Andrew Morton is an attorney who made it out of the slums. Nick Romano is his client, a young man with a long string of crimes behind him. After he lost his paycheck gambling, hoping to buy...
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Matt Brennan runs into Jo Holloway, the Red Cross girl he romanced in Europe when he was a flyer in World War II, when he is offered a job by jet manufacturer Leland Willis as a test pilot.... See full summary »
Andrew Morton is an attorney who made it out of the slums. Nick Romano is his client, a young man with a long string of crimes behind him. After he lost his paycheck gambling, hoping to buy his wife some jewelry, she announced she was pregnant, Later he finds her dead from suicide. When he turns again to robbery he's caught by a cop and Nick pumps all his bullets into him in frustration. Morton's appeal to the court emphasizes the evils of the slums. Written by
Ed Stephan <firstname.lastname@example.org>
Producer Mark Hellinger had owned the rights to the novel and was planning to film it when he opened his own production company in late 1947. Humphrey Bogart was to be a partner in Mark Hellinger Productions. However, Hellinger died in December 1947. It is probable that Bogart purchased the rights from Hellinger's estate some time in 1948, and this film was the first production of Bogart's independent company, Santana. See more »
In court, when Morton stands up for the first time, he puts both hands in his pockets. The next shot shows him with only his left hand in the pocket. See more »
Bogey is superb as defense attorney with too soft a heart under his tough guy exterior, and Derek is chillingly believable as the cool, young delinquent who thinks nothing of playing his friends for marks. Macready, as the relentless D.A, pulls no punches, and allows for no softness in an indelible performance.
A pioneering movie blazes a trail later imitated but never bested.
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