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Storyline
Over-the-hill boxer Bill 'Stoker' Thompson insists he can still win, though his sexy wife Julie pleads with him to quit. But his manager Tiny is so confident he will lose, he takes money for a "dive" from tough gambler Little Boy...without bothering to tell Stoker. Tension builds as Stoker hopes to "take" Tiger Nelson, unaware of what will happen to him if he does. Written by
Rod Crawford <puffinus@u.washington.edu>
Plot Summary
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Taglines:
I Want a Man... Not a Human Punching Bag!
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Did You Know?
Trivia
Based upon a narrative poem published in 1928 by
Joseph Moncure March, who gave up his job as the first managing editor of "The New Yorker" to devote himself to writing. On the strength of it, he went to Hollywood as a screenwriter, remaining there for a dozen years. In 1948 he volunteered to work on this film, but was turned down. He was incensed that his black boxer Pansy Jones was changed into the white Stoker Thompson.
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Goofs
During the fight, a man in front of Little Boy and his girlfriend bets $20 with his companion that Stoker will "go the distance". Little Boy's girl takes him up on the bet. Later the man says "I still say it will go the limit". Little Boy's girl bets him $100 that it won't. When the fight ends with Stoker the winner by a knockout, Little Boy's girl pays off the bets at Little Boy's insistence. But the fight did not go the distance - a decision by the judges. So Little Boy's girl was a winner, not a loser, even though the wrong guy got knocked out.
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Quotes
Red:
I tell you, Tiny, you gotta let him in on it.
Tiny:
How many times I gotta say it? There's no percentage in smartenin' up a chump.
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Connections
Referenced in
Fighters (1991)
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Soundtracks
"A Touch of Texas"
(uncredited)
Music by
Jimmy McHugh See more »
This is a beautiful study in despair. The simple plot is moving. The boxing scenes are excellent. The dark photography is breathtaking. And it is superbly directed.
The director is one of the two mysteries involved in "The Set-Up." Robert Wise directed some of the most incisive, searing films noir in the history of movies. He seems to have had a true feel for the down and dirty. Yet he is best known for overblown, soulless musicals in the 1960s. OK, a man has to eat. But offhand, I can't think of a more dichotomous career.
The other, sadder puzzle is its star, Robert Ryan. He had a solid career as a working actor. Yet he is nearly forgotten today. Cary Grant never won an Academy Award and there are many others, who are often cited. But how could the award have been denied Ryan, one of the finest movie actors of the Twentieth Century?