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Stromboli (1950)

 -  Drama  -  15 February 1950 (USA)
7.3
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Ratings: 7.3/10 from 2,838 users  
Reviews: 28 user | 27 critic

Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.

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(story), (collaboration), 5 more credits »
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Title: Stromboli (1950)

Stromboli (1950) on IMDb 7.3/10

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Cast

Complete credited cast:
...
Karen
Mario Vitale ...
Antonio
Renzo Cesana ...
The Priest
Mario Sponzo ...
The Man from the Lighthouse
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Storyline

Karen, a young woman from the baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the vulcano, is a tough one and Karen can not get used to it. Written by Yepok

Plot Summary | Add Synopsis

Taglines:

Raging Island...Raging Passions !

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

| | | |

Release Date:

15 February 1950 (USA)  »

Also Known As:

Dopo l'uragano  »

Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Roberto Rossellini and his future wife Ingrid Bergman met for the first time while making this movie. See more »

Goofs

When the police officer is typing the report, he does not strike nearly enough keys to produce the amount of information shown on the paper. See more »

Quotes

Karin: Good morning, Rosaria, would you like to come in and see the house?
Aunt Rosaria: No.
Karin: But what is the matter? Why are you all against me? I haven't hurt anyone. Why does everyone act like this?
Aunt Rosaria: Why you do things like this? You are not modest.
Karin: But I haven't done anything wrong! It's not my fault if I'm different. I look different, I act different, and I feel different. I've tried to make the house better for me and my husband. What in the world can you be - can you have against that?
Aunt Rosaria: You have no modesty.
See more »

Crazy Credits

Opening credits: "I was found of them that sought me not; I was made manifest unto them that asked not after me." (New Testament, St. Paul's letter to the Romans, Chapter 10, Verse 20) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A bleak indiscretion...sub-standard Rossellini and Bergman...
17 November 2003 | by (U.S.A.) – See all my reviews

Other recent commentaries on this film call it a "masterpiece". I strongly disagree. When it opened the reviews were as bleak and indifferent to it as Karen (Ingrid Bergman) is to the island of Stromboli. No one considered it up to Rossellini's "Open City" or "Paisan" in terms of genuine artifice. It was termed bleak and undistinguished with a plodding script that could only be called simplistic in terms of dialogue.

Fine B&W cinematography of a desolate island and scenes of an actual volcano eruption are not enough to make a 107-minute movie tailored to demonstrate the neo-realism of Ingrid Bergman's acting now that she had shed her Hollywood glamour. Bergman is ill served by a poorly developed character and embarrassingly inept scenes between her and her Italian fisherman husband (Mario Vitale).

There is startling realism in the tuna fishing sequence and harsh realism in the desolate landscape and close-ups of island people, but Rossellini did not seem to have a well developed or finished script in mind when he began shooting what others have called a "masterpiece". There is no doubt that had he the advantage of a well structured and conceived screenplay he might have been effective in telling this kind of story. But with the camera lingering on an anguished Ingrid Bergman sobbing in scene after scene of emotional isolation, the viewer is left with the feeling that this is little more than a post-war documentary in search of a coherent plot.

The unresolved ending used in the U.S. print is not the original ending, by the way, and leaves the viewer with the feeling he has witnessed an unfinished screenplay. It is said that Rossellini began shooting without a complete script on a day to day basis that must have been a strain on Bergman. It shows when he spends an inordinate amount of time on a fishing sequence that has little to do with furthering the slight plot. Too bad he didn't start the project with a finished script and a firm focus for his content.

The background music is oddly silent during some of the most emotional moments and despite Italian chants of fishermen the soundtrack remains mostly barren of any interesting content.


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