Homicide detective Mike Conovan investigates the shooting of fellow detective Monigan...who apparrently was moonlighting as guard for a bookie. He finds that all the bookies in town are ...
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Matt Brennan runs into Jo Holloway, the Red Cross girl he romanced in Europe when he was a flyer in World War II, when he is offered a job by jet manufacturer Leland Willis as a test pilot.... See full summary »
Steve Keiver, young lawyer working for an insurance company, hears his boss remark that he'd pay a large sum "no questions asked" for return of stolen property to avoid paying a much larger... See full summary »
Homicide detective Mike Conovan investigates the shooting of fellow detective Monigan...who apparrently was moonlighting as guard for a bookie. He finds that all the bookies in town are being robbed, most upsetting to the racket bosses who can't get normal police protection. Mike encounters blind alleys and double crosses, and is distracted by his wife's growing disenchantment. Lots of police slang. Written by
Rod Crawford <email@example.com>
This film was a success at the box office for MGM, earning a profit of $151,000 ($1.53M in 2016) according to studio records. See more »
In the opening of the movie a ballistics expert is shown firing a revolver into a box. What appears to be a .38 caliber slug is recovered and a close up of the lands and grooves are shown. The bullet, however, is in perfect condition. It is in no way mushroomed or distorted in any way as a fired bullet would be. This is wrong. Inside the box is heavy cotton that is used to stop the bullet so that it can be compared in a comparison microscope. This technique was used back then. The bullet will expend all its energy so it will not be deformed. See more »
I'm no Humphrey Bogart. He gets slugged and he's ready for action; I get slugged and I'm ready for pickling.
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Did, as some people think, "Scene of the Crime" invent the cop drama clichés that have been a mainstay of television and film for so long? Or were they already established and just copied by this film? Not being an expert in the genre, I don't know. I do know that despite attempts by some people to elevate this movie to film noir status, it's not that great. Dore Schary put this into production when he took over MGM. I guess he wanted MGM to be more like Warner Brothers. It stars Van Johnson, Arlene Dahl, John McIntyre, Leon Ames, and Gloria DeHaven.
When a cop is killed with a roll of dough found on him, his fellow officers set out to investigate the crime and clear the man's name.
"Scene of the Crime" is similar in its way to "Dragnet" - it shows the daily grind of detectives as they put together a case. There are a couple of very good scenes, including one in which Mike (Van Johnson) arrests a suspect, and shooting starts when they get outside of the apartment building. Still handcuffed to Mike, the perp jumps into a building stairwell. There's also a good car chase.
For some reason, Van Johnson did these baby-faced tough guys well - perhaps it was his New York accent, but he pulls off the role of the dedicated Mike. He was set to be Elliot Ness in the TV "Untouchables" when his wife Evie called Desi Arnaz the night before and held him up for more money. Arnaz called Robert Stack and told him to report to the set the next day. A friend of mine who has lived in LA for over 50 years and socialized with many stars said that Arlene Dahl was the most beautiful woman of everyone he had met. Seeing her in this, you can believe it. She is a spectacular beauty if her acting in some spots isn't the best. Gloria De Haven, usually a vibrant ingenue, plays against type as a tramp, which makes it interesting.
"Scene of the Crime" is gritty-looking enough but suffers from being slow in spots and loaded with clichés. There isn't anything to make it truly special. That could be because by now, we've seen it all before. Perhaps in 1949, it was fresh. But I have my doubts that even back then, it broke any new ground.
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