When Sach eats too much sugar, he goes into a trance whereby he's able to predict the future. Slip tries to make some money off of Sach by using him as a fortune teller in a carnival, until... See full summary »
The Bowery Boys--Slip, Sach, Bobby, Whitey & Chuck--start their own exterminating service, and get a job which takes them to a spooky old abandoned mansion in the middle of the night. ... See full summary »
Slip gets fired from his job at a construction company for decking his boss. His sister, who got him a job at the company, is angry with him. Slip manages to get a job with the District ... See full summary »
Slip and Sach are working for a local newspaper as a reporter and photographer, respectively. Slip wants to get the goods on a local gambling ring that is fixing sporting events, so he and ... See full summary »
Slip, Sach, Whitey, Butch and Chuck witness a warehouse robbery, and are arrested and jailed on suspicion. Gabe Moreno, their lawyer-friend gets them released on bail. Since the charge of ... See full summary »
Slip mistakenly believes that he has inherited an old Long Island estate, and he and the gang go to see what their new "home" looks like. Unbeknownst to them, the real owners of the estate ... See full summary »
Noble-born cad Dennis (Stapley) has been tricked into a forced stay at the eerie manor of the Sire de Maletroit (Laughton), an evil madman who can't get over the death of his beloved, ... See full summary »
When Sach eats too much sugar, he goes into a trance whereby he's able to predict the future. Slip tries to make some money off of Sach by using him as a fortune teller in a carnival, until a mad scientist kidnaps Sach to use him in an intelligence-switching experiment with a monster. Written by
The Bowery Boys find out they have a money-maker when Sach (Huntz Hall) eats sugar and gets a toothache, which causes him to be able to predict the future. This starts out find until a mad scientist (Alan Napier) sees him in the paper and decides to kidnap him so that he can put Sach's brain into the body of a monster (Glenn Strange). The sixteenth entry in the series is probably the best one to date thanks in large part to a somewhat clever screenplay and some terrific supporting performances. I don't think there's any doubt that this film was inspired by ABBOTT AND COSTELLO MEET FRANKENSTEIN but that's okay because the jokes here work extremely well. I don't think this film is going to appeal to everyone like A&C MEET FRANKENSTEIN but if you're a fan of the Bowery Boys then this here is a must see. What makes the film work so well is the performance of Strange who easily steals the film. He's done up in some ape man like make-up, which looks incredibly well. I guess this should be expected since Monogram also did a good job in THE APE MAN and RETURN OF THE APE MAN. I really did enjoy the look of the monster but what makes the comedy work so well is the performance by Strange. The entire plot works around this monster having the brain of Sach so it's up to Strange to give us those Hall mannerisms, which he does perfectly. That silly walk, arm swings and the various other bits and pieces are perfectly pulled off by Strange and it's downright hilarious. Seeing the tall Strange bouncing around like Sach and flicking his arm was so perfectly done that at times I had tears running down my face. Hall also turns in a strong performance as he has to play himself again but also gets to play the tough, animal-like character. The scene where Hall is in a trance predicting the future has some terrific jokes and especially the one aimed at the man who will become rich at the age of 21. Leo Gorcey and Gabriel Dell are on hand as well and get a few good moments. Bernard Gorcey also gets some funny moments as Louie. The film runs a brief 64-minutes and there's no doubt that it borrows somewhat heavily from other films but that really doesn't take away from the charm and it especially doesn't kill any of the laughs. Not every joke works but the majority of them do and that's what makes this one of the best of the series. Strange and Hall really should have taken this act into other movies.
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