A bookie uses a phony real estate business as a front for his betting parlor. To further keep up the sham, he hires dim-witted Ellen Grant as his secretary figuring she won't suspect any ... See full summary »
Professor Henry Barnes decides he's lived long enough and contemplates suicide. His attitude is changed by Peggy Taylor, a chipper young mother-to-be who charms him into renting out his ... See full summary »
Secretary Emily Borden is in love with her boss, Henry Summers, but he is too involved with Constance Powell to notice. Ralph is interested in Emily, but she has no interest in him. Emily's... See full summary »
Susan and Lorenzo have been married for over five years and they are starting to drift apart. So into her life comes an angel, which only Susan can see, to tell her that there will be ... See full summary »
Hot-tempered Kathleen Maguire enlists the services of a young attorney to help her zookeeper father get his job back after he is fired for political reasons. In the midst of uncovering ... See full summary »
Susan Miller works behind the girdle counter in a department store and dreams about the beautiful clothes and glamour she can never hope to have. Enter May Worthington and Warren, a pair of... See full summary »
A bookie uses a phony real estate business as a front for his betting parlor. To further keep up the sham, he hires dim-witted Ellen Grant as his secretary figuring she won't suspect any criminal goings-on. When Ellen learns of some friends who are about to lose their homes, she unwittingly drafts her boss into developing a new low-cost housing development. Written by
Daniel Bubbeo <firstname.lastname@example.org>
I've always thought William Holden was an underrated comic actor and at his most charming in some of his comedies (Sabrina, Born Yesterday, Moon is Blue). Since he didn't make a lot of comedies, I was looking forward to this one with Lucille Ball. But it's not Holden's film. It's Lucy's film, with Holden playing the straight man. I'm not a big Lucy fan, but she's quite funny in this. Holden, on the other hand, seems a little stiff or disinterested. To be honest, there's not much to work with. Lucy probably succeeds because she's very good at physical comedy and can make us laugh without saying anything, which helps when the script is so weak. Holden's humor tends to come from his intelligence and his timing, which is harder to make work when the screenplay is mediocre or you don't want to be in the film to begin with. Miss Grant Takes Richmond came out the year before Sunset Blvd., so I imagine that Holden's frustration with his roles during much of the 1940s was reaching its peak around this time. But James Gleason and Frank McHugh, two wonderful actors, also seem to struggle a bit in this film, so I pin much of the blame on the writing. There are some funny bits here and there, but it's all a little sugary for me. Lucy fans will probably enjoy it, though - she does the best.
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