Legendary director John Ford's final film involving seven dedicated missionary women in China circa 1935 trying to protect themselves from the advances of a Mongolian barbaric warlord and his cut-throat gang of warriors.
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Courbevoie (France), 1971. Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished... See full summary »
The murder of Emili, a young girl, leaves the inhabitants of a small Japanese village in shock. The body of Emily is found by the four classmates with whom she was playing. The murder is ... See full summary »
"Maya" takes us back to the pre -1945 days:the far-east man who goes on repeating that all is illusion and other fortune- cookie philosophies is an equivalent of Carné's blind man epitomizing fate ;the scenes in the tortuous streets and even the ending-not to mention Frehel's presence as "Notre Mère "- strongly recall Duvivier's "Pépé Le Moko";the sailor who meets again a girl he used to know in another time comes from Feyder's "Le Grand Jeu".
Raymond Bernard made his best works in the thirties,but his forties efforts were not devoid of interest.Even "Maya",a movie the screenplay of which is a spate of clichés of the popular cinema,has its moments : -the depiction of the ship,with the men eager to get to the harbor and have fun with girls.
-the first appearance of Viviane Romance ,who looks like a fallen Madonna on the street of shame.
-the hooker,closing the doll box,before going to her daughter's funeral -the hookers,looking for a notice to put on their absent "colleague"'s room.