Detective Guy Johnson's client, Willie Heywood is framed for murder and while Guy hides him so he can catch the real killer, both of them are nabbed by the police, tried, convicted and ... See full summary »
W.S. Van Dyke
Mr. and Mrs. Maitland invite Whitey to their home on a trial basis. Whitey tries to visit a friend in reform school and inmate Flip is hiding in car as Whitey leaves. Flip steals money and ... See full summary »
Terry is the chief car tester for Emery Motors and Frank is an Engineer. Jane has just been hired to work in publicity. Frank and Terry both want Jane to be their girl. Terry has designed a... See full summary »
Playwright Gaylord Esterbrook scores a hit with his first Broadway play, both with the critics and with leading lady Linda Paige. He and Linda are happily married until a patroness of the ... See full summary »
After living abroad for several years, journalist John Royer returns to the United States just after the U.S. enters World War II. His boast that he could easily smuggle rubber, a key wartime natural resource, out of Malaya has him tasked with doing just that. He manages to get someone from his past, Carnaghan, sprung from Alactraz and together they head off to South East Asia posing as Irishmen. Once there, Carnaghan lines up some of his old cronies and with Royer and a few plantation owners plans to smuggle the rubber out from under the Japanese army's watchful eye. Written by
I'm an American ex-pat living in Malaysia, so I thought I'd watch this to see if there were any old scenes of life in Malaysia in the late 40's. Well, as I expected, there weren't, BUT the actual movie and story were really well done and interesting.
I thought the dialog in this movie was the best I have heard from this era. I watch a lot of "noir", and this dialog was more realistic with a flair that wasn't overdone. For example, the interaction between Spencer Tracy and his girl wasn't flowery or sappy, it was kind of hip and snappy without being too "40's". Also, every line out of Greenstreet's mouth was sublime.
Casting was awesome! It seemed like everybody was perfect for their role. Greenstreet was fantastic as an almost omnipotent bar owner. Tracy was rough and rugged. Stewart was convincing as a sort-of-drifter that finally finds purpose in his life. Plus, you get a cameo of Lionel Barrymore, which is worth it's weight in gold.
This is a "feel good" movie about losers and dregs of society helping to win the war. It's tough, violent, and not everybody gets out alive. And, it's patriotic without being sappy. Watch this one on the Fourth of July, and you can't go wrong!
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