Monsieur Jourdain is a dangerous madman : he wants to share his fortune! His relatives do what any sensible fellow on earth would do: they have him committed to a mental hospital. But ... See full summary »
Spring inspires lessons in love and life for a French family in 1920s Ottawa, especially for teenage Robert, who's blind to the attentions of an American neighbor girl, because he's ... See full summary »
The story of a married man, Paul Gueret, who finds himself drawn to a young laundry worker, Angele. However, when he finds out she is also his employer's mistress, in a furious rage he might do things he'll regret in the future.
Charles Beaulieu, who served as an Army officer during the Algerian War, has become a novelist. Unfortunately for a playboy who lives in a big way like him, his books sell poorly. His need ... See full summary »
French author Gustave Flaubert is on trial for writing the "indecent" novel "Madame Bovary." To prove that he wrote a moral tale, Flaubert narrates the story of beautiful Emma Bovary, an adulteress who destroyed the lives of everyone she came in contact with. Written by
Daniel Bubbeo <firstname.lastname@example.org>
After the expensive box-office failure of "The Pirate", director Vincente Minnelli worked hard to cut corners on this film, fearing he might be otherwise be accused of extravagance. However, he devoted a great deal of time to the ball sequence, which he regarded as the most important scene in the film; he even had composer Miklos Rozsa compose the waltz theme used in it well in advance of the start of filming. See more »
I am in the business of making money, I leave the matter of morals to the priests and the philosophers.
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Three versions stand out as far as Flaubert's classic is concerned:the Jean Renoir one,with Valentine Tessier,which has not worn well,the acting has become unconvincing and almost lurid when you see it today,Minelli's version and Claude Chabrol's starring Isabelle Huppert ,which doesn't avoid totally academism,despite Jean-François Balmer's portrayal of Charles that steals the show . Now for Minelli 's attempt:some have been hard on his rendition,and however,it features the best Emma ever:Jennifer Jones,the romantic heroine par excellence.Her savage beauty,looking tense,triumphs here. The supporting acts are well-chosen:Van Heflin is oafish,meek.The French Louis Jourdan is well-cast as Rodolphe Boulanger,Emma's lover who betrays her and leaves her to despair.Their final confrontation,in Boulanger's luxury mansion oozes hatred and contempt. The main drawback is the rural background:Minelli did not realize how this country life disgusted Emma:the wedding,a very very peasant one ,which Flaubert describes in lavish detail,is too short on the screen.The farms are too clean-Emma dreamed her childhood away because she could not stand the mediocrity of her milieu.She jumped out of the frying pan into the fire:a two-bit doctor,a would-be sawbones who 's totally incompetent.Van Heflin's rendering makes up for Minelli's weaknesses.The movie is sandwiched between two brief scenes of Flaubert 's trial (He was accused of immorality in his book),that's redundant.It would have been better to tell the audience about Emma's daughter's terrible fate:after the doctor's death,an orphan,she becomes a worker in a spinning mill.Supreme decay for a mother who was longing to be a socialite.
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