Sam Wilson is having a hard time making ends meet. When he asks his boss for a raise, he finds out that the company is closing down and he'll be out of a job. His boss decides to commit ... See full summary »

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Cast

Complete credited cast:
...
Jeffrey Lynn ...
...
Lt. Richard Webb (as Henry Morgan)
Katherine Emery ...
Richard Gaines ...
Henry O'Neill ...
...
...
...
Raymond Roe ...
...
Det. McTay
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Storyline

Sam Wilson is having a hard time making ends meet. When he asks his boss for a raise, he finds out that the company is closing down and he'll be out of a job. His boss decides to commit suicide so that his family can benefit from his insurance. He asks Sam to help make it look like murder. Sam thinks he has convinced the boss not to commit suicide. But the boss does it anyway, so Sam follows the instructions the boss had given him, to make it look like murder. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Plot Synopsis

Taglines:

"$10,000 If You Make My Suicide Look Like MURDER!"

Genres:

Crime | Drama | Film-Noir

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Release Date:

5 November 1949 (USA)  »

Also Known As:

Compromisso de Honra  »

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The episode Murder, She Wrote: The Days Dwindle Down (1987) was done as a direct sequel to this movie, with Jessica Fletcher trying to figure out if Malcolm Jarvis' death was suicide or murder. In the episode, Jeffrey Lynn, Martha Scott, and Harry Morgan reprised their roles from the earlier film, and original footage from the film was used as flashbacks to tell the story. See more »

Connections

Edited into Murder, She Wrote: The Days Dwindle Down (1987) See more »

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Interesting Trivia
28 September 2001 | by (California) – See all my reviews

An interesting note about this movie: The TV Series "Murder, She Wrote" produced a "sequel" to it in a 1987 episode, "The Days Dwindle Down," (episode # 3.21). Several actors, including Harry Morgan, reprise their roles. Jessica Fletcher re-solves the original crime by interviewing several of the original characters some 30 years after the fact (actually closer to 40 years!). The episode makes nice use of scenes from the original movie as flashbacks to explain the plot. Imagine the surprise of watching a typical MSW episode about an old murder, and then a 34-year-old Harry Morgan suddenly pops up in B&W interviewing the same (though younger) witnesses about the same murder!


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