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Orphée
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Orpheus (1950) More at IMDbPro »Orphée (original title)

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Overview

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8.1/10   6,755 votes »
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View company contact information for Orpheus on IMDbPro.
Release Date:
29 November 1950 (USA) See more »
Genre:
Plot:
Orphee is a poet who becomes obsessed with Death (the Princess). They fall in love. Orphee's wife, Eurydice... See more » | Add synopsis »
Plot Keywords:
Awards:
Nominated for BAFTA Film Award. Another 1 nomination See more »
User Reviews:
One of the truly great masterpieces of cinema See more (47 total) »

Cast

  (in credits order) (complete, awaiting verification)

Jean Marais ... Orphée
François Périer ... Heurtebise
María Casares ... The Princess - Death
Marie Déa ... Eurydice
Henri Crémieux ... L'éditeur
Juliette Gréco ... Aglaonice
Roger Blin ... The Poet
Edouard Dermithe ... Jacques Cégeste
Paul Amiot ... Judge
René Worms ... Judge
Raymond Faure
Pierre Bertin ... Le commissaire
Jacques Varennes ... Judge
rest of cast listed alphabetically:
André Carnège ... Judge
Claude Mauriac
Philippe Bordier ... Young Man at Café des Poètes (uncredited)
Claude Borelli ... Une bacchante (uncredited)
Jean-Louis Brau ... Un jeune homme à la terrasse du flore (uncredited)

Jean Cocteau ... Narrator (voice) (uncredited)
Renée Cosima ... Une bacchante (uncredited)
Jacques Doniol-Valcroze ... Young Man at Café des Poètes (uncredited)
René Lacourt ... Postman (uncredited)
Julien Maffre ... Un agent de police (uncredited)
Jean-Pierre Melville ... Le directeur de l'hôtel (uncredited)
Jean-Pierre Mocky ... Le chef de bande (uncredited)
Henri San Juan ... Young Man at Café des Poètes (uncredited)
Victor Tabournot ... Young Man at Café des Poètes (uncredited)

Directed by
Jean Cocteau 
 
Writing credits
(in alphabetical order)
Jean Cocteau 

Produced by
André Paulvé .... executive producer
 
Original Music by
Georges Auric 
 
Cinematography by
Nicolas Hayer 
 
Film Editing by
Jacqueline Sadoul  (as J. Sadoul)
 
Production Design by
Jean d'Eaubonne  (as D'Eaubonne)
 
Set Decoration by
Albert Volper  (as A. Volper)
 
Costume Design by
Marcel Escoffier 
 
Makeup Department
Alexandre Marcus .... makeup artist (as A. Marcus)
 
Production Management
Émile Darbon .... production manager
Jean-Marie Loutrel .... unit manager (as J. Loutrel)
 
Second Unit Director or Assistant Director
Claude Pinoteau .... assistant director (as C. Pinoteau)
 
Art Department
Alfred Marpaux .... assistant production designer (as Marpeaux)
 
Sound Department
Pierre-Louis Calvet .... sound (as Calvet)
 
Camera and Electrical Department
Roger Corbeau .... still photographer (as R. Corbeau)
Noël Martin .... camera operator (as N. Martin)
 
Editorial Department
Hélène Basté .... assistant film editor (as H. Baste)
 
Music Department
Jacques Métehen .... conductor (as Jacques Météhen)
 
Other crew
Sylvette Baudrot .... script assistant
Claude Pinoteau .... technical advisor
Claude Vériat .... script supervisor (as C. Vériat)
 
Thanks
Christian Bérard .... film dedicated to
 

Production CompaniesDistributors

Additional Details

Also Known As:
"Orphée" - France (original title)
See more »
Runtime:
95 min | France:112 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Mono (RCA Sound System)

Did You Know?

Trivia:
Cocteau was 60 years old when filming commenced.See more »
Quotes:
Heurtebise:I am letting you into the secret of all secrets, mirrors are gates through which death comes and goes. Moreover if you see your whole life in a mirror you will see death at work as you see bees behind the glass in a hive.See more »
Movie Connections:
Referenced in One Hundred and One Nights (1995)See more »

FAQ

This FAQ is empty. Add the first question.
40 out of 47 people found the following review useful.
One of the truly great masterpieces of cinema, 25 January 2000
Author: Dave G from Sheffield, England

If ever a film could me called `magical', `hypnotic' and `compelling', then surely that film is ORPHEUS; magical because it is such an incredible feat of the imagination; hypnotic because it is a relentless assault upon all the senses, the intellect and the emotions, and compelling because it is a profound attempt to at least illustrate, (it is not so arrogant as to presume to solve!), the mystery of life, our awareness of death and human consciousness endlessly seeking some sort of certainty to comfort ourselves with. Layered with various ambiguous possibilities, and full of symbols which will resonate in a variety of ways according to each individual viewer, each viewing of the film draws you deeper into its mystery again and again, and each time teaches you more and more. Perhaps it could only have been made when it was, (in the aftermath of WW2), and where it was, (in a country that had decided to do a deal with Death and then lived to regret it). Perhaps because Jean Cocteau was so talented in so many fields, people seldom seem to note what an utterly brilliant film director he was, and his work in this respect with ORPHEUS, stands comparison with anybody's. The film is also so complete, and unravels so perfectly and in such a masterly way; not one superfluous scene; superb acting all round, atmospheric photography, and a superbly utilised and sublime score by Georges Auric. I simply cannot imagine a film like this being made now, (perhaps LAST YEAR AT MARIENBAD was the last gasp of this type of didactic artistic consciousness), and this depresses me greatly, because it shows that `progress' is not an automatic, upwardly rising arc, but a curve that can go backwards as well as forwards. Anyone who has even the slightest affection for cinema should watch this film, and marvel, surrender, and learn from it. Without doubt in my book, one of the ten greatest movies ever made. So much so that I almost feel privileged to have been born into the time frame that could access it.

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I have a question, what were said on the radio BonsterT
Twilight Zone movie (spoilers!) SusanJL
cocteu is asurrealist or not? miladice007
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