Samson and Delilah
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Hail, Caesar! | Review

5 February 2016 9:00 AM, PST | ioncinema | See recent ioncinema news »

Sign of the Cross: The Coen Bros. Revisit the Backlot Desires of Hollywood’s Golden Era

The Coen Bros., back with their first title since 2013’s Cannes darling Inside Llewyn Davis, step back to an even earlier era with Hail, Caesar!, a 1950s set allegory parallelizing movie studio heads with their supernatural equivalent—God. A rather stressful day unfolds on the backlot of Capitol Pictures, where a leading star currently set to film the final, important speech in a Biblical epic is kidnapped by a serene group of Communist writers. Meanwhile, the general cadre of hungry gossip columnists, disgruntled auteurs, and budding celebrities must be continuously juggled and groomed by the studio’s omnipotent figurehead. It’s an ideal environment for the duo, who seem to be consistently recapitulating earlier films and eras, like their rehash of True Grit (2010). There’s something about this latest effort which hints at the »

- Nicholas Bell

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