A bookie uses a phony real estate business as a front for his betting parlor. To further keep up the sham, he hires dim-witted Ellen Grant as his secretary figuring she won't suspect any ... See full summary »
A serial killer in London is murdering young women whom he meets through the personal columns of newspapers; he announces each of his murders to the police by sending them a cryptic poem. ... See full summary »
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For those, if any, who have wondered why so many Paramount contractees appeared in United Artists' films during the war years, this is another one of the Paramount productions that was sold... See full summary »
Edward H. Griffith
In 1868, Army scout Johnny Ware is courtmartialed for helping Indians against their white oppressors, but escapes and finds himself in the hamlet of Desert Center. There, he crosses paths ... See full summary »
A bookie uses a phony real estate business as a front for his betting parlor. To further keep up the sham, he hires dim-witted Ellen Grant as his secretary figuring she won't suspect any criminal goings-on. When Ellen learns of some friends who are about to lose their homes, she unwittingly drafts her boss into developing a new low-cost housing development. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Lucille Ball shows a glimmer of things to come...as Lucy...
This is a not so funny comedy that does at least provide a few laughs, mostly because it's a set-up for some shenanigans that are reminders of what would happen when LUCILLE BALL left films for television to become America's number one comedienne with I LOVE LUCY.
There are more than a few hints of her deft handling of physical comedy and there's a nice chemistry between Lucy and her handsome boss, WILLIAM HOLDEN. Then too, there's the additional advantage of having JAMES GLEASON and FRANK McHUGH as supporting actors for a thin story about a daffy secretary who is slow in catching on to the fact that the real estate office she works for is really a front for bookies.
MISS GRANT TAKES RICHMOND has all the appearance of a low-budget programmer and it's surprising to find WILLIAM HOLDEN still drifting around in this sort of weak material when he had so many golden opportunities just ahead of him. Still, he's not bad and shows a definite flair for handling light romantic comedy. But there's no doubt about it, this is a vehicle designed to promote the comic flair of his co-star, soon to become famous as a scatterbrained housewife.
The thin script plays more like a half-hour TV comedy padded to the running time of a feature film. The funniest bits are the slapstick elements, particularly Lucy avoiding a building crane that seems intent on burying her in a pile of dirt and mud. But the stronger laughs are few and far between when the script is as painfully weak as this one.
Strictly for Lucy's most ardent fans.
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