Professor Davidson (Frank Shannon) and his daughter Diana (Jeanne Bates)search Africa for the Lost City of Zoloz, reputed to be the source of a large hidden treasure. Also searching is a ... See full summary »
Columbia's 12th serial of 57 total (following 1940's "Deadwood Dick" and ahead of 1941's "White Eagle") is another of director's James Horne's "classics" where he evidently figured that the... See full summary »
The Daily Clarion hires detective story writer Steve Colt to investigate the deaths of a group of scientists working on an atomic rocket development project. Behind the killings is fortune ... See full summary »
Crash Corrigan, a recent graduate of Annapolis, and Diana, a go-getting reporter, join Professor Norton for a search for the source of a string of earthquakes, Atlantis. They ride Prof. ... See full summary »
Prof. Millard pretends to be dead and helps Jeff King ferret out Vulcan, the evil traitor at the science academy. Donning his Rocket Man costume King goes from one hair raising rescue to the next in order to keep the newly invented Decimator out of the clutches of Vulcan and his minions. Written by
Randy Spencer <firstname.lastname@example.org>
1949's "King of the Rocket Men" was the first of three serials from Republic Pictures featuring a man wearing essentially the same rocket suit and helmet. The other two, both released in 1952, were "Radar Men From the Moon" and "Zombies of the Stratosphere." All three have things going for them though, each time, Republic tried to reinvent the character ... Jeff King in "King," Commando Cody in "Radar," and Larry Martin in "Zombies." The first and second serials were later revised for different purposes. "King of the Rocket Men" was edited to remove the cliffhanger sequences and the "remember when" episode (the one which is primarily flashbacks of prior chapters) and re-released it as a feature film titled "Lost Planet Airmen" in 1951. And "Radar Men From the Moon" was released as a 12-episode TV series under the new title, "Commando Cody: Sky Marshall of the Universe" in 1953. The third serial, "Zombies," while not remade, is probably the best remembered since it marked the science-fiction feature film acting debut of Leonard Nimoy (later, Mr. Spock of Star Trek fame) playing Narab, a Martian zombie.
But, "King of the Rocket Men" was the best of the three. Especially during 1949 and subsequent years, it was far more believable to envision a potential traitor, blackmailing government entities and possibly selling secrets to a foreign power than to believe in invaders from the Moon or Mars (in "Radar" and "Zombies," respectively). Also, and this is just my opinion, the two later serials seemed a bit contrived ... like they were merely attempting to cash in on the success of "King" ... a very well-acted serial for the time with an iron-clad plot line.
So, why the 8 of 10 rating? Back in 1949, money was tight in the studios. And sometimes, it was cheaper to "buy" special effects than it was to make them. That's exactly what Republic Pictures did. Since they wanted cataclysmic special effects in the last chapter but didn't want to spend the money, they simply bought rights to the 1933 film, "Deluge," for the sole purpose of borrowing the special effects footage for use in "King." And while there's nothing inherently wrong in such a practice (it has been done many times by Hollywood), it almost forced "Deluge" into obscurity. There were very few copies of "Deluge" available and, after Republic borrowed the scenes, they trashed the rest of the footage. Fortunately, one copy (not the Italian one with English subtitles) was discovered in France and it has since been preserved (though not openly released by any studio). In English? Don't know.
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