Semi-successful lawyer John Malone is intrigued by local night club singer Anna Marie St. Clair. After meeting her at the club, he is present when her boss (and more?) is killed, and she is...
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Semi-successful lawyer John Malone is intrigued by local night club singer Anna Marie St. Clair. After meeting her at the club, he is present when her boss (and more?) is killed, and she is arrested for the crime. Sentenced to death, Malone and his faithful secretary set out to find the real murderer, who is probably also responsible for a protection racket Malone is investigating. Written by
Ron Kerrigan <firstname.lastname@example.org>
I know that Lewis R Foster is not a film noir specialist, but rather a adventure or western one. Look for instance CROSSWINDS, CAPTAIN CHINA, LAST OUTPOST or EL PASO and so on...
As film noirs, I saw ARMORED CAR, CRASHOUT, MANHANDLED, and I was not disappointed. This film is not really a crime movie, but a mix up of crime, comedy or drama with a light touch. But not charmless. Typically from the late 40's, it should please many of the film buffs. rare stuff too. The playing is quite good, but I can't consider it as an unforgettable movie.
I guess Lewis R Foster made some more films like this, not westerns or adventures. Petty dramas or comedies. I only know he never directed sci fi flicks.
Well, after all, why not watching this one...
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