Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.
Edmund, a young boy who lives in war-devastated Germany after the Second World War has to do all kinds of work and tricks to help his family in getting food and barely survive. One day he ... See full summary »
The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers - starting with their return in the rain to Rivotorlo from Rome when the Pope blessed their ... See full summary »
Attraverso sei episodi distinti ed indipendenti uno dall'altro, il film rievoca l'avanzata delle truppe alleate in Italia. Il primo parla di un episodio dello sbarco in Sicilia : una ... See full summary »
A demon bestows on a self-righteous working photographer's camera the power to smite from the Earth "evil-doers". Naturally, the indignant photographer turns his new weapon on, one by one, ... See full summary »
The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life ... See full summary »
A young Italian pilot is interned in a British prison camp after his plane is shot down during the war against Greece. He falls in love with a doctor's daughter and manages to escape during... See full summary »
Karen, a young woman from the baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the vulcano, is a tough one and Karen can not get used to it. Written by
A change in production company occurred when Ingrid Bergman replaced Anna Magnani as leading actress. The original company reacted by using the same plot for another movie, Volcano (1950), shot at the same time and in nearly the same places as Rossellini's movie. See more »
When the police officer is typing the report, he does not strike nearly enough keys to produce the amount of information shown on the paper. See more »
God... my God... help me! Give me the strength... the understanding... and the courage. God, God, God, oh my God, merciful God... God, God, God!
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Opening credits: "I was found of them that sought me not; I was made manifest unto them that asked not after me." (New Testament, St. Paul's letter to the Romans, Chapter 10, Verse 20) See more »
Or L'AVVENTURA AVANT LA LETTRE, which actually encapsulates the situation of STROMBOLI. Although the recent death of Michelangelo Antonioni brought about many commentators who discussed the revolutionary effect of the first screenings of L'AVVENTURA (Martin Scorsese wrote such a piece which appeared in The New York Times of August 12, 2007), this was a far cry from the disastrous reception that STROMBOLI had in its original release. Of course, part of the problem was the extra-filmic situation, the "scandale" of the Bergman-Rossellini relationship.
But all that's in the past. STROMBOLI must be seen as the revolutionary work that it is. In the past (and this continues today), the film was castigated for its meandering plotlessness, for its seeming aimlessness. These are, in fact, aspects of the film, because the film is not "about" the passions of a woman (though this was how the movie was advertised on its initial release), but about lassitude. In effect, STROMBOLI was the first filmic expression of alienation, literally in the plot device of having Karin (played by Bergman) a displaced person, and metaphorically in scenes such as the one in which Karin is walking through the town and hears voices - she knows that they're talking about her, but she can't understand what they're saying. (The villagers speak in their Sicilian dialect, and Karin speaks in English; there is the scene where Karin redecorates the house, and the women come to stare, but when she invites them to come in, they just stare and skulk away.)
There are so many problems with seeing this film: it was cut and reedited and a voice-over narration was added for its initial American release; the Italian archival version is dubbed all into Italian. The actual version is a multi-lingual (English, Italian, Sicilian dialect) version which runs 107 minutes, with no narrator. In this version, the documentary aspects are fully integrated into the film.
STROMBOLI deserves to be seen in its full version, and deserves to be seen as the precursor of movies such as L'AVVENTURA, Resnais's Hiroshima MON AMOUR and Godard's UNE FEMME MARIEE.
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