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Nora inu (1949)

 -  Crime | Drama | Thriller  -  31 August 1963 (USA)
7.8
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Ratings: 7.8/10 from 9,150 users  
Reviews: 59 user | 53 critic

During a sweltering summer, a rookie homicide detective tries to track down his stolen Colt pistol.

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Title: Nora inu (1949)

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Edit

Cast

Cast overview, first billed only:
...
...
Keiko Awaji ...
Harumi Namaki, showgirl
Eiko Miyoshi ...
Harumi's mother
Noriko Sengoku ...
Girl
Noriko Honma ...
Wooden Tub Shop woman
Reikichi Kawamura
Eijirô Tôno
Yasushi Nagata ...
(as Kiyoshi Nagata)
Kappei Matsumoto ...
(as Katsuhei Matsumoto)
Isao Kimura ...
Yusa
Minoru Chiaki ...
Girlie Show director
Teruko Kishi
Ichirô Sugai ...
Yayoi Hotel owner
Gen Shimizu ...
Police Inspector Nakajima
Edit

Storyline

Murukami, a young homicide detective, has his pocket picked on a bus and loses his pistol. Frantic and ashamed, he dashes about trying to recover the weapon without success until taken under the wing of an older and wiser detective, Sato. Together they track the culprit. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

31 August 1963 (USA)  »

Also Known As:

Stray Dog  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Supposedly, this story was based on a real detective who wrote a novel about his own gun theft. The novel was never published, but Kurosawa liked the idea so much he worked with it. See more »

Quotes

Det. Sato: A stray dog becomes a mad dog.
See more »

Connections

Version of Tsumetai chi (1997) See more »

Soundtracks

La Paloma
(uncredited)
Written by Sebastián Yradier
Heard in the hotel and over the phone after Sato gets shot
See more »

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User Reviews

 
Kurosawa noir...
15 January 2002 | by (USA) – See all my reviews

With his penchant for incorporating "Western" ideas into his films, Kurosawa hits yet another home run with his take on the crime film. As ever, he manages to make scenes that would (in the hands of a lesser director) seem boring become absolutely riveting. Mifune's ride on the trolley, when he loses his gun, for instance; or the scene where he has to explain the situation to his superiors (and the subsequent search through police files for a suspect); or the long undercover sequence. We can almost feel his frustration. The tension mounts. And yet again we have the brilliant Shimura playing off of Mifune, speaking in carefully modulated tones as he dispenses advice to the hotheaded young detective. If ever there was a more perfect combination of performers in cinema history, I never saw them.


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