Mara and her husband Manoa are both upstanding and religious Israelites living under the harsh and unjust rule of the Philistines. Much to their regret, they have not been able to have ... See full summary »
Samson and Delilah's world is small- an isolated community in the Central Australian desert. When tragedy strikes they turn their backs on home and embark on a journey of survival. Lost, ... See full summary »
Clipper ships taking the shortest route between the Mississippi and the Atlantic often end up on the shoals of Key West in the 1840s. Salvaging the ships' cargos has become a lucrative ... See full summary »
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
Eva has just gotten married to an older gentleman, but discovers that he is obsessed with order in his life and doesn't have much room for passion. She becomes despondent and leaves him, ... See full summary »
Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
Mary Magdalene becomes angry when Judas, now a follower of Jesus, won't come to her feast. She goes to see Jesus and becomes repentant. From there the Bible story unfolds through the ... See full summary »
Cecil B. DeMille
Though his people, the Israelites, are enslaved by the Philistines, Samson, strongest man of the tribe of Dan, falls in love with the Philistine Semadar, whom he wins by virtue of a contest of strength. But Semadar betrays him, and Samson engages in a fight with her real love, Ahtur, and his soldiers. Semadar is killed, and her sister Delilah, who had loved Samson in silence, now vows vengeance against him. She plans to seduce Samson into revealing the secret of his strength and then to betray him to the Philistine leader, the Saran. Written by
Jim Beaver <email@example.com>
Despite his physique, Victor Mature was a man of many fears and phobias. During the jawbone battle, the wind machine kicked up some particularly violent gusts, and the actor fled the sound stage for his dressing room, hiding in terror. According to Cecil B. DeMille biographer Charles Higham, the director publicly humiliated him using his megaphone to ensure that cast and crew all heard him. "I have met a few men in my time. Some have been afraid of heights, some have been afraid of water, some have been afraid of fire, some have been afraid of closed places. Some have even been afraid of open spaces--or themselves. But in all my thirty-five years of picture-making, Mr. Mature, I have not met a man who was 100 percent yellow." See more »
Just after Delilah rings for her servant to bring dinner, the mike boom can be seen casting a shadow on the inside wall of her tent. See more »
The oldest trick in the world. Silk trap, baited with a woman.
You know a better bait, Samson? Men *always* respond.
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As Samson and Delilah (1949) starts, the title is written on scroll, that is opened, to be read. The remaining opening credits, after the scroll and title, are normal. Closing credits are normal, also. See more »
I've seen this movie many times. It is not extraordinary in any technical manner; the magic it weaves, is about the the stars, Hedy Lamarr and Victor Mature. Hedy Lamarr absolutely was a fantastic choice for this role. Imagine Betty Hutton playing Delilah; yes folks, it almost happened, and I am sure the movie would turned out to be absolutely ridiculous. Paramount did not spend big bucks for this movie, this is quite obvious; but with Lamarr as Delilah and Mature's Samson, this became a major example star-power. George Sanders won the acting laurels here. He was the quintessential powerful man; who understood that he could never completely dominate Delilah. Angela Lansbury was O.K., in a minor role. Edith Head effectively designed the costumes for Hedy; sexy, but not overwhelming (think Irene Shariff's over the top designs for Liz Taylor in Cleopatra). Hedy was sultry, sexy in a subtle and an utterly believable way; Mature was strong, the epitome of masculine strength, and totally confident that he could control and have his way with any woman. If Paramount and DeMille had agreed to add at least $1-2,000,000 to the budget; I think the film would have even been a bigger blockbuster than it was. Folks, this films was among the top five moneymakers, after its first release. Only Gone With The Wind, The Best Years of Our Lives, Duel In The Sun, and maybe Snow White. As of 1/51, S&D was in the top money-makers of all time. Pretty good for a half-bakrd effort and investment from Paramount and DeMille. Lamarr+Mature = 9/10, in my book.
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