MOVIEmeter
SEE RANK
Down 3,327 this week

Stromboli (1950)

Not Rated  |   |  Drama  |  15 February 1950 (USA)
7.3
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.3/10 from 3,298 users  
Reviews: 28 user | 36 critic

Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.

Director:

Writers:

(story), (collaboration) (as Sergio Amedei) , 5 more credits »
0Check in
0Share...

IMDb Picks: August

Visit our IMDb Picks section to see our recommendations of movies and TV shows coming out in August.

Visit the IMDb Picks section

User Lists

Related lists from IMDb users

a list of 49 titles
created 03 Oct 2011
 
a list of 22 titles
created 16 Mar 2012
 
a list of 41 titles
created 11 Feb 2014
 
a list of 47 titles
created 7 months ago
 
a list of 21 titles
created 4 months ago
 

Related Items

Search for "Stromboli" on Amazon.com

Connect with IMDb


Share this Rating

Title: Stromboli (1950)

Stromboli (1950) on IMDb 7.3/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Stromboli.

User Polls

2 wins & 1 nomination. See more awards »
Learn more

People who liked this also liked... 

Biography | History
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers - starting with their return in the rain to Rivotorlo from Rome when the Pope blessed their ... See full summary »

Director: Roberto Rossellini
Stars: Aldo Fabrizi, Gianfranco Bellini, Peparuolo
Paisan (1946)
Drama | War
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice. Communication is fragile. A woman leads an Allied patrol through a mine field; she dies ... See full summary »

Director: Roberto Rossellini
Stars: Carmela Sazio, Gar Moore, William Tubbs
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 6/10 X  
Director: Roberto Rossellini
Stars: Ingrid Bergman, Tullio Carminati, Giacinto Prandelli
We, the Women (1953)
Comedy
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

Five portraits of actresses in their "common" life, seen as women rather than movie stars.

Directors: Gianni Franciolini, Alfredo Guarini, and 3 more credits »
Stars: Ingrid Bergman, Anna Magnani, Isa Miranda
Drama | War
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Edmund, a young boy who lives in war-devastated Germany after the Second World War has to do all kinds of work and tricks to help his family in getting food and barely survive. One day he ... See full summary »

Director: Roberto Rossellini
Stars: Edmund Moeschke, Ernst Pittschau, Ingetraud Hinze
Drama | War
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life ... See full summary »

Director: Roberto Rossellini
Stars: Anna Magnani, Aldo Fabrizi, Marcello Pagliero
L'amore (1948)
Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

In the first episode, a heartbroken woman talks to her ex-lover on the phone. In the second, a pregnant woman believes she is carrying the child of Saint Joseph.

Director: Roberto Rossellini
Stars: Anna Magnani, Federico Fellini, Peparuolo
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

Polish countess Elena falls in love to a Frensh radical party's candidate, a general, in pre world war I Paris, but another officer pines for her.

Director: Jean Renoir
Stars: Ingrid Bergman, Jean Marais, Mel Ferrer
Caliber 9 (1972)
Action | Crime | Thriller
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Just out of prison, ex-con Ugo Piazza meets his former employer, a psychopathic gangster Rocco who enjoys sick violence and torture. Both the gangsters and the police believe Ugo has hidden... See full summary »

Director: Fernando Di Leo
Stars: Gastone Moschin, Barbara Bouchet, Mario Adorf
The Clowns (TV Movie 1970)
Documentary | Comedy
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A ragout of real memories and mockumentary, as Fellini explores a childhood obsession: circus clowns.

Director: Federico Fellini
Stars: Riccardo Billi, Federico Fellini, Gigi Reder
The Bridge (1959)
Drama | War
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

In 1945, Germany is being overrun, and nobody is left to fight but teenagers.

Director: Bernhard Wicki
Stars: Folker Bohnet, Fritz Wepper, Michael Hinz
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  
Director: Charles F. Haas
Stars: Mickey Rooney, Steve Cochran, Mamie Van Doren
Edit

Cast

Complete credited cast:
...
Mario Vitale ...
Antonio
Renzo Cesana ...
The Priest
Mario Sponzo ...
The Man from the Lighthouse
Edit

Storyline

Karen, a young woman from the baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the vulcano, is a tough one and Karen can not get used to it. Written by Yepok

Plot Summary | Add Synopsis

Taglines:

Raging Island...Raging Passions !

