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Neptune's Daughter (1949)

 -  Comedy | Musical | Romance  -  June 1949 (USA)
6.3
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Ratings: 6.3/10 from 707 users  
Reviews: 15 user | 15 critic

A swimsuit fashion designer is determined to protect her scatterbrained sister from a South American heart-breaker, but a case of mistaken identity complicates matters.

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(screenplay), (additional dialogue), 1 more credit »
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Title: Neptune's Daughter (1949)

Neptune's Daughter (1949) on IMDb 6.3/10

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Won 1 Oscar. Another 1 win. See more awards »

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Cast

Complete credited cast:
...
Eve Barrett
...
Jack Spratt
...
José O'Rourke
...
Betty Barrett
...
Joe Backett
Xavier Cugat ...
Xavier Cugat
...
Lukie Luzette
...
Mac Mozolla
...
Pancho
George Mann ...
Tall Wrangler
Frank Mitchell ...
Little Wrangler
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Storyline

Scatterbrained Betty Barrett mistakes masseur Jack Spratt for Jose O'Rourke, the captain of the South American polo team. Spratt goes along with the charade, but the situation becomes more complicated when they fall in love. Meanwhile, Betty's sensible older sister Eve fears Betty's heart will be broken when Jose returns to South America. She arranges to meet with the real O'Rourke and love soon blossoms between them as well. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Plot Synopsis

Taglines:

With a Great Cast of Stars! Bathing Beauties! Songs and Spectacle! See more »


Certificate:

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Details

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Release Date:

June 1949 (USA)  »

Also Known As:

Neptune's Daughter  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

A specially built, one-of-a-kind piano had been used during the early filming, but halfway through production it mysteriously disappeared from the set. Metro boss Louis B. Mayer was very upset at the lack of security and the increased production costs this would mean. Red Skelton told the studio head that he had an identical piano at home and would be willing to rent it to the studio. Mayer didn't believe him until Skelton drove him to his apartment to see it. An ecstatic Mayer offered $50 per diem for its use, but Red held out for $1000 a day. Faced with the prospect of keeping production waiting while a new one was built to order or reshooting the earlier scenes, Mayer capitulated. It never occurred to him that Skelton had stolen it with the aid of stagehands with whom he split the money. See more »

Goofs

During the polo game at the end of the film, tire tracks from the camera car can be seen on the field right beside the players on horseback. See more »

Connections

Featured in Moments in Music (1950) See more »

Soundtracks

My Heart Beats Faster
Written by Frank Loesser
Performed by Ricardo Montalban
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User Reviews

 
If you like Esther Williams movies you will probably like this
29 June 2010 | by (United States) – See all my reviews

She looked beautiful and youthful with her hair down, which happened infrequently in her movies, in an era when women wanted to look mature and sophisticated not young.

My feeling about Baby, It's Cold Outside is it was the comedic use of obviously phony arguments to underline the flirtatious ploy. They also didn't have family or neighbors to care if they stayed. (This certainly wasn't the first or last time a song was shoehorned into a movie, such as Easter Parade being sung in a rural setting in Holiday Inn when it is about NYC, or Raindrops Keep Falling on My Head in Butch Cassidy and the Sundance Kid, but this is undeniably one of the odder examples of that.) It reminded me,though, that my favorite Esther Williams scenes were set in winter, on Mackinac Island in This Time for Keeps.

I enjoyed Red Skelton (who would have done well to learn Spanish!) and Betty Garrett. My eyes glazed over from disinterest when they weren't on. I loved some of Esther's clothes, though, especially the swimsuit and wrap in the teaching scene with Skelton. (Where we saw one of the strangest ways to knock a fellow out.) It seemed to me the Keenan Wynn character and the Skelton and Garrett characters didn't belong in the same movie. Wynn seemed like he would have fit a drama rather than a light comedy, such as Skelton and Garrett showing how NOT to mount a horse. (The stunt work in this movie deserves praise.) Wynn's character, narration, and background music struck me as being more appropriate for something dark, maybe a crime of passion. Williams and Montalban's characters were somewhere down the middle. The poor fellow really did "get the business" as was cruelly pointed out.

Swimming scenes always make me wonder how many times everyone had to dry off and reshoot.


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