| Tyrone Power | ... | Andrea Orsini | |
| Orson Welles | ... | Cesare Borgia | |
| Wanda Hendrix | ... | Camilla Verano | |
| Marina Berti | ... | Angela Borgia | |
| Everett Sloane | ... | Mario Belli | |
| Katina Paxinou | ... | Mona Constanza Zoppo | |
| Felix Aylmer | ... | Count Marc Antonio Verano | |
| rest of cast listed alphabetically: | |||
| Adriano Ambrogi | ... | Townsman (uncredited) | |
| Alan Asherman | ... | Soldier (uncredited) | |
| Leslie Bradley | ... | Don Esteban (uncredited) | |
| Eva Brauer | ... | Fabio (uncredited) | |
| James Carney | ... | Alphonso D'Este (uncredited) | |
| Eduardo Ciannelli | ... | Art Dealer (uncredited) | |
| Franco Corsaro | ... | Mattia (uncredited) | |
| Eugene Deckers | ... | Borgia Henchman (uncredited) | |
| Ludmilla Dudarova | ... | Vittoria (uncredited) | |
| Giuseppe Faeti | ... | Priest (uncredited) | |
| Kenneth Lang | ... | Soldier (uncredited) | |
| Albert Latasha | ... | Townsman (uncredited) | |
| Rena Lennart | ... | Lady in Waiting (uncredited) | |
| Antonella Lualdi | ... | (uncredited) | |
| Njntsky | ... | Specialty Dancer (uncredited) | |
| Alex Serberoli | ... | Soldier (uncredited) | |
| Clinton Sundeen | ... | Soldier (uncredited) | |
| Joop van Hulzen | ... | Duke Ercole D'Este (uncredited) | |
| Ves Vanghielova | ... | Tonia (uncredited) | |
| Ariadna Welter | ... | (uncredited) | |
Directed by | |||
| Henry King | |||
Writing credits | ||
| Milton Krims | (screenplay) | |
| Samuel Shellabarger | (novel) | |
Produced by | |||
| Sol C. Siegel | .... | producer | |
Original Music by | |||
| Alfred Newman | |||
Cinematography by | |||
| Leon Shamroy | (director of photography) | ||
Film Editing by | |||
| Barbara McLean | |||
Art Direction by | |||
| Mark-Lee Kirk | |||
| Lyle R. Wheeler | (as Lyle Wheeler) | ||
Set Decoration by | |||
| Elso Valentini | (uncredited) | ||
Costume Design by | |||
| Vittorio Nino Novarese | |||
Second Unit Director or Assistant Director | |||
| Robert D. Webb | .... | second unit director | |
| Joseph C. Behm | .... | assistant director (uncredited) | |
Art Department | |||
| Italo Tomassi | .... | construction (uncredited) | |
Sound Department | |||
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
| Charles Hisserich | .... | sound (as Charles Hesserick) | |
Special Effects by | |||
| Fred Sersen | .... | special photographic effects | |
Costume and Wardrobe Department | |||
| Sam Benson | .... | wardrobe (uncredited) | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Editorial Department | |||
| Lyman Hallowell | .... | apprentice editor (uncredited) | |
Music Department | |||
| Edward B. Powell | .... | orchestral arranger (as Edward Powell) | |
Other crew | |||
| Teresa Brachetto | .... | script supervisor (uncredited) | |
| Enzo Musumeci Greco | .... | master of arms (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Sets and Costumes | dlevy1201 |
| Castle assault scene | alplatt-1 |
| Prince of Foxes DVD Release--May 1 | dnscal |
| HOw do I find a DVD of this classic? | kfcohea |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb USA section |
Despite a comment that Darryl F. Zanuck refused Tyrone Power's pleas to make "Prince of Foxes" in color because he was angry with his star, this is not true. The film was probably made with Italian funds that the studio couldn't get out of the country, and there just wasn't enough money to do this richly-produced film in color. Zanuck was too much of a businessman to let anger ruin a good opportunity. And why would he have been angry? Power was doing another swashbuckler like the big man ordered, wasn't he?
Despite not being in color, "Prince of Foxes" is a glorious-looking film, made on location in Italy. It's based on the Shellabarger novel about Andrea Orsini, a peasant with a fake royal name, who is sent by Cesare Borgia to infiltrate the court of Count Verrano, seduce his wife, and get rid of him so that Borgia's troops can take over his province. Orsini, however, double-crosses his boss.
The acting is marvelous - Tyrone Power is wonderful as the turncoat Orsini, and manages to hold his own against the flashier roles of Cesare Borgia (Orson Welles) and Belli (Everett Sloane). Though I doubt that Welles was terribly into his part, as usual he's excellent. When doing a role strictly for money, he had the habit of arching his eyebrow and intoning that glorious voice to make the audience believe he was doing something. It's only when one sees him as Citizen Kane or in a film like "Tomorrow is Forever" that one realizes these later supporting roles are phoned in. But who better to make the call than master technician Welles. Sloane does a fantastic job as a man who just can't stay loyal to one side and pulls one of the film's big surprises. The part is cut down from the book, which is a pity.
The music, the scenery - amazing. The great halls are like nothing you've ever seen. For once, Tyrone Power has competition for beauty! By the time of Prince of Foxes, he was totally sick of these roles, but he had a few years left before Zanuck turned him loose. It's said that he was too old to be a swashbuckler by 1949 - he was 35, which today is nothing, though he often had to play parts that were intended for someone 10 or even 15 years younger. As a result, he sometimes looked tired out. But not here. Perhaps this film was more tolerable for him because of his impending marriage to Linda Christian, his second wife. In any event, he comes off very well.
One thing I never understood is why Zanuck insisted on casting the post-war Power opposite these vapid starlets - Wanda Hendrix in this, Cecile Aubry in "The Black Rose," Jean Peters in "Captain from Castile" etc. - of these, the only "find" was the wonderful Peters. Hendrix is okay in "Prince of Foxes" but that's about it. The role called for a little more depth than she was able to give.
All in all, beautiful to watch, an intriguing story, excellent acting. Recommended, and, by the way, soon to be released in DVD as part of the Tyrone Power Collection.