Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
Eva has just gotten married to an older gentleman, but discovers that he is obsessed with order in his life and doesn't have much room for passion. She becomes despondent and leaves him, ... See full summary »
The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula ... See full summary »
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ... See full summary »
Cecil B. DeMille
Charles de Rochefort,
Shortly before his death in ancient Israel King David has a vision from God telling him that his younger son Solomon should succeed him as king. His other son Adonijah is unhappy and vows ... See full summary »
Though his people, the Israelites, are enslaved by the Philistines, Samson, strongest man of the tribe of Dan, falls in love with the Philistine Semadar, whom he wins by virtue of a contest of strength. But Semadar betrays him, and Samson engages in a fight with her real love, Ahtur, and his soldiers. Semadar is killed, and her sister Delilah, who had loved Samson in silence, now vows vengeance against him. She plans to seduce Samson into revealing the secret of his strength and then to betray him to the Philistine leader, the Saran. Written by
Jim Beaver <firstname.lastname@example.org>
Victor Young's lush background music, nominated for an Academy Award in the competition for 1950, would become his penultimate best-score recognition, followed by his posthumous win for Around the World in Eighty Days (1956). In the years between, the Academy failed to nominate two superlative, nuanced Young scores - for The Quiet Man (1952) and Shane (1953). See more »
Just after Delilah rings for her servant to bring dinner, the mike boom can be seen casting a shadow on the inside wall of her tent. See more »
Before the dawn of history, ever since the first man discovered his soul, he has struggled against the forces that sought to enslave him. He saw the awful power of nature rage against him. The evil eye of the lightning... The terrifying voice of the thunder... The shrieking, wind-filled darkness enslaving his mind with shackles of fear. Fear bred superstition, blinding his reason. He was ridden by a host of devil gods. Human dignity perished on the altar of idolatry. And tyranny ...
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As Samson and Delilah (1949) starts, the title is written on scroll, that is opened, to be read. The remaining opening credits, after the scroll and title, are normal. Closing credits are normal, also. See more »
Hedy Lamarr as Delilah, makes this a truly memorable film.
Hedy Lamarr was the most beautiful woman in films. Her ability as an actress was limited, but as a femme fatale, capable of bringing down a mighty warrior, she certainly was convincing to me. The fact that Samson fell for Angela Langsbury, in the first place, was laughable. Victor Mature was a good choice, for the part of Samson. George Sanders gave the best performance; he simply had no peer, when it came to playing sophisticated, world-weary, men of wisdom. Compare this role to his part in Rebecca, All About Eve, and you'll see what I mean. Again, just watching Hedy Lamarr, is like watching a beautiful work of art. Entertaining, old fashion Hollywood stuff. They don't make them like this anymore, and there certainly is no contemporary beauty that comes close to Hedy Lamarr.
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