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Back to the Secret Garden is a great family fantasy film. Made in sequel to the original film "The Secret Garden." It has some of the original characters, Lady Mary amongst other favourites... See full summary »
When cholera takes the parents of Mary Lennox, she is shipped from India to England to live with her Uncle Craven. Archibald Craven's house is dark and drafty, with over 100 rooms built on the edge of the moors. Mary finds that her Uncle does not wish to see her, which is fine with Mary as she herself is rude and spoiled. While walking the gardens the next day, Mary notices that there is a area in the garden surrounded with a high stone wall and no doorway. Dickon, brother of a housemaid, tells her of the garden behind the wall. By the path, the raven unearths the hidden key so that Mary and Dickon are able to enter the walled garden to find it overgrown and neglected. Inside the house, she finds that Archibald has a son named Colin, who is crippled and as spoiled as she. Together these three work to make the secret garden their own world. Written by
Tony Fontana <firstname.lastname@example.org>
The movie inspired a short-lived television series in 1952, with Brian Roper reprising his role as Dickon. The series (which was broadcast live) is believed to be lost. See more »
In the opening title sequence of the movie, someone unlocks the door to the Secret Garden, and pushes it open, inward from the right side. In the rest of the movie, the door opens inward from the left. See more »
A fox cub. His name's Captain.
Dickon, are you still angry with me?
When was I ever angry with thee?
Oh, good. Dickon, I've got so many secrets I'm just dying.
Thou seems most healthy.
Dickon, I need you. All you have to do is listen. What good is a secret if there's no one to tell it to?
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No screen credit is given for the Technicolor sequences. See more »
Wonderful performances, and beautiful set design, make this film a definite must-see. No studio could match MGM's lush approach, and the stylized sets seen in "The Secret Garden" bring the script alive, in a fashion no "location" filming could have accomplished.
Utilizing a "partial" Technicolor application seen in "The Wizard of Oz" and "The Women," MGM manages to provide an emotional punch when it is most needed.
O'Brien is perfect in the lead, and minor supporting roles are cast to perfection.
A few of the scenes are surprisingly creepy.
Although, today, the film is labeled as "family," it can be surprisingly harsh, with none of the treacle that sinks many a movie intended for a general audience.
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