The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. There are only two problems: First, Nick is the violent type, preferring to do things... See full summary »
Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money ... See full summary »
A mousy drugstore manager turns killer after his conniving wife leaves him for another man. He devises a complex plan, which involves assuming a new identity, to make it look like someone else murdered her new boyfriend. Things take an unexpected turn when someone else commits the murder first and he becomes the prime suspect. Written by
Daniel Bubbeo <firstname.lastname@example.org>
When Richard Basehart's character of Quimby decides to create another identity for himself, he gets the idea for the name Sothern when he sees a movie fan magazine with Ann Sothern on the cover. "Tension" producer Robert Sisk was then in the process of prepping Shadow on the Wall (1950) to star Miss Sothern in the last film of her long-term MGM contract. See more »
Near the end, Warren Quimby puts both his hands in his pockets while facing the camera and talking. Then, in a reverse shot from behind, he is seen with his hands out of his pockets and putting them in again. See more »
Why is everyone here comparing this (unfavorably) to Hitchcock? Apples and oranges! What this is is a damn good little B mystery lifted to art by the estimable, underrated Audrey Totter and an evocative score by Andre Previn. He reused the theme here years later in the much more well known Cat on a Hot Tin Roof. Parenthetically, can anyone think of a movie that wasn't bettered by the presence of the fabulous Miss Totter? Let's file belated criminal charges against M-G-M for misusing this dream girl!
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