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Kind Hearts and Coronets (1949)

Not Rated | | Comedy, Crime | 14 June 1950 (USA)
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A distant poor relative of the Duke of D'Ascoyne plots to inherit the title by murdering the eight other heirs who stand ahead of him in the line of succession.

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Writers:

(novel), (screenplay) | 1 more credit »
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Nominated for 1 BAFTA Film Award. Another 3 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Audrey Fildes ...
Mama
Miles Malleson ...
...
John Penrose ...
Lionel
Cecil Ramage ...
Crown Counsel
...
Lord High Steward
John Salew ...
Mr. Perkins
Eric Messiter ...
Burgoyne
Lyn Evans ...
The Farmer
Barbara Leake ...
The Schoolmistress
Peggy Ann Clifford ...
Maud
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Storyline

In prison awaiting execution the next morning Louis, the 10th Duke of Chalfont, sets down on paper the events that led him to his current situation. His mother has been banished from her family, the D'Ascoynes, after she married Louis' father who was considered far beneath her. After her death, the D'Ascoynes refused permission for her to be buried in the family crypt. Louis then plots his revenge - and kills all those ahead of him in the succession until he becomes the Duke. Along the way, he becomes involved with the married Sibelia who, when spurned, makes sure he ends up in prison. The day before his execution Sibelia recants her testimony saving him not only from the gallows but also sets him free. Once outside the prison however, he realizes he's forgotten one little thing........ Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

He chopped down the family tree... See more »

Genres:

Comedy | Crime

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 June 1950 (USA)  »

Also Known As:

Adel verpflichtet  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Initially Alec Guinness was only offered four of the roles; it was Guinness himself who insisted on playing all eight. See more »

Goofs

When "The Hangman" (Miles Malleson) opens the peep-hole to the prisoner's cell, he moves the covering to the right, with a finger. After we are allowed to gaze at the back of the prisoner's neck for a few seconds, the shot reverts to the outside of the cell door; The Hangman releases the cover which closes from left to right, not right to left, as it should have done. See more »

Quotes

[first lines]
Warder in Jail: Good evening, Mr. Elliot.
The Hangman: Good evening.
See more »

Crazy Credits

The opening credits list photos of the 4 leading actors with their character names; in the case of Alec Guinness, 8 photos of the 8 characters he plays are shown, along with the one character name of "The D'Ascoyne Family." In the end credits, the 8 character names are listed for him. See more »

Connections

Featured in Forever Ealing (2002) See more »

Soundtracks

Il mio tesoro intanto
The Aria is
from Don Giovanni by Wolfgang Amadeus Mozart (as Mozart)
Libretto by Lorenzo da Ponte (uncredited)
The music is played by The Philharmonia Orchestra
Conducted by Ernest Irving
Sung by an unidentified solist
See more »

Frequently Asked Questions

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User Reviews

Comedy of wit and manners reaches its height here---PLEASE DO NOT REMAKE IT!
31 March 2004 | by See all my reviews

I've seen this gem half a dozen times and look forward to seeing it a few times more. It's a masterpiece of unsentimental, yet genteel, humor, and features performances by some extraordinary actors. Sir Alec Guiness's eight different turns have been much commented on and deserve every superlative they've received. Dennis Price is too little recognized--in the US, at least--for his gifts, as his work here proves. Valerie Hobson is wonderful, and Joyce Greenwood is...I would happily buy a recording of her reading the OED, just to hear that astonishing voice. And, in a small but marvelous role, Miles Malleson is superb. If you have not seen this film, it's readily available. Give yourself a treat. I know that Hollywood seems to have forgotten that there's nothing to be gained by trying to remake a perfect film. If they ever dare to do it with this one--I don't give a damn who is in it, or who directs or writes--don't bother. See the original. None genuine without the Ealing Label.


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