, that there is more to death of Lime than there seems to be, Martins begins his investigation for the truth. This film was shot with some of the greatest, most ahead-of-its-time cinematography ever, and it creates mystery and deceit. It is complimented by the excellent use of shadows. The soundtrack is essentially one long song, which plays throughout the film, changing and stopping as the emotion calls for. It is a zither composition by Anton Karas made for the film. This is all topped off by an engrossing storyline, and a great performance by Joseph Cotten, as the ordinary man mixed up in this web of mystery.
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