This story is a true account of the lives of Scott and Marsha Carter. Having graduated from medical school, Scott Carter, a fair-skinned African American, marries Marsha Mitchell and moves ... See full summary »
Jôji is a boxer barred from the ring; Saeko is a singer whose voice is gone. Lost souls, they meet one night by a quay; she may be thinking of suicide. He invites her to his café, and ... See full summary »
Even though Peter and Kimani grow up together, Kimani soon finds that different races are treated differently. After the father of Kimani is jailed for following tribal customs, Kimani ... See full summary »
A fictional-story film in which many of the people seen in it are using their real name portraying the character who shows up in this fictional film in a completely fictional-and-staged ... See full summary »
It's Fibber and Molly's 20th anniversary and they want to throw a big party. But when everyone declines their invitation, they decide to go on a second honeymoon instead. After one night at... See full summary »
Mary, who is infatuated with her boss, discovers that he is having an affair with one of her coworkers. Despondent, she leaves work and overhearing news of a suicide, impulsively decides to... See full summary »
Douglas Fairbanks Jr.,
Laura La Plante,
Tom Brewster, handy with a rope but not a gun, rides into town and mails his lawyer's exam. When his lack of ability with a gun is exposed, the town boss Turlock offers him the job of ... See full summary »
Will Rogers Jr.,
Lon Chaney Jr.
Lulu Monahan (Patsy Kelly), the press agent for John Barrymore (John Barrymore),is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser (... See full summary »
This story is a true account of the lives of Scott and Marsha Carter. Having graduated from medical school, Scott Carter, a fair-skinned African American, marries Marsha Mitchell and moves to Georgia. When he arrives at the black clinic in Georgia, he discovers that the job must inconveniently go to a Southerner. Discussions between two nurses at this clinic suggest that Scott's light skin may have some bearing on the decision not to hire him. Defeated but not conquered, Scott returns to Massachusetts to live with his in-laws until he can get employment. He tries unsuccessfully to obtain employment as an African American. Because Marsha is pregnant, Scott decides to take a job at Portsmouth Hospital, but he reluctantly does so as a white man. While there, he manages to save the life of Dr. Bracket, who encourages him to take a postion in Keenham, New Hampshire. Scott decides to continue "passing" for white. In Keenham, Dr. Scott Carter proves to be quite a success for the town. For ... Written by
Broncine G. Carter
Dr. Carter is shown traveling by U.S. Coast Guard boat from Portsmouth N.H. to the Isle of Shoals, about 6 nautical miles from the city harbor. However, when the boat arrives to its destination it is actually the Cape Neddick Lighthouse station (a.k.a. the Nubble) just off the coast from York, ME. The house the doctor is shown entering is the lighthouse keeper's residence. See more »
The topic of racial boundaries is explored in fine detail in this story about a light-skinned doctor and his family who all pass for white in a New England town. All points of view and opinions are represented. What makes this such a remarkable film is that it was made in 1949, hardly a year of profound social change in America when it came to the color line. This makes the movie that much more daring. A much better look at the topic of passing than either Pinkie or the second version of Imitation of Life (the first was quite extraordinary, and far superior). There are some really wonderful scenes including one at the town dance when the doctor's son brings home a dark-skinned black friend. The levels of acceptance and non-acceptance of the young black man are nuanced and played out beautifully.
The film suffers a tiny bit from hokey dialogue and mild melodrama, but that is more a result of the year it was made.
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