C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood ... See full summary »
Musical comedy antics in an art deco bakery (motto: "Glorifying the American Doughnut") with Eddie Cantor as an assistant to a phoney psychic, who is mistaken for an efficiency expert and ... See full summary »
A. Edward Sutherland
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
Three sailors - Gabey, Chip and Ozzie - let loose on a 24-hour pass in New York and the Big Apple will never be the same! Gabey falls head over heels for "Miss Turnstiles of the Month" (he thinks she's a high society deb when she's really a 'cooch dancer at Coney Island); innocent Chip gets highjacked (literally) by a lady cab driver; and Ozzie becomes the object of interest of a gorgeous anthropologist who thinks he's the perfect example of a "prehistoric man". Wonderful music and terrific shots of New York at its best. Written by
Before purchasing the film rights to the musical, M-G-M had assigned George Abbott, the director of the stage show, to direct the film version. However, Louis B. Mayer and other studio executives disliked the stage show when they saw it and regretted their involvement in the property. By November 1945, the studio had assigned Gene Kelly and Stanley Donen to direct the film, and contracted Betty Comden and Adolph Green to rewrite the book with much of Leonard Bernstein's original score discarded. The film features only four songs from the original musical, those composed by Leonard Bernstein, and six that were created especially for the screen. See more »
When the boys are looking for clues on the poster in order to find Miss Turnstiles they find her likes and dislikes. The only problem is none of that is actually mentioned on the poster they have or any that the viewer sees. See more »
"Gotta See The Whole Town, From Yonkers On Down To The Bay ... In Just One Day"
The Bronx is up and the Battery's down, and Kelly and Sinatra are back in sailor suits, in this effervescent MGM musical. The three matelots (our two heroes are joined by Jules Munshin for this caper) have a 24-hour shore leave in which to savour New York City. "What can happen to ya in one day?" asks a shipyard worker, and the guys answer the question by picking up girls, destroying a dinosaur and getting chased to Coney Island by the cops... in just one day.
Leonard Bernstein composed the tunes, and the writers of the stage show (Green & Comden) provided the lyrics, supplemented by Bernstein himself and the associate producer, Roger Edens. Of the songs, "On The Town" and "You Can Count On Me" are nerve-tingling showstoppers. "Prehistoric Man" is much weaker, but saved by crisp, playful choreography. The two expressionist ballets, "Miss Turnstiles" and "A Day In New York" bear the hallmark of Kelly's directorial style, which first reached its maturity in this picture. Kelly's slide on his knees towards the 'Miss Turnstiles' poster is a piece of cinema magic.
Kelly plays Gabey, a supposedly worldly-wise lady's man who turns out to be a Mid-Western innocent in the big city, and who falls in love with a struggling hoofer(Vera-Ellen), a girl he takes to be a celebrity. Sinatra is the serious-minded Chip, the enthusiastic sightseer who gets snapped up by Hildie Esterhazy (Betty Garrett), a knowing cabbie who has one aim - to get Chip alone in her apartment. Ann Miller sings and dances impeccably as Claire Huddesen, the bluestocking who gets turned on by Ozzie's primitive quality.
"On The Town" has a daffy story, as musicals often do, but it fizzes with flirtatious youthful energy. Each of the three couples has its own song and/or dance, and these are sensitively tailored to suit the individuals' personalities. The Empire State Building observation platform set is a knockout, and the film's sense of fun even extends to a sly Ava Gardner joke at Sinatra's expense. Notional time runs from 6am at the start of the boys' leave ('boys', or 'kids' as they are twice described, is not quite accurate - Kelly was 37 and the other two 34 at the time of filming) until 6am the following morning, as it ends. Three new sailors come charging down the gangway to start their 24 hours in the Big Apple, reminding us that love and youth are eternal, and New York's a wonderful town.
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