The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Three sailors - Gabey, Chip and Ozzie - let loose on a 24-hour pass in New York and the Big Apple will never be the same! Gabey falls head over heels for "Miss Turnstiles of the Month" (he thinks she's a high society deb when she's really a 'cooch dancer at Coney Island); innocent Chip gets highjacked (literally) by a lady cab driver; and Ozzie becomes the object of interest of a gorgeous anthropologist who thinks he's the perfect example of a "prehistoric man". Wonderful music and terrific shots of New York at its best. Written by
Ann Miller commented in a TCM interview that at least one take of her big tap number to "Prehistoric Man" was ruined because of her own costume. She had been dancing very close to the large dinosaur , and during a series of her trademark tap spins, the flared skirt she was wearing brushed against some of the bones and brought the entire exhibit crashing to the ground. Filming was halted for a considerable time while it was put back together. See more »
Near the end of "Prehistoric Man" when the dancing moves in front of the dinosaur, Claire's mark can be seen on the floor. See more »
Here's an idea: Get a group of exceptionally talented performers together, sketch in an outline of a story based on a successful Broadway show, then supply the score, songs and setting in which they can individually and collectively showcase their respective gifts, turn them loose and see what happens, see if it works. Of course, by the time this film was made in 1949, MGM knew it would work, as it had for them many times previously; there was no guess work involved. The result this time around was `On The Town,' a lively musical which marked the directorial debut of co-directors Gene Kelly and Stanley Donen, with Kelly starring and also doing the choreography. The plot is simple: Three sailors get twenty-four-hour shore leave in New York and set off to make the most of it. Chip (Frank Sinatra) wants to see the sights; Ozzie (Jules Munshin) wants to play; and Gabey (Kelly) immediately falls into an obsession over a girl he sees on a subway poster, `Miss Turnstiles' of the month, Ivy Smith (Vera-Ellen), and vows to find her. Along the way they run into a quirky cab driver, Brunhilde (Betty Garrett), and a young woman, Claire (Ann Miller), doing some research at a museum. But what this movie is really all about is entertainment, and it delivers it by the songful.
Kelly and Donen bring it all to life through the words and music of Betty Comden, Adolph Green and Leonard Bernstein, and the score, which earned an Oscar for Roger Edens and Lennie Hayton. it kicks off with Sinatra, Munshin and Kelly doing `New York, New York,' in which they enlighten you to the fact that `The Bronx is up and the Battery's down, and people ride in a hole in the ground--' a dynamite opening that sets the stage for all that comes after. And it's pure entertainment that just sweeps you away with it while you hum along with the six stars of the show as they do what they do best, and it's a delight from beginning to end.
Without a doubt, Kelly emerges as the star among the stars, and his solo numbers and the ones he performs with Vera-Ellen are especially engaging; but this is one of those musicals in which one memorable number follows another, with each of the principals getting their own moment in the spotlight. Vera-Ellen has a great number early on in the film, in which Miss Turnstiles is introduced; Ann Miller taps her way through a rousing routine in the museum (in which she is joined by Sinatra, Munshin, Kelly and Garrett) that really gives her a chance to show her stuff; and Sinatra and Garrett engage in a memorable bit in song, as she attempts to get him to `Come Up To My Place.' Through it all, Sinatra exudes a certain boyish charm while Garrett and Munshin provide the comic relief. All of which makes for a fun and thoroughly entertaining movie experience.
The supporting cast includes Alice Pearce (Lucy), Sid Melton (Spud), Hans Conried (Francois) and Florence Bates (Madame Dilyovska). Some movies are made simply to transport you to another place for a couple of hours, put a smile on your face, a song on your lips and just make you feel good; and `On The Town' is certainly one of them. This is pure, uplifting and satisfying Entertainment, beautifully crafted and delivered and guaranteed to make your day a little brighter. The fact is, they just don't make em like this anymore, and it's a shame. Because this is what the magic of the movies is all about. I rate this one 9/10.
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