Homicide detective Mike Conovan investigates the shooting of fellow detective Monigan...who apparrently was moonlighting as guard for a bookie. He finds that all the bookies in town are ...
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The big national crime syndicate has moved into town, partnering up with local crime boss Nick Scanlon. There are only two problems: First, Nick is the violent type, preferring to do things... See full summary »
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Homicide detective Mike Conovan investigates the shooting of fellow detective Monigan...who apparrently was moonlighting as guard for a bookie. He finds that all the bookies in town are being robbed, most upsetting to the racket bosses who can't get normal police protection. Mike encounters blind alleys and double crosses, and is distracted by his wife's growing disenchantment. Lots of police slang. Written by
Rod Crawford <firstname.lastname@example.org>
This film was a success at the box office for MGM, earning a profit of $151,000 ($1.53M in 2016) according to studio records. See more »
When Detective Piper introduces the young man that sold the .38 S&W revolver to the cop killer to detective Conovan the man says he sold the gun to a man in a bar. Conovan then grills the man about his getting a lousy eighty bucks for the gun that killed his former partner. But at no time did the man mention getting eighty bucks for the gun. Also the gun owner claimed the man that bought the gun wanted it for a souvenir because his brother had been killed in the war. This makes no sense because a Smith & Wesson .38 snub nosed revolver would not be a war souvenir. See more »
This is a very entertaining look at big city cops and robbers with shades of film noir showing though. The standout performance in a potentially femme fatale role is Gloria DeHaven. I suspect the writers, John Bartlow Martin and Charles Schnee, along with director Roy Rowland, had experiences with untrustworthy women, for Lili (Gloria DeHaven) could turn any man's heart to putty, then fool him over and over. Van Johnson too turns in a subdued performance which is called for in the character (Mike Conovan) he plays. Conovan's very liberal wife, especially for 1949, is played by Arlene Dahl, who is fed up with the demands of her husband's job but who also trusts her husband to be with a vixen and still stay true to her. This is an effective counterbalance to the untrustworthiness of Lili. Great supporting roles abound filled with standout performances from John McIntire's "too old to cut the mustard" part all the way to the Sleeper, Norman Lloyd. Yuk, Yuk, it's great. There is a lot of realistic blood and guts thrown in complete with car chases that foretell things to come in action movies. Heat up some popcorn, get a cold one, then sit back and enjoy the ride.
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