Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood ... See full summary »
Three sailors - Gabey, Chip and Ozzie - let loose on a 24-hour pass in New York and the Big Apple will never be the same! Gabey falls head over heels for "Miss Turnstiles of the Month" (he thinks she's a high society deb when she's really a 'cooch dancer at Coney Island); innocent Chip gets highjacked (literally) by a lady cab driver; and Ozzie becomes the object of interest of a gorgeous anthropologist who thinks he's the perfect example of a "prehistoric man". Wonderful music and terrific shots of New York at its best. Written by
Spectators can be seen watching the filming of the "New York, New York" number in Rockfeller Center (though it could be argued that the sight of three men in navy uniforms singing and dancing might attract attention, even in New York). See more »
Classic musical that set Kelly on the path of true stardom
Great score by Bernstein and awesome dancing (of course) by Kelly and company. Nice color and photography, engaging and amusing story lags only at the end. Sinatra is pleasingly pursued by Betty Garrett (much as in the previous "Take Me Out to the Ball Game"). Only 4 songs from the original musical by Bernstein, MGM pulls another "Roger Eden" (a man whose mission in life seemed to have been to ruin good stage musicals.... as witness his atrocity of "Funny Face").
Comden and Green's wonderful sparkling words are often missed, but this musical did fortunately bring their talents to the attention of MGM, Freed, Kelly and Donen. They scripted "Singing in the Rain" and I guess the rest is history, although Comden and Green should be better remembered for their outstanding broadway hits: "On the Town", "Wonderful Town", "Bells are Ringing" and so many more.
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