| Myrna Loy | ... | Alice Tiflin | |
| Robert Mitchum | ... | Billy Buck | |
| Louis Calhern | ... | Grandfather | |
| Shepperd Strudwick | ... | Mr. Fred Tiflin | |
| Peter Miles | ... | Tom | |
| Margaret Hamilton | ... | Teacher | |
| Melinda Byron | ... | Jinx Ingals | |
| Jackie Jackson | ... | Jackie | |
| Beau Bridges | ... | Beau | |
| Don Reynolds | ... | Little Brown Jug (as Little Brown Jug) | |
| Nino Tempo | ... | Nino | |
| Tommy Sheridan | ... | Dale | |
| rest of cast listed alphabetically: | |||
| Eddie Borden | ... | Circus performer (uncredited) | |
| Dolores Castle | ... | Gert (uncredited) | |
| William 'Wee Willie' Davis | ... | Truck driver (uncredited) | |
| Alvin Hammer | ... | Telegrapher (uncredited) | |
| Gracie Hanneford | ... | Circus performer (uncredited) | |
| Poodles Hanneford | ... | Clown (uncredited) | |
| Bill Quinlan | ... | Ben (uncredited) | |
| George Tyne | ... | Charlie (uncredited) | |
| Max Wagner | ... | Bartender (uncredited) | |
Directed by | |||
| Lewis Milestone | |||
Writing credits | ||
| John Steinbeck | (by) | |
| John Steinbeck | (screenplay) | |
Produced by | |||
| Lewis Milestone | .... | producer | |
| Charles K. Feldman | .... | executive producer (uncredited) | |
Original Music by | |||
| Aaron Copland | |||
Cinematography by | |||
| Tony Gaudio | (director of photography) | ||
Film Editing by | |||
| Harry Keller | |||
Production Design by | |||
| Nicolai Remisoff | |||
Art Direction by | |||
| Victor Greene | |||
Set Decoration by | |||
| John McCarthy Jr. | (set decorations) | ||
| Charles S. Thompson | (set decorations) (as Charles Thompson) | ||
Makeup Department | |||
| Peggy Gray | .... | hair stylist | |
| Bob Mark | .... | makeup supervisor | |
| Louise Landmier | .... | hair stylist (uncredited) | |
Production Management | |||
| Nate Watt | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert Aldrich | .... | assistant director (uncredited) | |
Sound Department | |||
| Victor B. Appel | .... | sound | |
| Howard Wilson | .... | sound | |
Special Effects by | |||
| Howard Lydecker | .... | special photographic effects | |
| Theodore Lydecker | .... | special photographic effects | |
Camera and Electrical Department | |||
| Glen Kaiser | .... | grip (uncredited) | |
| Donald Biddle Keyes | .... | still photographer (uncredited) | |
| Thomas Morris | .... | camera operator (uncredited) | |
| Sid Swaney | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Adele Palmer | .... | costumes | |
Music Department | |||
| R. Dale Butts | .... | orchestrator (uncredited) | |
| Nathan Scott | .... | orchestrator (uncredited) | |
Other crew | |||
| Francis Cugat | .... | associate Technicolor color director | |
| Charles K. Feldman | .... | presenter | |
| Natalie Kalmus | .... | Technicolor color director | |
| Norman Lloyd | .... | assistant to producer | |
| Don Weis | .... | script supervisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
There is an unusual abundance of talent associated with this film. The screenplay was written by one of the great American writers of the 20th century, John Steinbeck, taken from his excellent short novel of the same name. The score was written by Aaron Copland, perhaps the most noted composer in American history. The director, Lewis Milestone, made many fine pictures over a long career including Academy Award winner 'All Quiet on the Western Front.'
All that talent doesn't necessarily mean that 'The Red Pony' is going to be the greatest movie of all time, though it is a good one. Milestone's direction and Copland's score are both fine, but I didn't feel like Steinbeck's script was nearly as good as his book.
We often complain when a favorite work of literature is changed considerably by the movies, but what do you say when it's a Nobel and Pulitzer Prize-winning author doing it to his own work? Although I don't think this filmed version lives up to the novel, it still covers the same ground. It's about a boy growing up on a farm in Steinbeck's beloved Salinas Valley in California, where he learns some lessons about life. One of them is that the things you think you want the most sometimes come at a much higher price than you were prepared to pay. My favorite actor in this movie was Myrna Loy as the mother. Where did I ever get the idea that she wasn't supposed to be that good an actress? I must have had her mixed up with someone else.