IMDb > Stromboli (1950)
Stromboli
Quicklinks
Top Links
trailers and videosfull cast and crewtriviaofficial sitesmemorable quotes
Overview
main detailscombined detailsfull cast and crewcompany credits
Awards & Reviews
user reviewsexternal reviewsawardsuser ratingsparents guidemessage board
Plot & Quotes
plot summarysynopsisplot keywordsmemorable quotes
Did You Know?
triviagoofssoundtrack listingcrazy creditsalternate versionsmovie connectionsFAQ
Other Info
box office/businessrelease datesfilming locationstechnical specsliterature listingsNewsDesk
Promotional
taglines trailers and videos posters photo gallery
External Links
showtimesofficial sitesmiscellaneousphotographssound clipsvideo clips

Stromboli (1950) More at IMDbPro »

Photos (See all 9 | slideshow)

Overview

User Rating:
7.3/10   2,771 votes »
Your Rating:
Saving vote...
Deleting vote...
/10   (delete | history)
Sorry, there was a problem
MOVIEmeter: ?
Down 14% in popularity this week. See why on IMDbPro.
Director:
Writers:
Roberto Rossellini (story)
Sergio Amidei (collaboration) ...
(more)
Contact:
View company contact information for Stromboli on IMDbPro.
Release Date:
15 February 1950 (USA) See more »
Genre:
Tagline:
Raging Island...Raging Passions !
Plot:
Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it. Full summary » | Add synopsis »
Plot Keywords:
Awards:
2 wins & 1 nomination See more »
User Reviews:
A vastly underrated masterpiece See more (28 total) »

Cast

  (in credits order) (complete, awaiting verification)

Ingrid Bergman ... Karen
Mario Vitale ... Antonio
Renzo Cesana ... The Priest
Mario Sponzo ... The Man from the Lighthouse
rest of cast listed alphabetically:
Gaetano Famularo ... Man with guitar (uncredited)
Angelo Molino ... Child (uncredited)
Roberto Onorati ... Man (uncredited)

Directed by
Roberto Rossellini 
 
Writing credits
Roberto Rossellini (story)

Sergio Amidei (collaboration) (as Sergio Amedei) &
Gian Paolo Callegari (collaboration) (as G. P. Callegari) &
Art Cohn (collaboration) &
Renzo Cesana (collaboration)

Félix Morlión (screenplay collaboration) (as Father Félix Morlión)

Roberto Rossellini  screenplay (uncredited)

Produced by
Roberto Rossellini .... producer
 
Original Music by
Renzo Rossellini 
 
Cinematography by
Otello Martelli (photography)
 
Film Editing by
Roland Gross (uncredited)
Alfred L. Werker (US version) (uncredited)
 
Makeup Department
Mel Berns .... makeup artist (uncredited)
 
Second Unit Director or Assistant Director
Marcello Caracciolo Di Laurino .... assistant director (as Marcello Caracciolo)
 
Sound Department
Eraldo Giordani .... sound (as E. Giordani)
Terry Kellum .... sound
Gilles Barberis .... audio restorer (uncredited)
Valerio Secondini .... audio restorer (uncredited)
 
Camera and Electrical Department
Aldo Bonifazi .... key grip
G.B. Poletto .... still photographer (uncredited)
 
Editorial Department
Jolanda Benvenuti .... cutting (as Yolanda Benvenuti)
 
Music Department
C. Bakaleinikoff .... musical director (as Constantin Bakaleinikoff)
Leonid Raab .... orchestrator (uncredited)
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Runtime:
107 min | France:103 min | Sweden:106 min | USA:81 min | UK:91 min
Country:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Certification:
Finland:S | Portugal:M/12 (Qualidade) | Sweden:15 | UK:PG (cut) | UK:A (original rating) (passed with cuts) | UK:PG (tv rating) | USA:Not Rated | USA:Approved (PCA #14334) | West Germany:12

Did You Know?

