Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.
Edmund, a young boy who lives in war-devastated Germany after the Second World War has to do all kinds of work and tricks to help his family in getting food and barely survive. One day he ... See full summary »
Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice. Communication is fragile. A woman leads an Allied patrol through a mine field; she dies ... See full summary »
The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers - starting with their return in the rain to Rivotorlo from Rome when the Pope blessed their ... See full summary »
The location: Nazi occupied Rome. As Rome is classified an open city, most Romans can wander the streets without fear of the city being bombed or them being killed in the process. But life ... See full summary »
A demon bestows on a self-righteous working photographer's camera the power to smite from the Earth "evil-doers". Naturally, the indignant photographer turns his new weapon on, one by one, ... See full summary »
A barber, murderer because of jealousy, spends twenty years in jail. He cannot, however adjust himself to a changed world and to the hypocracy of his own relatives and decides to return ... See full summary »
Old friends Ward and Phillip both become smitten with Phillip's mother's attractive young secretary Stella. But Stella marries Phillip and stands by him as his behavior becomes more and ... See full summary »
Karen, a young woman from the baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the vulcano, is a tough one and Karen can not get used to it. Written by
During production of this film, Ingrid Bergman entered into an extra-marital affair with Roberto Rossellini and became pregnant. The resulting scandal in America effectively blacklisted her from the North American movie market and she was even condemned by politicians and religious figures. She was finally forgiven and welcomed back to America upon the success of Anastasia (1956), but her Hollywood career was temporarily ended by this movie. See more »
When the police officer is typing the report, he does not strike nearly enough keys to produce the amount of information shown on the paper. See more »
Good morning, Rosaria, would you like to come in and see the house?
But what is the matter? Why are you all against me? I haven't hurt anyone. Why does everyone act like this?
Why you do things like this? You are not modest.
But I haven't done anything wrong! It's not my fault if I'm different. I look different, I act different, and I feel different. I've tried to make the house better for me and my husband. What in the world can you be - can you have against that?
You have no modesty.
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Opening credits: "I was found of them that sought me not; I was made manifest unto them that asked not after me." (New Testament, St. Paul's letter to the Romans, Chapter 10, Verse 20) See more »
Or L'AVVENTURA AVANT LA LETTRE, which actually encapsulates the situation of STROMBOLI. Although the recent death of Michelangelo Antonioni brought about many commentators who discussed the revolutionary effect of the first screenings of L'AVVENTURA (Martin Scorsese wrote such a piece which appeared in The New York Times of August 12, 2007), this was a far cry from the disastrous reception that STROMBOLI had in its original release. Of course, part of the problem was the extra-filmic situation, the "scandale" of the Bergman-Rossellini relationship.
But all that's in the past. STROMBOLI must be seen as the revolutionary work that it is. In the past (and this continues today), the film was castigated for its meandering plotlessness, for its seeming aimlessness. These are, in fact, aspects of the film, because the film is not "about" the passions of a woman (though this was how the movie was advertised on its initial release), but about lassitude. In effect, STROMBOLI was the first filmic expression of alienation, literally in the plot device of having Karin (played by Bergman) a displaced person, and metaphorically in scenes such as the one in which Karin is walking through the town and hears voices - she knows that they're talking about her, but she can't understand what they're saying. (The villagers speak in their Sicilian dialect, and Karin speaks in English; there is the scene where Karin redecorates the house, and the women come to stare, but when she invites them to come in, they just stare and skulk away.)
There are so many problems with seeing this film: it was cut and reedited and a voice-over narration was added for its initial American release; the Italian archival version is dubbed all into Italian. The actual version is a multi-lingual (English, Italian, Sicilian dialect) version which runs 107 minutes, with no narrator. In this version, the documentary aspects are fully integrated into the film.
STROMBOLI deserves to be seen in its full version, and deserves to be seen as the precursor of movies such as L'AVVENTURA, Resnais's Hiroshima MON AMOUR and Godard's UNE FEMME MARIEE.
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