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A Run for Your Money (1949)

Approved  |   |  Comedy  |  8 April 1950 (USA)
6.8
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Ratings: 6.8/10 from 315 users  
Reviews: 7 user | 3 critic

Brothers from a Welsh village take their first trip to London to collect a prize, and meet a con artist and sundry other urban distractions.

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(based on the original screen story by), (screenplay), 3 more credits »
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Title: A Run for Your Money (1949)

A Run for Your Money (1949) on IMDb 6.8/10

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Nominated for 1 BAFTA Film Award. See more awards »

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Cast

Cast overview, first billed only:
...
Dai
Meredith Edwards ...
Twm
Moira Lister ...
Jo
...
Whimple
...
Huw
Clive Morton ...
Editor
Julie Milton ...
Bronwen
Peter Edwards ...
Davies Manager
Joyce Grenfell ...
Mrs. Pargiter
Leslie Perrins ...
Burney
Dorothy Bramhall ...
Andrew Leigh ...
The Pawnbroker
Edward Rigby ...
Beefeater
Desmond Walter-Ellis ...
Station Announcer
Mackenzie Ward ...
The Photographer
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Storyline

Two Welsh coal-mining brothers win a trip to London to claim a monetary prize. They are supposed to meet a newspaper reporter who will be their escort. Instead, the brothers are launched into an adventure with some London riff-raff. It is up to the reporter to look out for the brothers, and what a job it turns out to be! Written by J. Hooven <dhooven@sprintmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

reporter | rugby | pub | con artist | wales | See All (34) »

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

8 April 1950 (USA)  »

Also Known As:

2 Bolhoeden naar Londen  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

While popular in England where it was a box office success and nominated for a BAFTA, the film did not sit well with Welsh audiences who considered it too stereotypical. See more »

Quotes

Editor: Well, now, we must just establish your identity.
David 'Dai Number 9' Jones: Identity?
Editor: Oh, purely a formality, of course.
David 'Dai Number 9' Jones: But I've never had to do that before. They all know me back home, see?
Whimple: But you must have an identity card, don't you?
David 'Dai Number 9' Jones: Well, it's behind the teapot at home, with my union card. Best place for them - I might lose them in London.
Editor: Ah. Heh.
[pause]
Editor: Edmund?
Whimple: May I suggest, uh...
[...]
See more »

Connections

Featured in Best of British: Ealing Comedies (1993) See more »

Soundtracks

Cwm Rhondda
(uncredited)
Written by John Ceiriog Hughes
See more »

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User Reviews

Funny, Skillfully Made Comedy
7 December 2004 | by (New York, NY) – See all my reviews

Two brothers, country-boy Welsh miners, come to London for a day to collect a prize won and to see a football match. They are separated when they arrive and spend the rest of the film trying to find each other. One, a handsome, naive lad (of the sort Bill Travers played in WEE GEORDIE) is alternately taken in tow by Alec Guinness, an effeminate garden-column writer, and by Moira Lister, a larcenous blonde. The other meets up with old-friend, street-singer Hugh Griffith, and they get wildly drunk. The pacing is superb, and the style is realistic. There is a large variety of amusing characters, the most memorable of which is Joyce Grenfell in a fancy dress shop. It's all extremely cleverly done, and filled with well-timed laughs. You don't see the laughs coming; in that sense they're never predictable. Nor are they easy, lazy laughs; they're very deftly worked out. Yet it doesn't go beyond that consummate skill. Halliwell, as usual, puts it very well; "with characterizations as excellent as they are expected." Somehow, the film isn't quite as pleasing as should be. This is largely because of the naive lad's relationship to the con-girl; one has to wonder about the worth of a man who'd completely forget his fiancé in a day, and Lister's weak performance doesn't give the conceit any help. Also, the level of farce is occasionally pushed beyond its limits. It's OK that the brothers keep missing each other like people slipping in and out of doors in a stage farce, but for Griffith and the brother he's with to literally pop in and out of the doors of the underground train, and stretch the routine to the limit, seems a bit much. But one feels a bit bad complaining about the weaknesses of the film, because it is very entertaining, and a skillfully made comedy.


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