This story is a true account of the lives of Scott and Marsha Carter. Having graduated from medical school, Scott Carter, a fair-skinned African American, marries Marsha Mitchell and moves ... See full summary »
Ralph Burton is a miner who is trapped for several days as a result of a cave-in. When he finally manages to dig himself out, he realizes that all of mankind seems to have been destroyed in... See full summary »
This musical biopic chronicles the vaudeville-to-Broadway story of 1920s' star Marilyn Miller (June Haver). From her start on the boards in Findlay, Ohio, Marilyn sings and dances her way ... See full summary »
Study of interracial marriage in the 1960's. A white divorcée falls in love with and marries an African-American man. When her ex-husband sues for custody of her child, arguing that a mixed... See full summary »
A pianist has a transplant operation that gives him a new pair of hands. Unfortunately, the hands belonged to a murderer, and he finds the hands starting to take over his life and commit ... See full summary »
In the back country of South Africa, black minister Stephen Kumalo (Canada Lee) journeys to the city to search for his missing son, only to find his people living in squalor and his son a ... See full summary »
Bullfighter Luis Bello (Mel Ferrer) is a star, but fear and doubt strike quickly after he is injured in the ring. Manager Raul Fuentes (Anthony Quinn) refuses to let him give up, though, ... See full summary »
"Die Fledermaus" (The Bat) is the pseudonym adopted by Dr Falke. Floating on the buoyant waltzes of Strauss, this Viennese romp is sure to please. Disguises, tricks and every kind of ... See full summary »
This story is a true account of the lives of Scott and Marsha Carter. Having graduated from medical school, Scott Carter, a fair-skinned African American, marries Marsha Mitchell and moves to Georgia. When he arrives at the black clinic in Georgia, he discovers that the job must inconveniently go to a Southerner. Discussions between two nurses at this clinic suggest that Scott's light skin may have some bearing on the decision not to hire him. Defeated but not conquered, Scott returns to Massachusetts to live with his in-laws until he can get employment. He tries unsuccessfully to obtain employment as an African American. Because Marsha is pregnant, Scott decides to take a job at Portsmouth Hospital, but he reluctantly does so as a white man. While there, he manages to save the life of Dr. Bracket, who encourages him to take a postion in Keenham, New Hampshire. Scott decides to continue "passing" for white. In Keenham, Dr. Scott Carter proves to be quite a success for the town. For ... Written by
Broncine G. Carter
Dr. Carter is shown traveling by U.S. Coast Guard boat from Portsmouth N.H. to the Isle of Shoals, about 6 nautical miles from the city harbor. However, when the boat arrives to its destination it is actually the Cape Neddick Lighthouse station (a.k.a. the Nubble) just off the coast from York, ME. The house the doctor is shown entering is the lighthouse keeper's residence. See more »
"Lost Boundaries" is a 1949 film, based on the true story of a black family that passed for white in New Hampshire. The stars are Mel Ferrer, Beatrice Pearson, Richard Hylton, and Carleton Carpenter. Ferrer plays a black doctor, Scott Carter, who looks white. He wants to live as a black man, and his future wife (Pearson) who comes from a family that has always "passed" has agreed to live as a black as well. But after they marry and there's a baby on the way, and still no job, Scott decides to take a position in a white hospital. Eventually he becomes the town doctor. Before you know it, 20 years have passed, and he and his wife have never even told their children that they have black blood. This leads to complications.
Released the same year as "Pinky," "Lost Boundaries" is a very good movie about deep-seated prejudice that occurred in the north and not in its usual place, the south. Its essential problem is that it doesn't employ any black actors to play the Carters. "Pinky," a superior film, was criticized for the same reason, except that without Jeanne Crain, "Pinky" would not have been made. "Lost Boundaries" has no stars.
It is curious that the issue of "passing" seems to have piqued Hollywood's interest in the late '40s, and one wonders if World War II had something to do with it, with people venturing out of their neighborhoods and meeting others from different social positions and walks of life, all with the same goal of fighting the Axis. However, when Lena Horne went to entertain the troops in World War II, the black soldiers were behind the prisoners of war in the audience. You really wonder what was going through anyone's minds. Certainly not liberty and justice for all.
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