This story is a true account of the lives of Scott and Marsha Carter. Having graduated from medical school, Scott Carter, a fair-skinned African American, marries Marsha Mitchell and moves ... See full summary »

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(additional dialogue) (as Ormonde de Kay), (additional dialogue) | 4 more credits »
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Cast

Cast overview, first billed only:
Beatrice Pearson ...
...
Susan Douglas Rubes ...
Shelly Carter (as Susan Douglas)
Robert A. Dunn ...
Rev. John Taylor (as Rev. Robert A. Dunn)
Richard Hylton ...
Howard 'Howie' Carter
Grace Coppin ...
Mrs. Mitchell
Carleton Carpenter ...
Andy
Seth Arnold ...
Clint Adams
Wendell Holmes ...
Mr. Morris Mitchell
Parker Fennelly ...
Alvin Tupper
Ralph Riggs ...
Loren Tucker
William Greaves ...
Arthur 'Art' Cooper
Ray Saunders ...
Dr. Jesse Pridham (as Rai Saunders)
Leigh Whipper ...
Janitor
Morton Stevens ...
Dr. Walter Brackett
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Storyline

This story is a true account of the lives of Scott and Marsha Carter. Having graduated from medical school, Scott Carter, a fair-skinned African American, marries Marsha Mitchell and moves to Georgia. When he arrives at the black clinic in Georgia, he discovers that the job must inconveniently go to a Southerner. Discussions between two nurses at this clinic suggest that Scott's light skin may have some bearing on the decision not to hire him. Defeated but not conquered, Scott returns to Massachusetts to live with his in-laws until he can get employment. He tries unsuccessfully to obtain employment as an African American. Because Marsha is pregnant, Scott decides to take a job at Portsmouth Hospital, but he reluctantly does so as a white man. While there, he manages to save the life of Dr. Bracket, who encourages him to take a postion in Keenham, New Hampshire. Scott decides to continue "passing" for white. In Keenham, Dr. Scott Carter proves to be quite a success for the town. For ... Written by Broncine G. Carter

Plot Summary | Add Synopsis

Taglines:

The True Story Of A Family Who Lived A Lie For Twenty Years!

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

2 July 1949 (USA)  »

Also Known As:

Den osynliga gränsen  »

Filming Locations:

 »

Box Office

Budget:

$250,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Dr. Carter is shown traveling by U.S. Coast Guard boat from Portsmouth N.H. to the Isle of Shoals, about 6 nautical miles from the city harbor. However, when the boat arrives to its destination it is actually the Cape Neddick Lighthouse station (a.k.a. the Nubble) just off the coast from York, ME. The house the doctor is shown entering is the lighthouse keeper's residence. See more »

Connections

Referenced in That's Black Entertainment (1990) See more »

Soundtracks

I Wouldn't Mind
(uncredited)
Music and Lyrics by Carleton Carpenter
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User Reviews

 
Eccentric, Maybe Cowardly, Casting But Quite A Good Movie
29 May 2006 | by (NY, NY) – See all my reviews

Can you imagine Mel Ferrer as a Pullman porter in the 1940s? Neither can I. He doesn't play one but his character, who is a young doctor passing for white, says that if he let his race be known he might end up doing that.

This is (so we are told) a true story. The Ferrer character is given a break: He becomes the local doctor in a small New Hampshire town. His wife, also played by a white actress who therefore can very easily "pass for white" goes along with his charade.

(The actor playing their son as an adult is very good. His character becomes involved in an adventure -- what, I cannot say without giving away the plot. It is related in a noir fashion that both works and seems a little generic.) Possibly we're meant to be inspired. My main feeling about the choice this couple makes is that it is egregiously unfair to their two children. The kids don't know they are black.

It's a low-keyed story, generally well acted. I found it hard not to get caught up in the central characters' dilemma.) I'm not sure why but the casting didn't bother me so much as that of "Pinky." Maybe because "Pinky" is more self-congratulatory about touching such a daring topic. "Lost Boundaries" is really not a message movie. It tells a story and tells it well -- albeit a bit dishonestly


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