After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Captains John Fellows and Henry Wynne-Walton finish their Army training at Sandhurst Military Academy and are sent to the Middle-East. John is to lead a parachute battalion while Henry is ... See full summary »
Nino Culotta is an Italian immigrant who arrived in Australia with the promise of a job as a journalist on his cousin's magazine, only to find that when he gets there the magazine's folded,... See full summary »
Dr. Jonathan Dakers, in flashback, tells his son Tony, Word War II veteran, about his life dating from the 1900s. As a medical student, he meets Edeie at a cricket match but doesn't see her... See full summary »
The best bomb disposal officer during World War II was badly injured and is in frequent pain. He finds solace and relief from his pain in the whisky bottle & the pills that are never far away. A new type of booby trapped bomb push his nerves & resolution to the limit. Written by
Steve Crook <firstname.lastname@example.org>
A little over 75 minutes into the film, during the scene where the character of Sammy Rice trashes his sitting room, the shadow of the boom mic can be seen reflected in the empty picture frame in the foreground of the shot. See more »
This is from a time when writers still roamed the earth
A fine terse drama like this one is inconceivable today for many reasons, most of them having to do with market forces which dictate that only films about superheroes in long underwear and adolescent revenge fantasies are to get financing and international distribution. But the main reason why it can't be duplicated today is the quality of the writing by Emeric Pressburger, an innovative genius who wasn't afraid to leave his mark on material adapted from another medium and to use his imagination to keep things vivid at all times. The film shines in its production values, photography, art direction, casting but most of all in its details and its capacity to involve the viewer in a subject that would seem almost repellent today, a complicated and imperfect man's devotion to his work in time of war. If a film's success is to be measured by its capacity to take the viewer out of the ordinary, this film is certainly a hit. Its success is helped by the talent of the principals, a wise woman every warrior would like to return to (Kathleen Byron) and the most gorgeous hunk of uncompromising masculinity ever to grace a British screen and titillate the female viewers, David Farrar.
19 of 19 people found this review helpful.
Was this review helpful to you?