Trivia:
During production of this film, Ingrid Bergman entered into an extra-marital affair with Roberto Rossellini and became pregnant. The resulting scandal in America effectively blacklisted her from the North American movie market and she was even condemned by politicians and religious figures. She was finally forgiven and welcomed back to America upon the success of Anastasia (1956), but her Hollywood career was temporarily ended by this movie.See more »
Goofs:
Anachronisms: Though used by women, pants were not so popular on that time. Is strange that a poor refugee like the character played by Bergman wears pants almost the entire movie.See more »
Quotes:
Karin:[Last lines] God... my God... help me! Give me the strength... the understanding... and the courage. God, God, God, oh my God, merciful God... God, God, God!See more »

FAQ

World Premiere Happened When & Where?
See more »
17 out of 24 people found the following review useful.
A vastly underrated masterpiece, 15 June 2002
Author: zetes from Saint Paul, MN

An enormous step forward from his three neorealist classics listed above. Unfortunately, I think it might still be suffering from its original backlash. It was pounded by the critics at the time, but that was all for reasons outside the film itself (well, not exactly; the film seems to mimic real life at the time, even if it wasn't meant to). Of course, I'm referring to the affair that Ingrid Bergman, the film's star, and Roberto Rossellini, its director, had during the shooting, which resulted in the birth of an illegitimate child. Not only were they not married to each other, but they were both married to others at the time. That wouldn't, of course, cause most people living in the United States to even blink today, but it was a huge scandal at the time, resulting in a box office dud for RKO Pictures, who had produced it. Fortunately, we can look at Stromboli objectively today and recognize it for the great masterpiece that it happens to be.

Bergman, in possibly her best role, plays a young Lithuanian woman who has lived a sort of decadent life. She is now in an internment camp in Italy, praying to flee to Argentina. Her only other option is to marry the Italian soldier, several years younger than herself, who is flirting with her all the time. The first option falls through, so she is forced to go with her backup plan. All's well, until she finds out where the guy lives and has every intention of going back to: Stromboli, a volcanic island where only the toughest farmers and fishermen live. Bergman is immediately distraught. She has grown up wealthy, had a lot of luxuries. Now she is living in a hut on a dusty, barren rock with a husband who can only barely understand English, which is, incidentally, only a second language for Bergman, as well. There is little communication between them, and, indeed, in this land, that is not exactly important. Still, the husband really cares for her. In all actuality, although we can jerk our knees at his conservative ways, Bergman is the one who refuses to compromise. From the first day, she demands to be taken away from Stromboli, to America or Australia, maybe. But there is no money to do so. There are a lot of customs on the island which she doesn't understand. She doesn't even attempt to understand them. Even when a friend tells her she shouldn't enter a certain person's home, she goes in anyway, completely embarrassing her husband. When she complains to the priest that she is utterly unhappy, he replies that he understands, but her husband is just as unhappy, maybe moreso. After all, the first thing she did when he went fishing was store away all the pictures of his deceased family and a statue of the Virgin Mary. Stromboli is an amazingly fair film in this way. In fact, my only complaint would center on the print I saw (on TCM, of course) rather than the actual film: it is unsubtitled, which means that we are meant to see everything from Bergman's point of view, at least in this version. I think that the Italian should be translated in subtitles, because there are a lot of long segments where the Italians are talking to each other that go untranslated. Rossellini wouldn't have had this dialogue if he didn't want us to know what they were saying. Of course, it's not usually very difficult to figure out what they are talking about.

Among other things, Stromboli contains two of the most amazing set pieces in the history of film. First, Bergman has someone row her out to see her husband while he and other Strombolians are tuna fishing. In an extremely lengthy sequence, we witness this event. This is far more reality than Visconti ever gave us in La Terra Trema a few years prior. Second, the volcano at the peak of the island erupts and the residents have to sail out to sea in their boats for a very long time. The film also has a masterful finale, although I think I personally would have directed Ingrid differently in the final scene. It still works wonders. 10/10.

Was the above review useful to you?
See more (28 total) »

Message Boards

Discuss this movie with other users on IMDb message board for Stromboli (1950)
Recent Posts (updated daily)User
The score is superb Engine_Ear
Where to buy a DVD of the original film? ecpictures-1
Karin = most annoying Ingrid Bergman character? MerrickFromSweden
Che Guevara did not like this movie. just_ducky_
On TCM Tomorrow (Question) fluffhead34
Skipping without paying rent garybanks
See more »

Recommendations

If you enjoyed this title, our database also recommends:
- - - - -
Australia La Terra Trema The Best of Youth Mildred Pierce The Wages of Fear
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
IMDb User Rating:
Show more recommendations

Related Links

Full cast and crew Company credits External reviews
News articles IMDb Drama section IMDb Italy section

You may report errors and omissions on this page to the IMDb database managers. They will be examined and if approved will be included in a future update. Clicking the 'Edit page' button will take you through a step-by-step process.