9 items from 2013
How did we come up with our chart? By tallying the votes of our pop writers – and here's what they plumped for
John Wizards – John Wizards
Disclosure – Settle
Paramore – Paramore
Hebronix – Unreal
Kanye West – Yeezus
Christopher Owens – Lysandre
Julia Holter – Loud City Song
Daft Punk – Random Access Memories
Sky Ferreira – Night Time, My Time
Julia Holter – Hello Stranger
Miguel and Mariah Carey – #Beautiful
Drake – Hold On, We're Going Home
Sky Ferreira – You're Not the One
Justin Timberlake – Suit and Tie
Jeffrey Lewis – Wwprd
Paramore – Still Into You
Disclosure feat. AlunaGeorge – White Noise
The 1975 – Chocolate
Stylo G – Soundbwoy
15-60-75 The Numbers Band – Jimmy Bell's Still in Town
Meat Wave – Meat Wave
The Drones – I See Seaweed 4
White Fence – Live in San Francisco
Ooga Boogas – Ooga Boogas
Superchunk – I Hate Music
Bits of »
- Tom Hughes, Maddy Costa, Tim Jonze, Michael Hann, Malik Meer, Rebecca Nicholson, Nosheen Iqbal, Alexis Petridis, Dom Lawson, Paul Lester, Louis Pattison, Kitty Empire, Kate Hutchinson, Betty Clarke, Paul MacInnes, Kieran Yates, Ian Gittins, Jude Rogers, Dave Simpson, Alex Needham, Dan Hancox, Daniel Martin, Sam Wolfson, Ally Carnwath, Stevie Chick, Dorian Lynskey, Sam Richards, Caroline Sullivan, Chris Salmon, Michael Cragg, Alex Macpherson, Sean Michaels, Tom Lamont, Killian Fox, Adam Boult, Harriet Gibsone
Just in time for Halloween, today’s Google homepage celebrates Hollywood costume designer Edith Head, on what would have been her 115th birthday (she passed away in 1981).
In 1924, Head was hired as a costume sketch artist for Paramount Pictures. She would go on the create costumes for everyone from Sophia Loren to Elizabeth Taylor, and is probably most well-known for her work on of Alfred Hitchcock’s films, including Vertigo, The Birds and Rear Window.
- Erin Strecker
I miss the Google Doodle's that were interactive. Sigh. The glory days that evaporated so very recently. But today's honoree is a rare Tfe appropriate treat. Google's banner is honoring Edith Head, 8 time Best Costume Design Oscar winner on her 116th birthday.
She won her Oscars for The Heiress (1950), Samson and Delilah (1951), All About Eve (1951), A Place in the Sun (1952), Roman Holiday (1954), Sabrina (1955), The Facts of Life (1961) and The Sting (1974) but the nominations were practically endless. For comparison's sake, today's reigning costume queens Sandy Powell and Colleen Atwood have but 10 nominations and 3 wins each -- stunning track records unless you place them next to Edith's 35 & 8!
My favorite modern tribute to Edith Head's costuming dominance, though, is still "Edna Mode" from The Incredibles (2004). The resemblance being perfectly uncanny, though Edith would still tower over her mini-me Edna at 5' feet 1½
This is as good a time as any to tell »
- NATHANIEL R
Google has marked the 116th anniversary of Edith Head's birth with a Google Doodle.
Head, who was born on October 28, 1897 and died on October 24, 1981, won a record eight Academy Awards for costume design.
Of 35 nominations, she won 'Best Costume Design' Oscars for The Heiress (1950), Samson and Delilah (1951), All About Eve (1951), A Place in the Sun (1952), Roman Holiday (1954), Sabrina (1955), The Facts of Life (1961) and The Sting (1974).
Head designed outfits for actors including Mae West, Frances Farmer, Ginger Rogers, Ingrid Bergman, Bette Davis, Hedy Lamarr, Elizabeth Taylor, Audrey Hepburn, Grace Kelly, Rosemary Clooney, Doris Day, Marlene Dietrich, Rita Hayworth, Kim Novak, Sophia Loren, Tippi Hedren and Katharine Hepburn among others.
She is the only costume designer to have been given a star on the Hollywood Walk of Fame, placed at 6969 Hollywood Boulevard.
