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Tension (1949)

Passed  -  Crime | Drama | Film-Noir  -  25 November 1949 (USA)
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Ratings: 7.2/10 from 1,166 users  
Reviews: 52 user | 15 critic

A meek pharmacist creates an alternate identity under which he plans to murder the bullying liquor salesman who has become his wife's lover.



(screenplay), (based on the story by), 1 more credit »
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Title: Tension (1949)

Tension (1949) on IMDb 7.2/10

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Complete credited cast:
Warren Quimby
Audrey Totter ...
Claire Quimby
Mary Chanler
Lt. Collier Bonnabel
Lloyd Gough ...
Barney Deager
Tom D'Andrea ...
Lt. Edgar Gonsales
Tito Renaldo ...


A mousy drugstore manager turns killer after his conniving wife leaves him for another man. He devises a complex plan, which involves assuming a new identity, to make it look like someone else murdered her new boyfriend. Things take an unexpected turn when someone else commits the murder first and he becomes the prime suspect. Written by Daniel Bubbeo <>

Plot Summary | Add Synopsis


The hard-hitting story of a man with a plan...REVENGE!


Passed | See all certifications »




Release Date:

25 November 1949 (USA)  »

Also Known As:

Tension  »

Filming Locations:


Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Portions of André Previn's music score were recycled as title theme for same studio's Cat on a Hot Tin Roof (1958). See more »


When Mr. Quimby is bowling, he hits the pins and then turns away, talking briefly to his friend. He then returns to bowl another ball, yet the pins have been set up again. This is a mistake because previously there was still one pin standing solid. Therefore, even automated machines could not have reset the them. See more »


[first lines]
Police Lt. Collier Bonnabel: I'm Collier Bonnabel. I'm a cop. I'm a Lieutenant Detective in, uh, Homicide. That's a fancy name for murder.
See more »


Referenced in American Grindhouse (2010) See more »

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User Reviews

Not The Best, But Maybe My Favorite, Film Noir
23 June 2006 | by (NY, NY) – See all my reviews

Two of its four stars are staples of the noir genre: Audrey Totter and Barry Sullivan. Sullivan opens the movie with an introduction to himself and some excellent voice-over. And Totter! She was always good, but here she plays the archetype of the evil woman. In some ways she's more plausible than Ann Savage in "Detour," because she's put in a clear context and her character is developed.

That's not all about Totter that's developed. She is curvaceous and then some: It seems as if in some scenes she has been costumed in clothing at least one size too small. She thus appears not only alluring but also a bit overweight. That handsome Richard Basehart, the third star, is crazily in love with her anyway is all the more poignant.

Totter has voracious appetites. She likes to eat desserts at the soda fountain in her husband's drugstore. She sneers at the nice suburban house he has picked out for them: She wants something much bigger and fancier.

And she gets it when she hooks up with a somewhat older customer who has a snazzy car and a house on the beach.

(Here as in a few other places, it seems as if the editing was a little messy -- or that something was cut out. The guy appears in the drugstore, she and Basehart already seem to know him and know him by name, at that. But we aren't sure who he is.

That the Production Code allowed what happens next is really surprising. It's pretty blatant, in-your-face adultery.

Basehart was a superb actor. Here he is excellent in an understated way. He gets fitted with contact lenses -- surely a novelty when the movie was filmed. But even with glasses on, he is exceptionally handsome. Barry Sullivan is handsome too and he is a fine movie performer. But Basehart was the real thing. To me, for example, he is the best part of "La Strada," renowned for its two other leads.

As to the fourth lead in "Tension," we have Cyd Charisse. She doesn't dance; she acts. She isn't exactly bad. But, though she's playing a somewhat thankless good-girl role, she could have been more interesting.

This is a hard, cold movie. One of its characters is despicable. Another is not very admirable. There's a little romance but it doesn't really soften the movie. The movie is tough and mean: Just what we want in film noir.

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