A Los Angeles socialite kills a man while home alone one night and claims he was an intruder she did not know. It seems like a clear case of self defense until the story hits the papers and people connected to the dead man come forward.
Quiet, organised Dr Talbot meets nightclub singer Nora Prentiss when she is slightly hurt in a street accident. Despite her misgivings they become heavily involved and Talbot finds he is ... See full summary »
Because aging boxer Bill Thompson always lost his past fights, his corrupt manager, without telling Thompson, takes bribes from a betting gangster, to ensure Thompson's pre-arranged dive-loss in the next match.
A poor seamstress girl sours on her engagement to a grocery deliveryman after seeing her sister's abusive marriage. Trying to help her sister pay for a divorce lawyer, she turns to a rich playboy she met at work.
A mousy drugstore manager turns killer after his conniving wife leaves him for another man. He devises a complex plan, which involves assuming a new identity, to make it look like someone else murdered her new boyfriend. Things take an unexpected turn when someone else commits the murder first and he becomes the prime suspect. Written by
Daniel Bubbeo <firstname.lastname@example.org>
"Tension" was shooting at about the same time in 1949 as Side Street (1950), and the latter film utilizes the pharmacy set and its phone booth to allow Farley Granger to make a phone call. See more »
When Claire is flirting with Junior and orders dessert, there is an advertisement for Dad's Root Beer on the wall behind her. The word "beer" is marked out. Then when she flirts with a customer, the sign is not marked. See more »
Lt. Collier Bonnabel:
I'm Collier Bonnabel. I'm a cop. I'm a Lieutenant Detective in, uh, Homicide. That's a fancy name for murder. We get plenty of tough cases. Solve most of 'em, sure. But how?
[begins to stretch and relax a rubber band]
Lt. Collier Bonnabel:
I only know one way, one thing that breaks 'em wide open - tension. I work on people, on suspects. Play up to them. Play up to their strengths, pour it on their weaknesses. Romance 'em or ignore 'em. Kiss 'em. Press 'em. But whatever way, keep stretching them.
[...] See more »
Although a bit noir-sh at times, and produced during the golden era of that film genre, this is by no means a pure film noir. Rather, "Tension" is a B-movie version of the melodramas popular at all of the studios during the late 40s. And, certainly, as suggested by other posters, this film has no business being compared to Hitchcock.
Overall, I am pleasantly surprised with the talent, direction, script and locations.
Granted, the whole "Clark-Kent-wearing-glasses-isn't-Superman" form of disguise is ludicrous, but it has always been an accepted modus-operandi for the concept of hidden identities on stage, film and TV. The performances of all of the leads are good - none chew the scenery. Basehart never "got his due" as an actor, as I'm afraid most remember him as the captain on TV's "Voyage to the Bottom of the Sea" in the 60s. Totter is excellent, and while Cyd Charisse is little more than set dressing, she requites herself well.
The techniques of law have certainly changed, as the means of tricking the guilty party in this film is nothing less than entrapment.
And for those of you interested in architecture, that great Deco-ish apartment complex featured in the film is still much the same 55 years later, even down to the vines on the railing. It is located off West Olympic Blvd, just west of Century City (across from Pavilion's, behind hotel). By the way, contrary to what a previous poster states, most of this film takes place in Culver City - only the beach house and apartment complex are "in" Malibu. Being an MGM film, they stuck close to home with locations.
UPDATE: Bad news - that beautiful apt. complex is coming down in 2006. Now THAT is a crime!
Update 2: Jan 2007 - the building is still there.
Update 3: Oct 2008 - they're moving people out by 2010.
Update 4: October 2013 - still there!!
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