The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
Samson and Delilah's world is small- an isolated community in the Central Australian desert. When tragedy strikes they turn their backs on home and embark on a journey of survival. Lost, ... See full summary »
Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
Mara and her husband Manoa are both upstanding and religious Israelites living under the harsh and unjust rule of the Philistines. Much to their regret, they have not been able to have ... See full summary »
Eva has just gotten married to an older gentleman, but discovers that he is obsessed with order in his life and doesn't have much room for passion. She becomes despondent and leaves him, ... See full summary »
The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula ... See full summary »
Though his people, the Israelites, are enslaved by the Philistines, Samson, strongest man of the tribe of Dan, falls in love with the Philistine Semadar, whom he wins by virtue of a contest of strength. But Semadar betrays him, and Samson engages in a fight with her real love, Ahtur, and his soldiers. Semadar is killed, and her sister Delilah, who had loved Samson in silence, now vows vengeance against him. She plans to seduce Samson into revealing the secret of his strength and then to betray him to the Philistine leader, the Saran. Written by
Jim Beaver <firstname.lastname@example.org>
Just after Delilah rings for her servant to bring dinner, the mike boom can be seen casting a shadow on the inside wall of her tent. See more »
[being tormented by the Saran's words that she "cannot undo" her betrayal of Samson, his subsequent blinding, and his bondage of grinding grain in the gristmill]
I can! I can! Round and round, day after day, month after month. He never stops! I'm being crushed like the grain beneath the stone. This night must end sometime. O God of Samson, help me. He said you are everywhere. That you are almighty. Hear me. Give back the light to his eyes. Take my sight for his. O god of Samson... Help me.
See more »
As Samson and Delilah (1949) starts, the title is written on scroll, that is opened, to be read. The remaining opening credits, after the scroll and title, are normal. Closing credits are normal, also. See more »
By the time the 1940s were rolling around, Cecil B. DeMille was doing a lot less work, but the work was getting more expensive. DeMille took off a couple of years now between films to create the opulent splendor that typifies his work.
Well Samson and Delilah abounds in opulence. The color cinematography is first rate and reason enough to see the film. Of course it has the usual stilted dialog that is common in DeMille's costume work. But one has to remember that DeMille made his show business bones with David Belasco in the Edwardian era. And that's how folks talked in those Belasco plays.
Acting honors in this go to George Sanders as the Saran of Gaza, Philistine ruler and sophisticated cad. This was the height of Sanders career, he received a Best Supporting Actor Oscar for All About Eve the same year. I think the Saran and Addison DeWitt would have understood each other very well.
Angela Lansbury is the original object of Samson's lust and she does okay, but personally if you had the choice between Jessica Fletcher and Tondelayo, who would you choose? Is that ever a no-brainer.
DeMille got a couple of loan-outs to play the leads. Hedy Lamarr could easily lay claim to be the most beautiful woman in the cinema. She never had much acting skill, but all she has to do is be seductive and that no one could do better.
And Victor Mature away from his home studio of 20th Century Fox where he was languishing, Samson and Delilah provided a whole new vista for him with roles in spectacle pictures where he could truly be that beautiful hunk of man.
Fay Holden is good as Samson's mother. In modern times I can just hear her telling him about settling down with a good Jewish girl.
50 of 68 people found this review helpful.
Was this review helpful to you?