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Shockproof (1949)

Approved | | Crime, Drama, Film-Noir | 25 January 1949 (USA)
Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined ... See full summary »



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Complete credited cast:
Harry Wesson
Esther Minciotti ...
Mrs. Marat
Howard St. John ...
Sam Brooks
Frederick Bauer
Charles Bates ...
Tommy Marat


Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined to make Jenny go straight. For lack of other prospects Griff finds Jenny a job in his own home, and his objectivity about her wavers, while Jenny continues to meet Harry secretly. However, when Jenny transfers her affections from Harry to Griff, the situation becomes even more dangerous... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis


Crime | Drama | Film-Noir


Approved | See all certifications »




Release Date:

25 January 1949 (USA)  »

Also Known As:

The Lovers  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Opening credits: The characters and incidents portrayed and the names used herein are fictitious and any similarity to the name, character or history of any person is entirely accidental and unintentional. See more »

Crazy Credits

Following the opening credits the camera pans onto the kerb edge of the road which reads HOLLYWOOD BLVD. See more »


Featured in Los Angeles Plays Itself (2003) See more »

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User Reviews

San Fuller and the Studio System...Mishandling by the Meddlers
10 January 2016 | by (United States) – See all my reviews

It's difficult to believe, but even by this Early Date of 1949 the Cynicism and Doom Laden Tropes of Film-Noir were becoming unacceptable for the Safe and Conservative Studio Heads. Sam Fuller's Script was stripped of its edginess and coated with a sweetness Ending. Neither Fuller nor Director Douglas Sirk were pleased and voiced Their disapproval loudly.

But the Power of Low-Rung, untested Writers and Directors was Minimal. So what remains is a Soapy Triangle with enough Artistic Insight to be passable and somewhat enjoyable, but hardly Pure Film-Noir and the impact is diluted and disappointing.

Cornel Wilde as the Parole Officer and Patricia Knight have and unexpected collision of Love's vice like grip and its ability to change People drastically. John Barangay as the Ex-Lover is Bland and really doesn't do much to attract audiences to His vile villainy but is good enough.

Wilde, not the best Actor in the World does have a Physical Presence and was Drop Dead Handsome. Knight was as Stiff as They Come and had a limited Career and tries mightily here but was betrayed by Her Talent and got by on Her slightly Off-Beat Beauty.

Overall, Worth a Watch for Sirk and Fuller, but must be Footnoted as mishandled by Studio Interference. Film-Noir Fans and Fuller Cultists might be disappointed. A Film-Noir only in a Wide Definition of the Genre.

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