The soldier Nick Garcos returns back home from the war very happy with gifts for his parents Yanko and Parthena Garcos and money in his pocket to open a business and get married with his girlfriend Polly Faber. Out of blue, Nick realizes that his father lost both legs and Yanko, who was a truck driver, tells that he was cheated by the dealer Mike Figlia in the San Francisco's market when he delivered a truckload of tomatoes and was not paid. He believes that his accident was provoked by Figlia's gangsters. He also tells that he sold the truck to a driver named Ed Kinney that has not paid him. Nick meets Ed and tells that he will bring the truck back, but Ed proposes a deal with apples, where they may earn a great amount. Nick invests his savings in another truck and buys apples from a Polish farmer. They need to drive directly to the market in San Francisco without sleeping to keep the fruits fresh, but Ed's truck has problem on its axle and Nick arrives first. Mike Figlia hires the ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Lee J. Cobb (Mike Figlia) and Morris Carnovsky (Yanko Garcos) were both members of the famous Group Theater (1931-1940) and appeared together in the original Broadway production of Odets' "Golden Boy," Carnovsky played the father of the boxer. When the play was filmed with William Holden in his debut role, Cobb played the father. See more »
When Rica tells Nick he looks tired, he responds "You'd be tired too if you drove four hundred miles without sleep." The distance from Fresno to San Francisco is less than 200 miles. See more »
Nico 'Nick' Garcos:
Hey, do you like apples?
Everybody likes apples, except doctors.
Nico 'Nick' Garcos:
Do you know what it takes to get an apple so you can sink your beautiful teeth in it? You gotta stuff rags up tailpipes, farmers gotta get gypped, you jack up trucks with the back of your neck, universals conk out...
I don't know what are you talking about, but I have a new respect for apples.
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This film was a huge influence on David Lynch when he was studying film at AFI and you'll find references to it in every film he's made since then -- The grinding gears in Eraserhead, the downtown soundscapes of that film, Dune & The Elephant Man, orchard visuals in The Straight Story, and most directly Isabella Rossellini reprising Valentina Cortese in Blue Velvet.
I'd go so far as to say Blue Velvet is a scene-for-scene crib of Thieves Highway in theme and all its major details, with Dennis Hopper as Lee J. Cobb. Conte's legless father is mirrored in Jeffrey's stroke-ridden father. Both come back from independent lives of young adulthood to help their struggling families in a stultifying world of greed. Both have the corn-fed woman they love and the Italian demoiselle they sleep with. Both find their lives endangered by a corrupt crime boss. There, is that ten lines?
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