7.6/10
12,967
98 user 51 critic

On the Town (1949)

Approved | | Comedy, Musical, Romance | 30 December 1949 (USA)
Three sailors on a day of shore leave in New York City look for fun and romance before their twenty-four hours are up.

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(screenplay), (screenplay) | 3 more credits »
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Cast

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George Meader ...
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Storyline

Three sailors - Gabey, Chip and Ozzie - let loose on a 24-hour pass in New York and the Big Apple will never be the same! Gabey falls head over heels for "Miss Turnstiles of the Month" (he thinks she's a high society deb when she's really a 'cooch dancer at Coney Island); innocent Chip gets highjacked (literally) by a lady cab driver; and Ozzie becomes the object of interest of a gorgeous anthropologist who thinks he's the perfect example of a "prehistoric man". Wonderful music and terrific shots of New York at its best. Written by A.L.Beneteau <albl@inforamp.net>

Plot Summary | Add Synopsis

Taglines:

They Paint The Town With Joy! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

30 December 1949 (USA)  »

Also Known As:

Un día en Nueva York  »

Box Office

Budget:

$2,111,250 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

When On the Town premiered at Radio City Music Hall, the line to get in was the largest in that theater's history. After its initial success, Arthur Freed, the producer of the film recalled, his unit was in the MGM commissary passing the Joe Pasternak unit (which made less expensive musicals); one member of the Pasternak unit said, "There goes the royal family." Indeed, this movie was, at the time, the second largest-grossing in MGM history, next to Meet Me in St. Louis (1944). See more »

Goofs

None of the sailors salute the flag as they board/leave the ship. See more »

Quotes

Claire Huddesen: I was just doing a bit of research.
Brunhilde Esterhazy: Dr. Kinsey, I presume.
See more »

Crazy Credits

Before the actual credits the film opens with an embossed card on a silver dish, reading: "A Metro-Goldwyn-Mayer Silver Anniversary Picture." Most of the studio's 1949 releases opened with this. See more »

Connections

Referenced in Récit de voyage (2005) See more »

Soundtracks

Count on Me
(uncredited)
Music by Roger Edens
Lyrics by Adolph Green and Betty Comden
Sung by Frank Sinatra, Betty Garrett, Jules Munshin, Ann Miller, Alice Pearce, and Gene Kelly
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User Reviews

 
Enjoyable Enough for Anyone in the Mood for Soft-centred Escapist Entertainment
8 July 2005 | by (Tunbridge Wells, England) – See all my reviews

This film has a very simple plot. Three sailors have 24 hours shore leave in New York. They met three attractive girls, and three romances blossom. And that's about it. The characterisation is really no more advanced than the plot development. The sailors and their sweethearts are each given their own idiosyncrasies, but none of them really emerges as a rounded individual. Fortunately, however, a complex plot and well-developed characters are not always essential to the musical genre, and "On the Town" manages to succeed reasonably well without these elements.

The film's most important quality is the energy and vivacity of its song-and-dance numbers. It was shot on location in New York itself, and the city is portrayed as a vibrant, exciting place, a new world as far as the sailors, who are all country boys, are concerned. There is also plenty of humour, such as the scene where Frank Sinatra wants to go sight-seeing, unlike his new-found girlfriend, a man-hungry female cab driver, who would rather take him back to "my place", Gene Kelly's search for "Miss Turnstiles", whom he imagines to be a glamorous and famous beauty queen, and the scene where the three men manage to demolish a dinosaur skeleton in the city's Museum of Anthropology. (Jules Munshin's girlfriend is described as a lady anthropologist, although the scriptwriters seem to have blurred the difference between anthropology and palaeontology). The songs are tuneful, although with the possible exception of "New York, New York" none of them are particularly memorable. Some have criticised the more formal balletic sequence near the end, but as far as I was concerned this was one of the best parts of the movie. After all, if you are going to make a film starring a dancer as talented as Gene Kelly, you might as well use his talents to the full.

This is not really my favourite musical. It lacks, for example, the indefinable magic of "Singin' in the Rain", which also starred Kelly, or the depth and social comment of "West Side Story", Leonard Bernstein's other New York musical made twelve years later. (The contrast between these two films shows just how far the genre had progressed in just over a decade). Nevertheless, it is enjoyable enough for anyone in the mood for soft-centred escapist entertainment. 7/10


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