Marsha Meredith, an attorney-at-law, is nominated for a Federal judgeship, but her nomination is opposed by a 'Good-Government' group who think her divorce makes her unfit for the job. This...
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Marsha Meredith, an attorney-at-law, is nominated for a Federal judgeship, but her nomination is opposed by a 'Good-Government' group who think her divorce makes her unfit for the job. This evolves into situations, happening in Flordia, New England, Washington D.C. and the Adirondacks, such as the misunderstood husband trying to win back his wife, and the misunderstood wife trying to make her husband jealous, and one case of mistaken identity after another, after another. Written by
Les Adams <firstname.lastname@example.org>
This is absolutely my favorite film of Robert Cummings. He's hysterical and lovable in every scene he is in. Bob plays a lawyer who is newly divorced from Rosalind Russell, and is determined to win her back. She on the other hand is determined to become a federal judge and wants nothing to do with him. A typical setup for the divorce-remorse films that came along in the 40s.
Then there's Gig Young as the rival for Russell's affection, Clem Bevans as Mr. Roogle (it rhymes with bugle) and Marie McDonald adding a funny twist as the witness who keeps stalking Bob. For the most part, the cast is on top of their game and has some great moments. However, be forewarned, this is not Rosalind Russell's best work by a long shot. Despite the fact that she's given some wonderful performances (Auntie Mame, Trouble With Angels, etc) she's not very strong here and this is one situation where I really think another actress should have been cast. (Too bad Carole Lombard was already gone - she would have been PERFECT.) Some time the twists go a bit too far and get rather tedious on repeat watchings, but this is the screwball genre - it's not supposed to be realistic. It's a fun movie that still makes me laugh no matter how many times I see it. What more can you ask for?
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