6.5/10
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Oh, You Beautiful Doll (1949)

In the early 1900s, song plugger Larry Kelly chances to meet Alfred Breitenbach, poor opera composer...and his lovely daughter Doris, who falls for Larry. To improve their acquaintance, ... See full summary »

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Cast

Complete credited cast:
...
...
...
Fred Fisher aka Alfred Breitenbach
...
Anna Breitenbach
...
...
Lippy Brannigan
Andrew Tombes ...
Ted Held
...
Gottfried Steiner
Rest of cast listed alphabetically:
...
Quartette Member (scenes deleted)
Warren Jackson ...
Quartette Member (scenes deleted)
Donald Kerr ...
Quartette Member (scenes deleted)
Al Klein ...
Quartette Member (scenes deleted)
Frank Kreig ...
Headwaiter (scenes deleted)
...
Lucca (scenes deleted)
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Storyline

In the early 1900s, song plugger Larry Kelly chances to meet Alfred Breitenbach, poor opera composer...and his lovely daughter Doris, who falls for Larry. To improve their acquaintance, Doris conspires with Larry to turn her father's opera melodies into popular songs. Alfred, reluctant but needing cash, adopts the pen name Fred Fisher. Affluence results, but when Alfred realizes his opera is vanishing bit by bit, he wants to bring the career of "Fred Fisher" to a halt... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

OH, THAT BEAUTIFUL GAL... (original print media ad - all caps) See more »

Genres:

Biography | Musical

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Details

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Release Date:

9 January 1950 (Sweden)  »

Also Known As:

Bonequinha Linda  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Al Jolson's last film (voice only). See more »

Connections

Referenced in Dancing in the Dark (1949) See more »

Soundtracks

Chicago (That Toddlin' Town)
Written by Fred Fisher
Sung by chorus in final medley
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User Reviews

 
Oh, You Lovely Picture: 'Beautiful Doll' ***1/2
26 April 2010 | by (United States) – See all my reviews

Lively 1949 musical with Mark Stevens and June Haver in the leads. Did Mark do his own singing here?

The film is a tribute to those who wrote light opera and saw their music turned into wonderful vehicles for Tin Pan Alley. Such was the case here with S.Z. Sakall as the impresario.

Interesting to see Charlotte Greenwood in a totally non-singing and non-dancing role in this film.

Sakall tastes a climb from poverty to wealth as Stevens adopts his music to "modern" times. With a guilty conscience for not pursuing his opera, Sakall drops out, but is quickly found.

The tunes sung are delightful.


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