Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Gordon Miller is rehearsing a musical comedy in the penthouse suite of Gribble's hotel...on credit. The mounting bill is driving Gribble frantic. Chaos increases when playwright Glen ... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. turns outs to be a beautiful woman who really knows her baseball. Second baseman Dennis Ryan promptly falls in love. But his playboy roommate Eddie O'Brien has his own notions about how to treat the new lady owner and some unsavory gamblers have their own ideas about how to handle Eddie. Written by
The Blackburn Twins were to have a specialty dance routine in this film, however it was cut due to length. Therefore, neither the act name nor their individual names appear in either the opening or end credits. The twin brothers, Ramon Blackburn and Royce Blackburn, do still appear (uncredited) as two of the players on The Wolves. They can be seen in several group scenes of the players. For example, they are on the right and behind Gene Kelly when he first meets Esther Williams in the hotel lobby and they are seated together on Jules Munshin's right in the dinner scene. See more »
When Ryan and O'Brien are performing their Vaudeville act they sing "Take Me Out To The Ballgame" which was written in 1908 but they sing the version with the re-written lyrics done in 1927. This film take place circa 1910. See more »
Was it a mere 50 years ago that every major studio - but particularly MGM
was routinely producing several musical comedies every year? These were
"entertainments" in every sense of the word: fast, funny, colorful, escapist. Some were low budget, others were elaborate; some had major stars, others featured lesser talent. There seemed no reason to believe that such an appealing type of picture would not be produced indefinitely. With so many to choose from, we could afford to discriminate between the truly great ones and those, such as "Take Me Out to the Ball Game," which didn't offer the most outstanding scores or scripts. Now, however, they are to be cherished for their very existence and for a style of excellence that neither today's filmmakers nor performers can duplicate. The passing years have transformed more than a few of the second-tier musicals into treasures. By no means artifacts, they are fresh, and enormously appealing. This picture is a prime example.
(Better than remembered: Gene Kelly's comic mugging, Frank Sinatra's dancing, Betty Garrett's energetic high spirits.)
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