Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined ... See full summary »
A serial killer in London is murdering young women he meets through the personal columns of newspapers. He announces each of his murders to the police by sending them a cryptic poem. After ... See full summary »
The autobiography of elegant criminal, François Eugène Vidocq, from his birth in a French jail in 1775 to his appointment as chief of police of Paris where he intends to rob the city bank. ... See full summary »
It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband ... See full summary »
Barbara Bel Geddes,
An aging heir-less millionaire wants to leave his fortune to the unsuspecting family of his first love but not before testing his prospective heirs by living with them under the guise of a poor boarder.
The naive Evelyn Warren, elected shool-teacher of the year by Time Magazine, goes to Las Vegas, where she loses a lot of money. In order to pay her debts, casino-manager Matt Braddock asks ... See full summary »
Movie director John Gayle is fired by his best friend, a producer. He goes to the beach and wanders into a carnival. There he sees a cleaver Irish girl, Mary O'Leary, and decides to 'discover' her and regain his job. He takers her to his home and does a series of "Pygmalion" experiments with her. She becomes a fine actress and is hired by the movie studio, who believe her to be a FRench heiress. Gayle is hired to direct her but when she gives away the whole hoax, he is fired again. Written by
Les Adams <firstname.lastname@example.org>
To totally disagree with the previous reviewers, I think that this,
together with all other early Sirk movies I've seen, is nothing short
of staggering. Filled with one-liners worthy of a Howard Hawks/Ben
Hecht movie, it's not only early evidence of Sirk's genius for space
and light and shadow, but also a highly sophisticated and perverse
rendition of the Pygmalion theme. It's a measure of Sirk's genius that
the characters, though formulaic, spring to life as in a Greek tragedy
or a Raoul Walsh, CB de Mille etc. movie- through the sheer strength
of stereotype. Here, as elsewhere, Sirk is a bit like Frank Sinatra:
cool and detached on surface, but revealing underneath the filth and
the fury ;> I saw it today (6APR07) at the Film Forum NYC and it blew
me away. Someone release it in DVD fast, it's an (to my knowledge)
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