Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.

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(story), (collaboration) (as Sergio Amedei) | 4 more credits »
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2 wins & 1 nomination. See more awards »
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Cast

Complete credited cast:
...
Mario Vitale ...
Antonio
Renzo Cesana ...
The Priest
Mario Sponzo ...
The Man from the Lighthouse
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Storyline

Karen, a young woman from the baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the vulcano, is a tough one and Karen can not get used to it. Written by Yepok

Plot Summary | Add Synopsis

Taglines:

Raging Island...Raging Passions !

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

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Language:

| | | |

Release Date:

15 February 1950 (USA)  »

Also Known As:

Dopo l'uragano  »

Box Office

Budget:

$1,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Director Roberto Rossellini worked with no written screenplay but a handful of personal notes. See more »

Goofs

When the police officer is typing the report, he does not strike nearly enough keys to produce the amount of information shown on the paper. See more »

Quotes

Karin: You're not going to keep me here, are you? Its no use looking at me that way. It won't do you any good. Nothing can keep me here!
See more »

Crazy Credits

Opening credits: "Our story begins in the displaced persons' camp of Farfa, Italy." See more »

Frequently Asked Questions

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User Reviews

 
"La terra e dura qui": Setting as Character
4 April 2006 | by (Turkey) – See all my reviews

"La terra e dura qui." Ingrid Bergman is a powerhouse in this film (perhaps out of love and devotion to the director), but she still can't match the power of the menacing volcano on this remote island off the coast of Italy. Bergman plays a prisoner of war with a checkered past stuck in a women's camp, who marries a Strombolian in order to provide herself with the security she needs. Trouble awaits her, and the first sign we get of that is when she starts to complain of being cold on the boat that is taking her to her new life. What she finds is not up to her high Continental standards, and her attitudes towards the locals and the place itself diminish her already low stature as an outsider. It is less the people however, than the general character of the place that turns her off. The volcano, unnamed by the villagers, always awaits in the background, and setting itself becomes one of the main characters (thus the importance of the title), a force to be reckoned with, much like her character.

Although this film is not noir in any way, and Rossellini himself would probably turn in his grave for hearing me say this, Bergman's character certainly does not hesitate in using her female "wiles" to get what she wants and needs. She survived a world war on what we take are wits and flexible morals, so she will also make it through this and I love her for it.

She even attempts to seduce the local priest by cooing "I knew you were the only person who could help me." Having that attempt fail, she tries with the village lighthouse keeper seen at right, and I don't even have to explain the power of her touch. As she asks for help to escape from the village, she softly touches his foot with hers, and creates an unbelievably palpable feeling of erotic energy, something unheard of in mainstream movies today. I know, that's such a cliché, but it's true.

Anyway, I won't discuss the ending, which angered me as a modern woman (even Bergman didn't seem to be buying it), but I will say that the film impressed me with its use of setting comprising plot, character, mise-en-scene, and theme. The film IS setting. It's also worth it just to see the non-actors performing a yearly tuna fishing ritual that dates back to the Phoenecians. Rossellini films are never just stories, they are historical documents. And I love him for that.

cococravescinema.blogspot.com


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