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Le sang des bêtes (1949)

 -  Documentary | Short | Horror  -  1949 (France)
7.9
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Ratings: 7.9/10 from 1,343 users  
Reviews: 26 user | 14 critic

An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the ... See full summary »

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Title: Le sang des bêtes (1949)

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Cast

Cast overview:
Georges Hubert ...
Récitant / Narrator (voice)
Nicole Ladmiral ...
Récitante / Narrator (voice)
Alfred Macquart ...
Himself, horse slaughterer
Maurice Griselle ...
Himself, cow slaughterer
André Brunier ...
Poleaxer
Henri Fournel ...
Butcher
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Storyline

An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail. Written by <xaviermartin@hotmail.com>

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1949 (France)  »

Also Known As:

Blood of the Beasts  »

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1.37 : 1
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Trivia

This short film is featured on the Criterion Collection DVD for Eyes Without a Face (1960). See more »

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Referenced in Lynch (2007) See more »

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User Reviews

 
A hard but poetic documentary about the outskirts of Paris.... and their slaughterhouses
28 January 2005 | by (Paris, France) – See all my reviews

"Le Sang des Bêtes" is a splendid documentary about the life and work of many workers, living just outside the Paris walls after WWII. From the vast and deserted areas that seemed to completely surround the city and its few 'modern' outskirt-constructions, Franju suddenly leads us nearer to the heart of the capital. Where the industrial compounds rise. where, at the fringe of urban and rural worlds, the cattle is being slaughtered. From the horses slaughterhouses of the Porte de Vanves to the huge Halles de la Vilette, where cows, calves and sheep are being prepared to be eaten, this short film is by no means a claim for vegetarianism. Some scenes are certainly hard to watch, but the accurate eye of the director, his tenderness towards the men (and women) doing this very hard work, is the real point here. After all, we've seen animals die before (actually after, from 'Le Cochon' of Jean Eustache and Barbet Schroeder's New Guinea documentaries, to "Benny's Video" and the morbid attraction of Benny towards the film of the cow's death. So let not your prejudices take the better, and let the film deliver its message : that he is the witness of a world not that old, and already so odd to us.


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