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Sons of New Mexico (1949)

6.5
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In addition to his duties as executor of an estate Gene must keep a juvenile delinquent from the clutches gambler Feeney who hopes to get at the money through the kid.

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Title: Sons of New Mexico (1949)

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Director: John English
Stars: Gene Autry, Champion, Lynne Roberts
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Cast

Complete credited cast:
...
Champion ...
Champ - Gene's Horse
Gail Davis ...
Eileen MacDonald
Robert Armstrong ...
Pat Feeney
Dickie Jones ...
Randy Pryor (as Dick Jones)
...
Gig Jackson
Irving Bacon ...
Chris Dobbs
Russell Arms ...
Lieutenant Chuck Brunton
Marie Blake ...
Hannah Dobbs
...
Henchman Rufe Burns
Sandy Sanders ...
Ranch hand Walt
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Storyline

In addition to his duties as executor of an estate Gene must keep a juvenile delinquent from the clutches gambler Feeney who hopes to get at the money through the kid. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

GENE AND CHAMPION RIDE WITH THE CAVALRY CADETS to blast a gambler's frame-up inside a killer's trap!

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Western

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Release Date:

20 December 1949 (USA)  »

Also Known As:

The Brat  »

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 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Sepiatone)

Aspect Ratio:

1.37 : 1
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Soundtracks

There's A Rainbow On The Rio Colorado
Written by Gene Autry and Fred Rose
Sung by Gene Autry
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User Reviews

 
Cadets to the Rescue
18 November 2010 | by (Claremont,USA) – See all my reviews

Lively programmer thanks to hard riding, acrobatic fisticuffs, and energetic performances. Jones makes an excellent headstrong kid, while Gail Davis shows why she was an Autry favorite in more ways than one. The plot's more complex than usual. Gene has to help the corps of NMMI cadets straighten out Jones before the bad guys cheat him out of the ranch.

There're more speaking parts than usual, spread out among a notable supporting cast—King Kong's Robert Armstrong, 1930's bad boy Frankie Darro, and the Lone Ranger himself Clayton Moore. Throw in Your Hit Parade's Russell Arms and NMMI's corps of cadets and you've got a more colorful array than usual for an oater. Also, there's little expected comic relief and what there is comes across as more gruff than silly.

For me, the only real drawback echoes that of reviewer Carl 70—the editing room did a poor job of merging New Mexico flatland with SoCal scrublands, in addition to obvious process shots with the Hollywood cast standing in front of a back-screen. Too bad these technical aspects don't rise to the level of the movie as a whole.

Nonetheless, with a better than average cast and script, plus New Mexico locations, it looks like Gene was reaching for more than the ordinary and generally speaking, he got it.

(In passing—By the time I was a cadet at NMMI in the late 50's, the cavalry format had been eliminated. No more horses or championship polo. Instead, we were trained in tank warfare, the more modern equivalent. Seeing the movie now, I'm sort of sorry I wasn't there ten years earlier.)


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