After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Alexander Korda's bit for the British war effort shows the world both at peace and on the verge of Nazi domination. Spliced together to form a documentary style film of both newsreel and ... See full summary »
Beniamino and his family have lived in a school from the end of World War II. But five years have passed and they are compelled to move. In Rome, however, it is difficult to find an ... See full summary »
When an ex-dancer marries a man for his money she is suprised find he is a real skinflint. She owes a lot of money to a loan-shark who is after her. However, her husband does carry a lot of... See full summary »
The best bomb disposal officer during World War II was badly injured and is in frequent pain. He finds solace and relief from his pain in the whisky bottle & the pills that are never far away. A new type of booby trapped bomb push his nerves & resolution to the limit. Written by
Steve Crook <email@example.com>
A little over 75 minutes into the film, during the scene where the character of Sammy Rice trashes his sitting room, the shadow of the boom mic can be seen reflected in the empty picture frame in the foreground of the shot. See more »
This is from a time when writers still roamed the earth
A fine terse drama like this one is inconceivable today for many reasons, most of them having to do with market forces which dictate that only films about superheroes in long underwear and adolescent revenge fantasies are to get financing and international distribution. But the main reason why it can't be duplicated today is the quality of the writing by Emeric Pressburger, an innovative genius who wasn't afraid to leave his mark on material adapted from another medium and to use his imagination to keep things vivid at all times. The film shines in its production values, photography, art direction, casting but most of all in its details and its capacity to involve the viewer in a subject that would seem almost repellent today, a complicated and imperfect man's devotion to his work in time of war. If a film's success is to be measured by its capacity to take the viewer out of the ordinary, this film is certainly a hit. Its success is helped by the talent of the principals, a wise woman every warrior would like to return to (Kathleen Byron) and the most gorgeous hunk of uncompromising masculinity ever to grace a British screen and titillate the female viewers, David Farrar.
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