Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Three sailors - Gabey, Chip and Ozzie - let loose on a 24-hour pass in New York and the Big Apple will never be the same! Gabey falls head over heels for "Miss Turnstiles of the Month" (he thinks she's a high society deb when she's really a 'cooch dancer at Coney Island); innocent Chip gets highjacked (literally) by a lady cab driver; and Ozzie becomes the object of interest of a gorgeous anthropologist who thinks he's the perfect example of a "prehistoric man". Wonderful music and terrific shots of New York at its best. Written by
Opening credits: The events, characters and firms depicted in this photoplay are fictitious. Any similarity to actual persons, living or dead, or to actual firms, is purely coincidental. See more »
When the boys dance on a bench atop the Empire State Building, the blinds on the other side of the wall wobble as the move, revealing the wall is really a set. See more »
[after Claire took photo of him beside prehistoric man statue]
Er, what are you doing tonight?
Now just a minute! I want you to know that my interest in you is purely scientific. I'm just a cold-blooded scientist. And I'm writing an anthropological study for this musuem. It's called : "The Modern Man... And What It Is"
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Before the actual credits the film opens with an embossed card on a silver dish, reading: "A Metro-Goldwyn-Mayer Silver Anniversary Picture." Most of the studio's 1949 releases opened with this. See more »
Classic musical that set Kelly on the path of true stardom
Great score by Bernstein and awesome dancing (of course) by Kelly and company. Nice color and photography, engaging and amusing story lags only at the end. Sinatra is pleasingly pursued by Betty Garrett (much as in the previous "Take Me Out to the Ball Game"). Only 4 songs from the original musical by Bernstein, MGM pulls another "Roger Eden" (a man whose mission in life seemed to have been to ruin good stage musicals.... as witness his atrocity of "Funny Face").
Comden and Green's wonderful sparkling words are often missed, but this musical did fortunately bring their talents to the attention of MGM, Freed, Kelly and Donen. They scripted "Singing in the Rain" and I guess the rest is history, although Comden and Green should be better remembered for their outstanding broadway hits: "On the Town", "Wonderful Town", "Bells are Ringing" and so many more.
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