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Streets of Laredo (1949)

 -  Western  -  27 May 1949 (USA)
6.8
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Ratings: 6.8/10 from 328 users  
Reviews: 10 user | 3 critic

An outlaw separates from his two partners in crime when they join the Texas Rangers, and he continues to commit daring robberies.

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(screenplay), (story), 2 more credits »
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Title: Streets of Laredo (1949)

Streets of Laredo (1949) on IMDb 6.8/10

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Cast

Complete credited cast:
...
Macdonald Carey ...
Lorn Reming
Mona Freeman ...
Rannie Carter
...
Stanley Ridges ...
Alfonso Bedoya ...
Charley Calico
...
Henchman Cantrel
Clem Bevans ...
Pop Lint
James Bell ...
Ike
Dick Foote ...
Texas Ranger Pipes
Joe Dominguez ...
Texas Ranger Francisco
Grandon Rhodes ...
Phil Jessup
Perry Ivins ...
Mayor Towson
Edit

Storyline

Texas, 1878: cheerful outlaw-buddies Jim, Lorn and Wahoo rescue spunky orphan Rannie Carter from rustling racketeers, then are forced to separate. Lorn goes on to bigger and better robberies, while Jim and Wahoo are (at first reluctantly) maneuvered into joining the Texas Rangers. For friendship's sake, the three try to keep out of direct conflict, but a showdown begins to look inevitable. And Rannie, now grown into lovely young womanhood, must choose between Lorn and Jim. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

No man can kill a Texas Ranger... and get away with it! See more »

Genres:

Western

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

Release Date:

27 May 1949 (USA)  »

Also Known As:

Die Todesreiter von Laredo  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. See more »

Goofs

The montage of newspapers and Wanted posters portraying Lorn Reming's solo outlaw career includes a newspaper headline with the word "Dicipline". See more »

Quotes

Jim Dawkins: I figure that a man's friendship for another man is about as honest as anything that comes along.
See more »

Connections

Referenced in Married Life (2007) See more »

Soundtracks

STREETS OF LAREDO
(uncredited)
Traditional
New Lyrics by Jay Livingston and Ray Evans
Sung by Dick Foote with chorus
See more »

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User Reviews

 
Leonard Maltin Flubs Another Review
4 October 2008 | by (Claremont,USA) – See all my reviews

Despite slack direction from Leslie Fenton, this is a better-than-average Technicolor Western. At the time Holden was not yet a headline performer, while Carey never reached that pinnacle. Here, both contribute nicely, especially Carey whose bad-good guy with a toothy grin is just slippery enough to be convincing. The chemistry between him and Holden comes across effectively. Too bad that director Fenton doesn't do more to bring out the dramatic aspects of the friendship, though the final scene is both well-staged and appropriate. For me, the movie's highlight is the absolutely gorgeous Technicolor framing of the outdoor scenes. Somebody sure knew how to frame those scenes in an impressive way that adds greatly to the film's unusually riveting eye-appeal.

The story itself is a good one. The screenplay develops Holden and Bendix's transition from outlaws to Rangers in believable fashion. What is suggested is that some outlaws can be reformed by respect and an honorable code of conduct, which strikes me as a worthwhile piece of insight and good moral to the story. On the downside, Mona Freeman as the high-spirited lass comes across as too callow and stagey for the much more mature Holden and Carey to butt heads over. Then too, Alfonso Bedoya's unlikely role looks like an effort at cashing in on his Treasure of the Sierra Madre success. In passing-- note that the classic trail song "Streets of Laredo" is not the one sung in the movie. It's a disappointing something else, probably composed for the film. I wonder if the producers had trouble getting rights to use the real song. Too bad. Anyway, the movie plays better than Leonard Maltin's rather dismal professional review, especially for those who like long views, big clouds, and a sense of open horizons.


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