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Hour of Glory (1949)
"The Small Back Room" (original title)

7.5
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Ratings: 7.5/10 from 1,103 users  
Reviews: 21 user | 35 critic

As the Germans drop explosive booby-traps on 1943 England, the embittered expert who'll have to disarm them fights a private battle with alcohol.

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Title: Hour of Glory (1949)

Hour of Glory (1949) on IMDb 7.5/10

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Nominated for 1 BAFTA Film Award. See more awards »
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Cast

Cast overview, first billed only:
...
...
Susan
...
Leslie Banks ...
Col. A.K. Holland
...
...
Milton Rosmer ...
Walter Fitzgerald ...
Emrys Jones ...
Joe
...
Till
Renée Asherson ...
A.T.S. corporal
Anthony Bushell ...
Col. Strang
Henry Caine ...
Sgt. Maj. Rose
Elwyn Brook-Jones ...
Gladwin
James Dale ...
Brigadier
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Storyline

The best bomb disposal officer during World War II was badly injured and is in frequent pain. He finds solace and relief from his pain in the whisky bottle & the pills that are never far away. A new type of booby trapped bomb push his nerves & resolution to the limit. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Plot Synopsis

Genres:

Drama | Romance | Thriller | War

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

23 February 1952 (USA)  »

Also Known As:

Hour of Glory  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

When Sammy and Susan are at the Hickory Tree night club, Susan spots Gillian, an old acquaintance, and asks Sammy to start talking, to avoid the meeting. Sammy starts, and then Susan joins in reciting the following lines: "I never nurs'd a dear gazelle, / To glad me with its soft black eye, / But when it came to know me well / And love me, it was sure to die." These lines are from the poem Lalla Rookh (in the section entitled The Fire Worshipers) by the Irish poet Thomas Moore (1779-1852). See more »

Goofs

A little over 75 minutes into the film, during the scene where the character of Sammy Rice trashes his sitting room, the shadow of the boom mic can be seen reflected in the empty picture frame in the foreground of the shot. See more »

Quotes

Sammy Rice: I must have a drink. Ask me to have a drink woman.
Susan: Have a drink Sammy.
Sammy Rice: Whisky?
[Susan nods.]
Sammy Rice: No thanks Susan.
See more »

Crazy Credits

In the cast list, Robert Morley is named only as "A Guest", in italics. See more »

Connections

Featured in Scene by Scene: Martin Scorsese (1998) See more »

Soundtracks

Wintermärchen
(aka Hearts and Flowers)
from "Waltzes, Op.366 (1891)"
Music by Alphons Czibulka
Performed by Ted Heath's Kenny Baker Swing Group
See more »

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User Reviews

 
Overlooked Gem From Powell
25 July 2013 | by (Isle Of Bute , Scotland) – See all my reviews

The films of Michael Powell feature quite prominently in the list of greatest British films list . BLACK NARCISSUS , THE RED SHOES , THE LIFE AND DEATH OF COLONEL BLIMP and A MATTER OF LIFE AND DEATH all feature there somewhere . This film called THE SMALL BACK ROOM is constantly ignored for some reason , perhaps the fact it's in black and white might have a lot to do with it but is certainly of the best films in Powell's resume

Perhaps this fact that it is shot in black and white works in its favour ? In some ways it's a different take on film noir . David Farrar plays Sammy Rice a scientist working for the war office and finds himself besieged on all sides by marketing agents who want to win government contracts for new weapons even though these weapons are nowhere near as effective as the marketing men claim . What the film does brilliantly is taking us in to the tortured psyche of Rice who knows fine well that this will cost the lives of young men who have to fight the war against Nazi Germany with these weapons

In film noir the protagonist is portrayed as a flawed anti-hero and in the case of Rice he's flawed both physically and mentally . He has a foot missing which has been replaced by a tin one that causes him pain which has led to an addiction for pain killers which don't work except to feed his addiction . Rice also has a sometimes addiction to alcohol and Powell shows his expressionistic influences by a quite breath taking sequence where Rice has to literally fight his addiction . The entire film benefits greatly from the cinematography of Christopher Challis that any director of film noir would kill for

One other overlooked aspect to THE SMALL BACK ROOM that you would never get in an American movie is the " joint effort " portrayal of the allies . Churchill summed up allied victory as being won by " American money , British courage and Soviet blood " a somewhat simplistic sound bite but the fact is it was a broad coalition of many countries and of many brave young people who can claim the victory for defeating Nazi Germany and it's nice to see a film open with a British officer finding himself surrounded by servicemen from America , Poland and France . Believe me you wouldn't get that in a 21st Century American film

THE SMALL BACK ROOM remains one of the best films Powell made . Like the cosmopolitan coalition who beat the Nazis there's a lot of factors as to why it's a good movie . If you're expecting a war film then that's not what you're going to get because it's a journey through the psyche of a tortured man with the burden of a world at war on his shoulders and the film is good at portraying this on screen and contains some excellent cinematography


1 of 1 people found this review helpful.  Was this review helpful to you?

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