Genres:

Drama

Certificate:

Not Rated | See all certifications »
Edit

Details

Country:

|

Language:

| | | |

Release Date:

15 February 1950 (USA)  »

Also Known As:

Dopo l'uragano  »

Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

During production of this film, Ingrid Bergman entered into an extra-marital affair with Roberto Rossellini and became pregnant. The resulting scandal in America effectively blacklisted her from the North American movie market and she was even condemned by politicians and religious figures. She was finally forgiven and welcomed back to America upon the success of Anastasia (1956), but her Hollywood career was temporarily ended by this movie. See more »

Goofs

Though used by women, pants were not so popular on that time. Is strange that a poor refugee like the character played by Bergman wears pants almost the entire movie. See more »

Quotes

Karin: [Last lines] God... my God... help me! Give me the strength... the understanding... and the courage. God, God, God, oh my God, merciful God... God, God, God!
See more »

Crazy Credits

Opening credits: "Our story begins in the displaced persons' camp of Farfa, Italy." See more »

Connections

Featured in Ingrid (1984) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

erupting beauty
2 February 2004 | by See all my reviews

Stromboli is a film with the look of Flaherty's `Man of Aran' and the dramatics of von Trier's `Breaking the Waves'. The story is the tragedy of a woman named Karin, a Lithuanian refugee after WWII and her pursuit of a better life marrying an Italian peasant and moving down with him to his birthplace, a volcanic island off the coast of southern Italy.

Rossellini portraits her heroin without sentimentalism or affection of any kind. He seems to be more interested in revealing her dark sides and miseries, but as Bergman's performance is so emotionally raw, we cannot but stick with her to the end of her journey. We do not pity her, but take pity with her. Rossellini's strong Catholicism usually forces us to live through his films as Catholics, regardless of which belief one may have.

If war was hell then the post war can be redemption time. Karin has nostalgia of her past, a lost-paradise, and all her efforts are put to restore that primal state. She's an Eva cast away from Eden, with somehow Bovarian ambitions, trying to reach prosperity at any cost. Her chances are scarce, so she takes the only opportunity she gets to leave the camp, marrying Antonio, a peasant whom she first kisses through barbed wire. She will soon realize that Antonio's island is miles away of the paradise of her dreams. The place is barren and the locals are hostile. She's trapped in a labyrinth surrounded by sea and menaced by an active volcano. Any form of relationship, even with her husband, is impeded because of a communication problem. Technically she cannot speak the language. But she cannot either penetrate a hermetic, oppressive world ruled by rites and tradition. If paradise was a state where men could speak the language of the gods in harmony with nature, Karin's pilgrimage will ultimately have to restore that dialogue, rebuild that bridge with origin.

In her symbolic descent to primitivism she learns the meaning of life in the hard way, and at the same time she follows all the phases of mankind from the first cry of the new born, to subsequent life in a cavern, cave-painting, elemental worshipping, fishing for subsistence and conversion. Karin's fault is her self-sufficiency, denying the existence of a superior order and her mundane ambition of a destiny ruled by luxury and comfort. She thinks the place is filthy and defines her belonging to `a different class'. When she realizes that there's no place for glamour in Stromboli she turns into an Eve and tempts the local priest. This behaving sooner or later will provoke the wrath of the gods, portrayed in the everlasting volcano to which the fate of the islanders is attached from immemorial days. To outcome her tragic fall, Karin should ascend the top of the mountain while getting rid of her material belongings (the money, the suitcase), rise up her head to the sky and address God. Rossellini doesn't show us if she saves her life or not because the thing is that she assumed her role of creature and thus her subordination to a supreme kind. Same as the villagers, who stoically accept the infuriated eruptions, or the fishermen that depend on the fruitful sea.

The most unforgettable sequence of the film is the one of the tuna fishing. Rossellini is so precise in the choosing of the images and the rhythm of the editing that the one feels that is seated in one of the boats bringing the prays. But the scene has much more than an aesthetic value. It works not only because it's beautiful; it is also informative for the story, dramatic in itself and in the events of the film, and symbolic both for the story and for Bergman's character, who watches the action from a neighboring boat. Such an adjustment distinguishes art from a good movie.


37 of 46 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Where to buy a DVD of the original film? ecpictures-1
Karin = most annoying Ingrid Bergman character? MerrickFromSweden
On TCM Tomorrow (Question) fluffhead34
Che Guevara did not like this movie. just_ducky_
Skipping without paying rent garybanks
The score is superb Engine_Ear
Discuss Stromboli (1950) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?