Tom Lee is a sensitive boy of 17 whose lack of interest in the "manly" pursuits of sports, mountain climbing and girls labels him "sister-boy" at the college he is attending. Head master ... See full summary »
The overweight debutante daughter of the world's wealthiest couple falls in with a gang of tripped out, skydiving pseudo-reactionary pop stars, who take their beliefs of the American ideal ... See full summary »
Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves ... See full summary »
Johnny Riggs, a con man on the lam, finds himself in a Latin-American country named Patria. There, he overhears a convent-bred rich girl praying to her guardian angel for help in managing ... See full summary »
French author Gustave Flaubert is on trial for writing the "indecent" novel "Madame Bovary." To prove that he wrote a moral tale, Flaubert narrates the story of beautiful Emma Bovary, an adulteress who destroyed the lives of everyone she came in contact with. Written by
Daniel Bubbeo <firstname.lastname@example.org>
The Breen Office opposed the film, saying that it had too many controversies and innuendo; everything from the make-up to the kissing scenes had to be slightly toned down to appease the censors. See more »
There are those who are offended by her, and who see in Emma Bovary's life an attack upon public morality. Gentlemen of the court, I maintain that there is truth in her story, and that a morality which has within it no room for truth is no morality at all. Men may dislike truth. Men may find truth offensive and inconvenient. Men may persecute the truth, subvert it, try by law to suppress it. But to maintain that men have the final power over truth is blasphemy and the last illusion. Truth lives...
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Wonderful performances by Jones and Heflin and splendid directorial realization overcome the spurious moralizing fore and aft tags in which Metro saw fit to sandwich the story. There were complaints for years about the scripting of the novel, but tell me, "What's missing?" I've read the novel at least a dozen times and seen the film many more times than that and all that is missing is Flaubert's 'Proustian' tendency to meander all around his themes with just one more detail. And, after the recent tedious Elizabeth Hubert version this film is exemplary in its efficiency and that makes me wonder if any of the original reviewers ever did read the book. Of course, the ball sequence is without peer, an unyielding display of erotic romanticism and unabashed narcissism. Bravo Vincent, Brava Jennifer!
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