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Little Women (1949)

Approved  |   |  Drama, Family, Romance  |  April 1949 (USA)
7.3
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Ratings: 7.3/10 from 4,358 users  
Reviews: 52 user | 9 critic

Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth... See full summary »

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Writers:

(screen play), (screen play), 3 more credits »
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Title: Little Women (1949)

Little Women (1949) on IMDb 7.3/10

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Won 1 Oscar. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
...
Jo
...
...
...
Amy
...
Meg
...
...
Lucile Watson ...
...
Mr. Laurence (as Sir C. Aubrey Smith)
Elizabeth Patterson ...
Hannah
...
...
Richard Wyler ...
John Brooke (as Richard Stapley)
Connie Gilchrist ...
...
Sophie
Edit

Storyline

Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth are at home with their mother - a very outspoken women for her time. The story is of how the sisters grow up, find love and find their place in the world. Written by Rob Hartill

Plot Summary | Add Synopsis

Taglines:

THRILLS OF YOUNG LOVE! (original print ad - all caps)

Genres:

Drama | Family | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

April 1949 (USA)  »

Also Known As:

Mujercitas  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

(Western Electric Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Elizabeth Taylor's future Father of the Bride (1950) costar Joan Bennett played Amy March in the 1933 version of 'Little Women'. See more »

Goofs

As Marmee is watching the girls leave to shop for Christmas presents a modern zipper is visible up the back of her dress. See more »

Quotes

Theodore Laurence 'Laurie': [upon seeing Jo's hair cut short] Christopher Columbus!
See more »

Connections

Version of Little Women: Pilot (1978) See more »

Soundtracks

Josephine
(1933) (uncredited)
from Little Women (1933)
Music by Max Steiner
used as a main theme in the score
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

All the colors of the rainbow...and overly cute June Allyson...
1 March 2002 | by (U.S.A.) – See all my reviews

A glossy, overly sentimental, candybox version of LITTLE WOMEN that is easy on the eyes with its vibrant, sometimes delicate use of color and pleasant to listen to with the same background score used for the 1933 movie version with Katharine Hepburn. But the trouble lies in the casting--June Allyson is tomboyish enough but uses all of her cute acting tricks to remind us that she's not really Jo March at all. Margaret O'Brien is a bit too mushy as Beth, her childish voice quivering with tearful emotion. Janet Leigh, however, makes a perfect Meg and Elizabeth Taylor is an inspired piece of casting as Amy.

Others in the cast are impressive enough--Mary Astor, Leon Ames and most of all, Lucille Watson as Aunt March. There is humor and pathos in the script and it is all played for warm-hearted, tender charm whenever it remains faithful to the Louisa May Alcott classic. But with two of the pivotal roles in the hands of unsuitable players, it fails to hold more than a modest amount of conviction.

The sets are artistic and beautifully photographed (it won an Oscar for Best Set Decoration in Color), but the March home looks a bit too imposing for a poor family during the Civil War and the costumes look as though they came straight from the MGM costume department without sparing any cost.

Peter Lawford makes an acceptable Laurie and Rossano Brazzi does his continental charm to the max. What could have been a great film manages to be warm and touching, slick and glossy at the same time--but worth watching for the performances of Elizabeth Taylor and Janet Leigh. The final scene in the rain between Allyson and Brazzi has a certain charm but then the camera pans to a rainbow over the March house which seems an artificial touch to one of the film's few genuine moments.


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