| Jeanne Crain | ... | Deborah Bishop | |
| Linda Darnell | ... | Lora Mae Hollingsway | |
| Ann Sothern | ... | Rita Phipps | |
| Kirk Douglas | ... | George Phipps | |
| Paul Douglas | ... | Porter Hollingsway | |
| Barbara Lawrence | ... | Georgiana 'Babe' Finney | |
| Jeffrey Lynn | ... | Bradford 'Brad' Bishop | |
| Connie Gilchrist | ... | Mrs. Ruby Finney | |
| Florence Bates | ... | Mrs. Manleigh | |
| Hobart Cavanaugh | ... | Mr. Manleigh | |
| rest of cast listed alphabetically: | |||
| James Adamson | ... | Porter's Butler (uncredited) | |
| Joe Bautista | ... | Thomasino (uncredited) | |
| Patti Brady | ... | Kathleen (uncredited) | |
| Ralph Brooks | ... | Bookie Dancer at Country Club (uncredited) | |
| John Davidson | ... | John, First Waiter (uncredited) | |
| Sayre Dearing | ... | Country Club Dancer (uncredited) | |
| Franklyn Farnum | ... | Country Club Member (uncredited) | |
| Sammy Finn | ... | Second Waiter (uncredited) | |
| Celeste Holm | ... | Addie Ross (voice) (uncredited) | |
| Stuart Holmes | ... | Old Man at Table (uncredited) | |
| Mae Marsh | ... | Miss Jenkins (uncredited) | |
| George Offerman Jr. | ... | Nicholas 'Nick' Butler (uncredited) | |
| Thelma Ritter | ... | Sadie Dugan (uncredited) | |
| Carl 'Alfalfa' Switzer | ... | Leo, Second Messenger (uncredited) | |
| Charles Tannen | ... | Radio Announcer for 'Confessions of Brenda' (voice) (uncredited) | |
| John Venn | ... | First Messenger (uncredited) | |
| Ruth Vivian | ... | Miss Hawkins (uncredited) | |
Directed by | |||
| Joseph L. Mankiewicz | |||
Writing credits | ||
| Vera Caspary | (adaptation) | |
| John Klempner | (Cosmopolitan Magazine novel) | |
| Joseph L. Mankiewicz | (screenplay) | |
Produced by | |||
| Sol C. Siegel | .... | producer | |
Original Music by | |||
| Alfred Newman | |||
Cinematography by | |||
| Arthur C. Miller | (as Arthur Miller) | ||
Film Editing by | |||
| J. Watson Webb Jr. | |||
Art Direction by | |||
| J. Russell Spencer | |||
| Lyle R. Wheeler | (as Lyle Wheeler) | ||
Set Decoration by | |||
| Thomas Little | |||
| Walter M. Scott | |||
Costume Design by | |||
| Kay Nelson | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Thomas Tuttle | .... | makeup artist (uncredited) | |
Production Management | |||
| F.E. 'Johnny' Johnston | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Gaston Glass | .... | assistant director (uncredited) | |
Sound Department | |||
| Roger Heman Sr. | .... | sound (as Roger Heman) | |
| Arthur von Kirbach | .... | sound (as Arthur L. Kirbach) | |
Special Effects by | |||
| Fred Sersen | .... | special photographic effects | |
Camera and Electrical Department | |||
| Logan Brown | .... | grip (uncredited) | |
| Paul Lockwood | .... | camera operator (uncredited) | |
| Jerry Milligan | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | wardrobe director | |
| Sam Benson | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| Lyman Hallowell | .... | apprentice editor (uncredited) | |
Music Department | |||
| Edward B. Powell | .... | orchestral arranger (as Edward Powell) | |
Other crew | |||
| Weslie Jones | .... | script supervisor (uncredited) | |
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| The Painted Veil | Love in the Time of Cholera | The Women | Aimee & Jaguar | I Vitelloni |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
There's no doubt about it: "Letter to Three Wives" is, to use a character quote from the script, a "Bingo!"
I agree that the screenplay, directing, acting, and general production are all excellent. What a pleasure to see how well it holds up after so many years.
Constantly engaging, a powerhouse, perfect cast offers beautifully modulated performances, and the writing is creatively brilliant.
I'd forgotten what an effective actor is Paul Douglas. Like Thelma Ritter (also in the cast) he seems like an ordinary guy from real life, not even "acting." Both he and Ritter are "naturals," in that they just seem to "live" their parts, never showing their technique.
Plaudits also go to Linda Darnell, whose scenes with Douglas are gems, as well as veterans Ann Southern, Jeanne Crain and Kirk Douglas. Their casting couldn't have been bettered.
Here's a film that seems to, like fine wine, grow increasingly better with age. It's becoming (if has not already become) a genuine classic.