Helen Ferguson, pregnant, penniless and dumped by her boyfriend Steve Morley, takes the identity of the pregnant Patrice Harkness, when she and her husband are killed in a train crash. The ... See full summary »
Struggling artist Geoffrey Carroll meets Sally whilst on holiday in the country. A romance develops but he doesn't tell her he's already married. Suffering from mental illness, Geoffreyy ... See full summary »
Kathy leaves the newspaper business to marry homicide detective Bill but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.
Rita Wilson meets epidemiologist Chris Claybourne and they fall in love with each other. When Claybourne leaves for the tropics to find a cure against a disease, Wilson gets her revenge by ... See full summary »
W.S. Van Dyke
Helen Ferguson, pregnant, penniless and dumped by her boyfriend Steve Morley, takes the identity of the pregnant Patrice Harkness, when she and her husband are killed in a train crash. The rich Harkness in-laws, and their other son Bill, had never seen Patrice, so they accept her and her newborn son into their family. However Steve eventually finds her and starts to blackmail her. Written by
"Screen Director's Playhouse" broadcast a 60 minute radio adaptation of the movie on September 21, 1951 with Barbara Stanwyck reprising her film role. See more »
When Bill gets stuck in the slush trying to turn his car around to follow Stephen Morley and Helen Ferguson whom he has passed on the road, the rear wheels spin without traction. The front tires can be seen to have chains installed. If they had been installed on the rear drive tires, he wouldn't have had a problem and the scene wouldn't have had as much tension. See more »
[returns to car after dumping a dead body onto a moving train]
He stayed on, caught on the catwalk or whatever it is, but his hat and... came off.
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Barbara shines as the deceiving wife and does so much with her eyes. Jane and John are also very good. Strong script and not too overly sentimentalized for its era. A very enjoyable soaper with a great supporting cast. Gee, I miss all those great bit players of the thirties and forties. They added so much sparkle and credibility and a type of reassurance not seen in today's movies. Bravo to the entire cast in this little gem.
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