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Manon (1949)

 |  Drama, Crime  |  9 March 1949 (France)
7.1
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Ratings: 7.1/10 from 403 users  
Reviews: 8 user | 7 critic

An adaptation of Abbe Prevost's classic French novel 'Manon Lescaut', updated to post-World War II France, in which a former French Resistance activist rescues Manon from villagers who want... See full summary »

Writers:

(novel), (screenplay), 1 more credit »
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Title: Manon (1949)

Manon (1949) on IMDb 7.1/10

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Cast

Cast overview, first billed only:
...
Michel Auclair ...
Cécile Aubry ...
Andrex ...
Raymond Souplex ...
M. Paul
André Valmy ...
Lieutenant Besnard / Bandit Chief
Henri Vilbert ...
Héléna Manson ...
La commère (une paysanne normande)
Dora Doll ...
Juliette
Simone Valère ...
Isé, la soubrette
Gabrielle Fontan ...
La vendeuse à la toilette
Wanda Ottoni
Rosy Varte ...
Petit rôle
Edmond Ardisson ...
(as Ardisson)
...
Le second
Edit

Storyline

An adaptation of Abbe Prevost's classic French novel 'Manon Lescaut', updated to post-World War II France, in which a former French Resistance activist rescues Manon from villagers who want to lynch her for collaborating with the Nazis. They move to Paris, but their relationship quickly turns stormy after they get involved in profiteering, prostitution and murder... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Genres:

Drama | Crime

Certificate:

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Details

Country:

Language:

Release Date:

9 March 1949 (France)  »

Also Known As:

Anjo Perverso  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In Italy, the film was shown only in original version with subtitles for censorship reasons. See more »

Connections

Version of Manon Lescaut (1997) See more »

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User Reviews

 
Dark love-story
15 December 2003 | by (Belgium) – See all my reviews

It's your typical Henri-Georges Clouzot romance: boy meets girl, girl wants money, boy starts life of crime, boy and girl meet tragic fate. Star of the show Cécile Aubry is one hot chick and I can see why men would risk life, limb and reputation for her, but as an actress she's a bit too lightweight to be a convincing femme fatale. There is still plenty to like however: Clouzot's virtuousity with the camera, gorgeous cinematography and humor so dark it makes Kill Bill look like a Danny Kaye vehicle.

***1/3


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