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A retelling of the Greek myth of Phaedra. In modern Greece, Alexis's father, an extremely wealthy shipping magnate, marries the younger, fiery Phaedra. When Alexis meets his stepmother, ... See full summary »
Evie's co-workers at the uniform shirt factory, and her almost-fiancée's inability to kiss, inspire her to slip a letter into a size sixteen-and-a-half shirt for some anonymous soldier. ... See full summary »
The soldier Nick Garcos returns back home from the war very happy with gifts for his parents Yanko and Parthena Garcos and money in his pocket to open a business and get married with his girlfriend Polly Faber. Out of blue, Nick realizes that his father lost both legs and Yanko, who was a truck driver, tells that he was cheated by the dealer Mike Figlia in the San Francisco's market when he delivered a truckload of tomatoes and was not paid. He believes that his accident was provoked by Figlia's gangsters. He also tells that he sold the truck to a driver named Ed Kinney that has not paid him. Nick meets Ed and tells that he will bring the truck back, but Ed proposes a deal with apples, where they may earn a great amount. Nick invests his savings in another truck and buys apples from a Polish farmer. They need to drive directly to the market in San Francisco without sleeping to keep the fruits fresh, but Ed's truck has problem on its axle and Nick arrives first. Mike Figlia hires the ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This was a pretty good film noir - nothing spectacular - involving a crooked trucking boss, "Mike Figlia" effectively played by Lee J. Cobb who was good at playing nasty villains. In this story, a young trucker, "Nick Garcos" (Richard Conte) whose father was ruined by Cobb, goes after him to settle the score. Nick drives up north to San Francisco to seek him out but has some rough going himself, until the end.
This had interesting characters and a different type of female lead in European actress Valentina Cortese, who was good film noir material.
The story moves pretty fast with few, if any, lulls, yet seems longer than it's 93 minutes. I found this was one of those films I liked a lot better the first time than the second, lowering my rating. It's definitely still a film to check out if you're a film noir fan.
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