A hat-check girl at the Stork Club (Hutton) saves the life of a drowning man (Fitzgerald). A rich man, he decides to repay her by anonymously giving her a bank account, a luxury apartment ... See full summary »
Pete Wilson is on top. He is the highest paid professional football player in the league. He has seen other players come and go, but he was MVP last year and the future looks rosy. His wife... See full summary »
Donald Elwood meets after the war his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a ... See full summary »
Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's ... See full summary »
Eleanor Collier wants to become a successful actress and agrees to a series of publicity stunts thought up by her press agent, Charley Baxter. The result is trouble and a bad impression. Eleanor quarrels with her boyfriend when he blames her publicity mania for getting her involved in an underworld killing. A gangster kidnaps her for being, unwittingly, the finger woman in the killing, but a Boradway columnist comes to her rescue. Written by
Les Adams <email@example.com>
There's not much to this film other than star Betty Hutton herself. The production values are minimal, the storyline (about a small theatre company trying to hit the big time) is simultaneously convoluted and unengaging. And your guess is as good as mine as to what the title has to do with anything (taken from a relatively successful Cole Porter stage production, there is *nothing* here by Cole Porter).
But, if you like Betty Hutton, you'll probably enjoy the film. It isn't as key a film in her career as "Annie Get Your Gun," "The Perils of Pauline," or "The Miracle of Morgan's Creek," but it certainly gives her plenty of room to showcase her manic comic ability and her own (shall we say) unique way of putting over a number. You just haven't experienced Betty Hutton until you've seen her perform a four-minute musical encapsulation of "Hamlet." Fasten your seat belts and hold onto the arm rests, because she is dialed up to eleven throughout the piece. Everytime you think she can't get anymore over the top, she manages to push even farther! This number alone makes the entire film worthy of some interest.
19 of 21 people found this review helpful.
Was this review helpful to you?