Women in Film: Marilyn Monroe, Ava Gardner, and dozens of movie actresses in curious morphing montage A few dozen top international female movie stars, most of them Hollywood celebrities, are seen in the Women in Film morphing montage below created by Philip Scott Johnson. The faces belong to actresses from the 1910s to the early 21st century. (Image: The ‘Daughter’ of Marilyn Monroe and Ava Gardner — who sort of looks like a cross between Eleanor Parker and Cyd Charisse as well — in the Women in Film morphing montage.) Just as interesting as trying to identify each of the famous faces is stopping the video while the morphing is going on, so you get Daughter of Marilyn Monroe and Ava Gardner, or Daughter of Audrey Hepburn and Dorothy Dandridge, or Daughter of Michelle Pfeiffer and Sigourney Weaver. Some of those Daughters are quite pretty; others look like they’ve just landed on this planet. »
- Andre Soares
Cecil B DeMille's film does justice to the tale of lust and betrayal, despite the stuffed lion and bouncing temple stones
Samson and Delilah (1949)
Director: Cecil B DeMille
Entertainment grade: B
History grade: B
The story of Samson is recorded in the Bible's book of Judges, thought to have been written in about the 7th or 6th century BC.
The tribe of Dan are oppressed by the cruel Philistines, which everyone in the film doggedly pronounces "Fliss-teens". "Tyranny rose!" exclaims the voiceover, "But deep in man's heart still burned the unquenchable will for freedom." There's a political message here for the 20th century. The film is based on a treatment by Harold Lamb and leading Zionist Vladimir Jabotinsky, who died in 1940, nine years before the film's release. The modern state of Israel was established in 1948.
- Alex von Tunzelmann
Betty Hutton movies (photo: Betty Hutton in The Miracle of Morgan’s Creek, with Eddie Bracken) [See previous post: "Betty Hutton Bio: The Blonde Bombshell."] Buddy DeSylva did as promised. Betty Hutton was given a key supporting role in Victor Schertzinger’s 1942 musical comedy The Fleet’s In, starring Dorothy Lamour, William Holden, and Eddie Bracken. “Her facial grimaces, body twists and man-pummeling gymnastics take wonderfully to the screen,” enthused Pm magazine. (Hutton would have a cameo, as Hetty Button, in the 1952 remake Sailor Beware, starring Dean Martin, Jerry Lewis, and Corinne Calvet.) The following year, Betty Hutton landed the second female lead in Happy Go Lucky (1943), singing Jimmy McHugh and Frank Loesser’s "Murder, He Says," and stealing the show from fellow Broadway import Mary Martin and former Warner Bros. crooner Dick Powell. She also got co-star billing opposite Bob Hope in Sidney Lanfield’s musical comedy Let’s Face It. Additionally, Paramount’s hugely successful all-star war-effort »
- Andre Soares
Like Night of the Hunter, Tod Browning’s Freaks or Leonard Kastle’s The Honeymoon Killers, The Road to Yesterday can be ranked among the UFOs of cinema. It’s place in the heart of Cecil B. DeMille’s work proves to be in itself very distinctive. We know that, during his entire life, DeMille had virtually only one producer—Paramount (the former Famous Players Lasky)—just like Minnelli was MGM’s man and Corman American International’s. Sixty-three of his films (out of seventy) were produced at Paramount. And, oddly enough, it is among the seven outsiders, situated within a brief period from 1925 to 1931, that his best activity is to be found (I’m thinking of Madam Satan, The Godless Girl, and The Road to Yesterday)–his most audacious undertakings. To top it off, for this uncontested king of the box office, his best films were his biggest commercial failures. »
- Luc Moullet
(Note: This review pertains to the UK Region 2 Pal format release available on www.amazon.co.uk)
By Adrian Smith
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Cecil B. DeMille will always be remembered for his lavish historical epics like The Ten Commandments (1923 and again in 1956), Sign of the Cross (1932) and Samson and Delilah (1949). However, with over one hundred and sixty credits as either director or producer, he also worked in plenty of other genres. Following two flops, This Day and Age (1933) and Four Frightened People (1934), Paramount head Adolph Zukor insisted he try to replicate the success of Sign of the Cross with another visual spectacle. DeMille agreed and cast Claudette Colbert in the lead role of Cleopatra (she had already starred in both Sign of the Cross and Four Frightened People and was about to win the Oscar for It Happened one Night (1934)).
The plot focuses on Cleopatra's »
- firstname.lastname@example.org (Cinema Retro)
9 items from 2013
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