Rope of Sand (1949)A man abused by a sadistic mining company cop before he could tell where on their desert property he'd found diamonds decides to steal them instead. Director:William Dieterle |
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Rope of Sand (1949)A man abused by a sadistic mining company cop before he could tell where on their desert property he'd found diamonds decides to steal them instead. Director:William Dieterle |
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| Complete credited cast: | |||
| Burt Lancaster | ... |
Mike Davis
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| Paul Henreid | ... |
Commandant Paul Vogel
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| Claude Rains | ... |
Arthur Martingale
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| Peter Lorre | ... |
Toady
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Corinne Calvet | ... |
Suzanne Renaud
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| Sam Jaffe | ... |
Dr. Francis Hunter
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John Bromfield | ... |
Thompson (guard)
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| Mike Mazurki | ... |
Pierson (guard)
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Kenny Washington | ... |
John
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Edmund Breon | ... |
Chairman
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| Hayden Rorke | ... |
Ingram
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David Thursby | ... |
Henry (bartender)
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Josef Marais | ... |
Specialty Singer
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Miranda Marais | ... |
Specialty Singer
(as Miranda)
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Two years ago, hunting guide Mike Davis was with a client who trespassed on diamond company land and found a rich lode; Paul Vogel, sadistic commandant of company police, beat Mike nearly to death but failed to learn the location. Now Mike is back in Diamantstad, South African desert, and manager Martingale has a better idea: he hires delectable adventuress Suzanne to ferret out Mike's secret. But she soon finds she's playing with fire. Written by Rod Crawford <puffinus@u.washington.edu>
Rope of Sand, an adventure thriller supposedly set in post-WW II South Africa, certainly receives the vote of "classic" in my book. Far away places, a romance triangle, suspense, even a bit of humor at times...it's all there in a neatly executed, well-acted plot that makes you wish YOU could have been there and tried just what Burt Lancaster did. I have watched this movie more than half a dozen times over the years and still get that sense of intrigue and mystery and fascination with the setting and story that I got on the first occasion, as a child. The film noir era was coming to a close when this movie was created in 1949 but most of the crucial elements are there including use of the black and white, music score, contrasting dialog and action scenes, and so on, right up to the final scene. Perhaps the screenplay might have gotten a little more mileage out of Corrine Calvet and Burt but we need to remember that we're judging films of this era against a different yardstick. I seriously don't think that this movie would have come together at all using actors working today because they would all be hungering for a bigger piece of the movie than anyone got here or typically does get in film noir. This is not to mention what current directors typically do as a substitute for what film noir did with the camera and timing of scene combinations. So I disagree with the previous reviewer. Watch this if you can and enjoy!